<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-896012473241029504</id><updated>2012-01-28T11:42:33.770+01:00</updated><title type='text'>Pathographie</title><subtitle type='html'>Actualités et avancées scientifiques</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>53</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-4995423512242796285</id><published>2011-12-08T22:04:00.006+01:00</published><updated>2011-12-19T01:03:11.984+01:00</updated><title type='text'>Le miroir du temps, les momies de Randazzo (Sicile, 17e-19e s.)</title><content type='html'>&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;&lt;a href="http://1.bp.blogspot.com/-1xusKIB9aLA/TuErlscLIqI/AAAAAAAAAvM/04sTF7EeHsQ/s1600/RA08%252CUS%2B0%252C%2B4%252C%2Blaterale%2Bsx%2Ba.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 290px; height: 400px;" src="http://1.bp.blogspot.com/-1xusKIB9aLA/TuErlscLIqI/AAAAAAAAAvM/04sTF7EeHsQ/s400/RA08%252CUS%2B0%252C%2B4%252C%2Blaterale%2Bsx%2Ba.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683872131302761122" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;Nouvelle publication dans la collection "Pathographie" (éditions De Boccard, Paris)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;"&lt;span class="Apple-style-span" style=" ;"&gt;Le miroir du temps : les momies de Randazzo (Sicile, 17e-19e s.). Catalogue de l'exposition crée à St Jean de Côle (Dordogne) en ouverture du 4e colloque international de pathographie. Sous le Haut Patronage de M. Frédéric Mitterrand, Ministre de la Culture et de la Communication."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;Sous la direction de CHARLIER (Ph.) et de LO GERFO (L.). 281 p., 163 ill. dont 126 en couleurs, 2011 (530 g).&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;&lt;i&gt;-&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;&lt;b&gt;Présentation&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;Découvertes fortuitement il y a peu, les momies de Randazzo (Sicile, province de Catane) sont un ensemble exceptionnel de restes humains en partie momifiés datés du XVIIe au XIXe siècle. Ceux-ci ont fait l’objet d’une étude multidisciplinaire à la fois scientifique et archéologique : ainsi ont été reconstitués non seulement l’état de santé de cette population des pentes de l’Etna, mais aussi les procédés de conservation corporelle tout à fait originaux pratiqués sur leurs dépouilles.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;Ce catalogue présente la totalité des résultats de cette analyse ; il est précédé d’études originales permettant de situer la place du rituel sicilien de momification dans l’ensemble des pratiques d’embaumement non seulement occidental, mais aussi mondial.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;D’un accès facile, cet ouvrage est indispensable à qui s’intéresse aux momies.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style=" ;font-family:georgia;font-size:100%;"&gt;&lt;i&gt;-&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;&lt;b&gt;Table des matières&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Les restes humains de l'église Sainte-Marie de Randazzo (Province de Catane), &lt;i&gt;Lo Gerfo L.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Restes humains, lieux et procédures de momification en Sicile, &lt;i&gt;Lo Gerfo L.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- La momie RA 08-0-125 : une étude pluridisciplinaire, &lt;i&gt;Charlier P, Lo Gerfo L, Huynh-Charlier I, Chaillot PF, Ménétrier M, Moulherat C.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- L'analyse élémentaire des dépôts intra-crâniens (RA 08-0-103), &lt;i&gt;Poupon J.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Momiologie et paléopathologie : contribution à l'histoire des maladies et de la médecine, &lt;i&gt;Thillaud PL.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- L'embaumement dans l'ancienne Egypte, &lt;i&gt;Grilletto R, Boano R.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Des momies américaines, &lt;i&gt;Laquay L.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Les momies comme médicaments, &lt;i&gt;Trépardoux F.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Momies et embaumements en France au Moyen-Age, &lt;i&gt;Georges P.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Pathographie et momies, &lt;i&gt;Charlier P.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- L'embaumement dans le rituel français de la mort des rois (XVIe-XVIIIe s.), &lt;i&gt;Perez S.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Ouvrir un corps de Roi : pourquoi ? comment ? Le cas d'Henri IV, &lt;i&gt;Charlier P, Grilletto R, Boano R, Gourevitch, Galland B, Babelon JP, Perot J.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Manière d'embaumer les morts, &lt;i&gt;Philbert Guybert.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Alexandre Lenoir : sauveur ou profanateur de momies ?, &lt;i&gt;Gabet S.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- De quelques ossuaires d'Occident, &lt;i&gt;Chabot A.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Les momies italiennes : la mort en spectacle, &lt;i&gt;Di Folco P.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;- Catalogue, &lt;i&gt;Charlier P, Lo Gerfo L.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"    style="font-family:georgia;font-size:100%;color:#ff0000;"&gt;SUR PRESENTATION DE CETTE ANNONCE, UNE REDUCTION DE 5% VOUS SERA OFFERTE DIRECTEMENT PAR L'EDITEUR SUR LE PRIX DE L'OUVRAGE&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"   style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-4995423512242796285?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/4995423512242796285/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=4995423512242796285' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/4995423512242796285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/4995423512242796285'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2011/12/le-miroir-du-temps-les-momies-de.html' title='Le miroir du temps, les momies de Randazzo (Sicile, 17e-19e s.)'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-1xusKIB9aLA/TuErlscLIqI/AAAAAAAAAvM/04sTF7EeHsQ/s72-c/RA08%252CUS%2B0%252C%2B4%252C%2Blaterale%2Bsx%2Ba.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-3345943901079486847</id><published>2011-09-27T23:02:00.005+02:00</published><updated>2011-09-27T23:42:12.987+02:00</updated><title type='text'>Journées d'Histoire de la Médecine Légale</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-ymsMZGz3U3E/ToI6EfGjm2I/AAAAAAAAAvE/JJ_w8irFyms/s1600/Diapositive1.tif" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://1.bp.blogspot.com/-ymsMZGz3U3E/ToI6EfGjm2I/AAAAAAAAAvE/JJ_w8irFyms/s400/Diapositive1.tif" border="0" alt="" id="BLOGGER_PHOTO_ID_5657147930673650530" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;-&lt;/div&gt;&lt;div&gt;       &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;527&lt;/o:Words&gt;   &lt;o:characters&gt;3005&lt;/o:Characters&gt;   &lt;o:lines&gt;25&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;6&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;3690&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.1539&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;     &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Organisées par la Société Française d’Histoire de la Médecine (SFHM)&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;En partenariat avec la Société Française de Médecine Légale, avec l’Université de Paris 3 et de Paris 5, l’AP-HP et la Préfecture de Police de Paris.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;-&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Responsable&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Dr Philippe Charlier&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;Secrétaire général adjoint de la SFHM&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;MCU-PH, Service de Médecine Légale, CHU R. Poincaré (AP-HP, UVSQ, Garches)&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Tel. (33) 1 47 10 76 80/89&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Port. (33) 6 64 21 07 00&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Fax. (33) 1 47 10 76 83&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;E-mail. &lt;a href="mailto:ph_charlier@yahoo.fr"&gt;ph_charlier@yahoo.fr&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;-&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Comité d’Organisation&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Patrick Berche&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Hugues Marchal&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Jean-Jacques Ferrandis&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Philippe Bonnichon&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Pierre-Léon Thillaud&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Emmanuelle Broux-Foucaud&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;-&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Comité Scientifique&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Christian Hervé&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Danielle Gourevitch&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Geoffroy Lorin de la Grandmaison&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Bertrand Ludes&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Yves Schuliar&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Eric Baccino&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;-&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Frais d'inscription&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;45 euros par personne (incluant l'accès aux 2 journées, un ouvrage de la collection "Pathographie" en rapport avec le sujet et un apéritif le vendredi soir).&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Les orateurs ne sont pas dispensés de frais d'inscription.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;-&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Publication des actes&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Numéro spécial de la &lt;i&gt;Revue de Médecine Légale&lt;/i&gt;&lt;span style="font-style:normal"&gt; (Elsevier), après avis comité de lecture.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;+ 4 communications dans &lt;i&gt;Histoire des Sciences Médicales&lt;/i&gt;&lt;span style="font-style:normal"&gt; (revue de la SFHM).&lt;/span&gt;&lt;/p&gt;  &lt;div style="text-align: justify;"&gt;-&lt;/div&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Programme&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;i&gt;Vendredi 18 novembre 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;14h00-17h : Ancien amphithéâtre anatomique, 5 rue de l’Ecole de Médecine, 75005 Paris, (Université de Paris 3).&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;14h00-14h15 : Ouverture des Journées d’Histoire de la Médecine Légale.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;14h15-14h45 : Antonio Ricciardetto : « &lt;i&gt;Inspecter un corps mort &lt;/i&gt;&lt;span style="font-style:normal"&gt;: contribution des rapports médicaux conservés sur papyrus (I&lt;sup&gt;er&lt;/sup&gt; – IV&lt;sup&gt;e&lt;/sup&gt;&lt;/span&gt;&lt;span style="font-style:normal"&gt; siècles de notre ère) à l’histoire de la pratique médico-légale antique ».&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;14h45-15h15 : Geoffroy Lorin de la Grandmaison, « La médecine légale et le Tribunal Pénal International pour l’ex-Yougoslavie ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;15h15-15h45 : Caroline Rambaud, « Les enterrements précipités ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-font-width:0%"&gt;&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;/span&gt;15h45-16h00 : Pause&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;16h00-16h30 : Philippe Charlier &amp;amp; Clarisse Prêtre, « Une mesure administrative contre les déambulations publiques des alcooliques (Eleftherna, Crète, 600-450 av. J.-C.) ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;16h30-17h00 : Emmanuelle Broux-Foucaud &amp;amp; Olivier Accarie-Pierson, « Le Musée de la Préfecture de Police de Paris et l’histoire de la médecine légale ».&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;17h-18h : Visite du Musée de la Préfecture de Police de Paris (M° Maubert Mutualité)&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&amp;gt; 18h : Dîner libre.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;-&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;i&gt;Samedi 19 novembre 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;10h-12h : Salle du Conseil, 12 rue de l’Ecole de Médecine, 75005 Paris (Université de Paris 5).&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-font-width:0%"&gt;&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;/span&gt;10h00-10h30 : Philippe Bonnichon, « Ambroise Paré et l'expertise médicale ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;10h30-11h00 : Danielle Gourevitch, « Accidents de voiture dans l’Empire romain : le médecin ou le dieu ? »&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;11h00-11h30 : Joël Poupon, « Entre poisons et médicaments. Usage médical des substances minérales dans l’Histoire ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;11h30-12h00 : Yves Schuliar, « Histoire de la criminalistique et de ses rapports avec la médecine légale ».&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;12h-14h30 : Déjeuner libre.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;14h30-17h : Séance de la Société Française d’Histoire de la Médecine (même lieu que le matin).&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-font-width:0%"&gt;&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;/span&gt;14h30 : ouverture de la séance de la SFHM.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-font-width:0%"&gt;&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;/span&gt;14h30-15h00 : Sébastien Varéa &amp;amp; Philippe Charlier, « La numérisation de la tête d’Henri IV : nouvelles technologies et identification médico-légale ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;15h00-15h30 : Isabelle Coquillard, « Des conseillers médecins jurés au Châtelet de Paris aux médecins légistes. Genèse d’une professionnalisation (1692-1801) ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-font-width:0%"&gt;&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;/span&gt;15h30-16h00 : Caroline Mangin-Lazarus, « L’affaire Firmin et l’absence de législation sur le crime pendant la Révolution Française ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;16h00-16h30 : Sandra Menenteau, « L’art d’improviser. La pratique des autopsies médico-légales au 19&lt;sup&gt;ème&lt;/sup&gt; siècle ».&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-font-width:0%"&gt;&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;  &lt;/span&gt;&lt;/span&gt;16h30-17h00 : synthèse, fin de la séance de la SFHM, fin des Journées.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;-&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Inscription&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;Avant le 10 novembre, par chèque à l'ordre de "M. le Trésorier de la SFHM" adressé à :&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;Dr Philippe Albou, 13 cours Fleurus, 18200 Saint-Amand-Monrond.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;-&lt;/p&gt;  &lt;!--EndFragment--&gt;  &lt;!--EndFragment--&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-3345943901079486847?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/3345943901079486847/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=3345943901079486847' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3345943901079486847'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3345943901079486847'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2011/09/journees-dhistoire-de-la-medecine.html' title='Journées d&apos;Histoire de la Médecine Légale'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-ymsMZGz3U3E/ToI6EfGjm2I/AAAAAAAAAvE/JJ_w8irFyms/s72-c/Diapositive1.tif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-5483958684806181412</id><published>2011-09-15T16:47:00.001+02:00</published><updated>2011-09-15T16:49:23.189+02:00</updated><title type='text'>Trotsky et les 1000 crânes…</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a href="http://3.bp.blogspot.com/-OuuMgux6ZvE/TnIQEKouysI/AAAAAAAAAu8/qa1U9jg0Afs/s1600/Trotsky.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 292px;" src="http://3.bp.blogspot.com/-OuuMgux6ZvE/TnIQEKouysI/AAAAAAAAAu8/qa1U9jg0Afs/s400/Trotsky.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5652598146064108226" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;Qu’ont donc en commun Léon Trotsky et près de 1000 crânes déposés sur les étagères d’une institution américaine ? Ils sont morts. Certes. Mais ils ont surtout été l’objet d’examens scientifiques &lt;i&gt;post-mortem&lt;/i&gt; (anthropologiques et médicaux) dont l’objectivité et les motivations sont, comme souvent, discutables. Deux publications récentes en témoignent.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;Dans une revue médicale internationale (&lt;i&gt;Neurosurgery&lt;/i&gt;), a été publié et analysé le dossier d’un patient traité au Cruz Verde Hospital de Mexico City le 20 août 1940 sous le nom de Lev Davidovitch Bronstein. Quelques heures auparavant, un certain Ramon Mercader lui a asséné un coup de pic à glace sur le crâne dans sa maison de Coyoacan. L’arme blanche a pénétré au niveau du pariétal droit sur 7 centimètres de profondeur… mais Trotsky vit toujours. Son souffle est court et superficiel ; cela ressemble plus à une agonie, mais la décision est prise de tenter le tout pour le tout.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Un premier examen est réalisé par le docteur Dutrem (un espagnol émigré après la Guerre Civile, célèbre pour l’invention de l’&lt;i&gt;Erotil&lt;/i&gt;, un ancêtre du &lt;i&gt;Viagra&lt;/i&gt;&lt;span style="font-family:Symbol; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; mso-char-type:symbol;mso-symbol-font-family:Symbol"&gt;&lt;span&gt;Ó&lt;/span&gt;&lt;/span&gt;), objectivant une paralysie du membre supérieur droit et des mouvements incontrôlables du côté gauche ; par ailleurs, Trotsky arrive encore à dire quelques mots.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;C’est un cortège presque officiel de sommités à la fois médico-chirurgicales et politiques (presque une dizaine) qui attend la victime dans la salle d’opération de Cruz Verde. Après une série de radiographies, 3 heures après les coups assénés, l’intervention débute : les cheveux de Trotsky sont rasés, on lui pratique une trépanation de 5 x 5 centimètres, on extirpe des esquilles osseuses dispersées au sein des matières cérébrales. La pression intra-crânienne et l’œdème sont tellement forts que le cerveau fait hernie à travers l’orifice de trépan. L’opération dure une heure. Quand Trotsky sort du bloc, de l’oxygène lui est administré par le nez ; interdiction est faite de lui faire des prises de sang tant il en a perdu au cours auparavant. Le pronostic ? Risque de mort à 90%&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Dans le même temps, un avion est mis à la disposition du meilleur neurochirurgien de l’époque (Walter Dandy, de l’université John Hopkins, Baltimore, USA), mais l’aggravation de l’état de Trotsky est trop rapide : au matin du 21 août, il n’a toujours pas repris conscience ; à midi, survient une hémorragie massive ventriculaire ; en fin d’après-midi, son état est dramatique. Que disent les notes de son dossier ? « Critique. Température 38,1°C. Pouls 140/min. Fréquence respiratoire 41/min. Pression artérielle au bras droit 78/68 ». Il est en train de partir... À 19 heures 25, le pouls est si faible que les médecins administrent de l’adrénaline, sans effet. Ses pupilles sont dilatées et aréactives, Trotsky a fini de mourir.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Dans ce contexte criminel, décision est prise de l’autopsier le lendemain (22 août, 14 heures) : elle confirme (étonnamment !) le diagnostic des neurochirurgiens (qui assistent d’ailleurs à la dissection…). Le cerveau (dont le poids avoisine les 1550 grammes) est le siège d’une lésion fatale par arme blanche du lobe pariétal droit qui a pénétré très loin dans la matière blanche (2 centimètres de largeur, 7 centimètres de profondeur). S’y associe un volumineux hématome sous-dural.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Après plusieurs jours d’errance, le corps, refusé par les Etats-Unis pour des raisons politiques, est finalement incinéré. Pas de contre-expertise possible. Sauf pour les experts modernes qui s’interrogent à la lecture du dossier : Trotsky aurait-il survécu avec une trépanation plus grande (une hémi-crâniectomie, par exemple, où la moitié de la voûte crânienne peut être retirée) ? C’est bien possible. D’autant plus que la faible ouverture pratiquée (5 x 5 centimètres) n’autorise pas une exploration complète des lésions intra-crâniennes. Le volumineux hématome sous-dural aurait ainsi pu être évité… Et la face du monde changée ? Voilà peut-être le risque de « coller » des connaissances actuelles sur des faits du passé.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;-&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Dans la prestigieuse revue &lt;i&gt;PLoS Biology&lt;/i&gt;, Lewis et ses collaborateurs ont publié un article incendiaire (un brûlot ?) remettant en question tant les travaux de Samuel George Morton que ceux du très respectable (et néanmoins iconoclaste et non conventionnel) Stephen Jay Gould. Reprenons les faits.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Gould (1941-2002), dans son ouvrage/manifeste &lt;i&gt;La mal-mesure de l’homme&lt;/i&gt; (paru en France en …), affirmait que « la manipulation inconsciente des données peut constituer une norme scientifique » car « les scientifiques sont des esprits humains évoluant dans des contextes culturels et non tournés de façon autonome vers une vérité extérieure ». Il citait à l’appui de sa démonstration les travaux de Morton (1799-1851), anthropologue américain du 19&lt;sup&gt;ème&lt;/sup&gt; siècle, qu’il accusait d’avoir falsifié ses résultats de mesures d’un millier de crânes pour corroborer sa théorie des variations humaines (dans son ouvrage &lt;i&gt;Crania Americana&lt;/i&gt;, 1839).&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;L’équipe de Lewis a refait intégralement les mesures (les crânes étant désormais conservés à l’&lt;i&gt;University of Pennsylvania Museum of Archaeology and Anthropology&lt;/i&gt;) pour finalement montrer la bonne foi de Morton et… le mensonge de Gould, qui n’aurait pas hésité à manipuler les données de Morton pour satisfaire ses propres intérêts !&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Alors, quoi ? L’arroseur arrosé ? Un anthropologue (Morton) lavé de tout soupçon après avoir été suspecté d’arranger ses résultats pour les conformer à une idée préconçue (son intuition géniale : la polygénèse). Un autre anthropologue (Gould) qui avait trouvé un joli bouc émissaire comme modèle ancien à lapider, mais est pris sur le fait de tromperie scientifique.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Peut-on en vouloir à Gould ? Évidemment, non ! C’est un peu la même histoire que celle de Mendel qui, bien sûr, avait raison quant aux lois de l’hérédité… mais dont l’analyse des résultats botaniques (ses petits pois) montre qu’ils sont trop beaux pour être vrais.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Après tout, « le monde est écrit en langage mathématique », mais toute formule n’est qu’une approximation la plus proche de la réalité, non ?&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;b&gt;Références&lt;/b&gt;&lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;- Gould SJ, &lt;i&gt;La mal-mesure de l’homme&lt;/i&gt;. Paris, Odile Jacob, 1997.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;- Lewis JE, &lt;i&gt;et al&lt;/i&gt;. The mismeasure of Science. Stephen Jay Gould versus Samuel George Morton on skulls and bias. &lt;i&gt;PLoS Biol&lt;/i&gt; 2011;9(6):e1001071.&lt;/p&gt;  &lt;span style="font-size:12.0pt;font-family:&amp;quot;Times New Roman&amp;quot;;mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;mso-ansi-language:FR;mso-fareast-language:FR;mso-bidi-language: AR-SA"&gt;&lt;div style="text-align: justify;"&gt;- Soto-Pérez-de-Celis E, The death of Leon Trotsky. &lt;i&gt;Neurosurgery&lt;/i&gt; 2011;67(2):417-423.&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-5483958684806181412?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/5483958684806181412/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=5483958684806181412' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/5483958684806181412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/5483958684806181412'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2011/09/trotsky-et-les-1000-cranes.html' title='Trotsky et les 1000 crânes…'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-OuuMgux6ZvE/TnIQEKouysI/AAAAAAAAAu8/qa1U9jg0Afs/s72-c/Trotsky.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-7501265800932434939</id><published>2011-08-21T23:16:00.003+02:00</published><updated>2011-08-21T23:29:47.312+02:00</updated><title type='text'>Médecine et archéologie</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-mrXuL1ZUgZk/TlF3m04Ln7I/AAAAAAAAAu0/HUdnWIbrs28/s1600/IMG_5443.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 299px;" src="http://2.bp.blogspot.com/-mrXuL1ZUgZk/TlF3m04Ln7I/AAAAAAAAAu0/HUdnWIbrs28/s400/IMG_5443.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5643423316984962994" /&gt;&lt;/a&gt;&lt;br /&gt;     &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;601&lt;/o:Words&gt;   &lt;o:characters&gt;3428&lt;/o:Characters&gt;   &lt;o:lines&gt;28&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;6&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;4209&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.1539&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;     &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;Rien de mieux, pour bien travailler, que de connaître l’origine et l’histoire de son métier.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;Les médecins ne dérogent pas à la règle en multipliant, main dans la main avec archéologues et philologues, les enquêtes sur leur passé. Pour preuve deux livres parus récemment montrant tout l’intérêt d’un travail d’équipe interdisciplinaire entre sciences humaines et sciences fondamentales. &lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Dans &lt;i&gt;Les médecins dans l’Occident romain&lt;/i&gt;&lt;span style="font-style:normal"&gt;, Bernard Rémy et Patrice Faure&lt;a style="mso-footnote-id: ftn1" href="http://www.blogger.com/post-edit.g?blogID=896012473241029504&amp;amp;postID=7501265800932434939&amp;amp;from=pencil#_ftn1" name="_ftnref1" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;&lt;!--[if !supportFootnotes]--&gt;[1]&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; s’interrogent sur le statut du praticien dans l’Antiquité romaine à partir d’un vaste corpus d’inscriptions (plus de 80 !), regroupant également des sages-femmes, des infirmiers et des « pharmaciens ». On en apprend autant sur leur implication dans la vie religieuse, que sur leur relative aisance financière. Personnalités importantes de la cité, les médecins, notamment militaires, n’ont eu qu’un rôle discret (voire nul) dans la vie publique des cités, se contenant a priori de dédicaces sans occuper de poste à haute responsabilité. Sans parler des esclaves dont les compétences médicales et/ou chirurgicales pouvaient être exploitées par leur propriétaire (y compris dans un contexte militaire). Mais on peut faire parler autre chose que les pierres…&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Dans &lt;i&gt;L’enfant et la mort dans l’Antiquité&lt;/i&gt;&lt;span style="font-style:normal"&gt;,&lt;a style="mso-footnote-id:ftn2" href="http://www.blogger.com/post-edit.g?blogID=896012473241029504&amp;amp;postID=7501265800932434939&amp;amp;from=pencil#_ftn2" name="_ftnref2" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; on trouve plus d’une quinzaine d’angles d’approche centrés sur la mort des tout-petits dans le monde gréco-romain, permettant de dresser un tableau particulièrement fourni et précis sur leurs conditions de vie et de mort. Voilà, dans tous les cas, qui change de l’ancienne école d’archéologie, oubliant que l’&lt;/span&gt;&lt;i&gt;objet&lt;/i&gt;&lt;span style="font-style:normal"&gt; principal dans une tombe n’est pas le miroir, la céramique, l’épée, mais bien le défunt lui-même&lt;a style="mso-footnote-id:ftn3" href="http://www.blogger.com/post-edit.g?blogID=896012473241029504&amp;amp;postID=7501265800932434939&amp;amp;from=pencil#_ftn3" name="_ftnref3" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. Certaines de ces études sont ainsi parfois facilitées par des découvertes archéologiques exceptionnelles (à l’échelle anthropologique, s’entend), comme ces 5000 sépultures retrouvées dans les faubourgs de Rome ou les 2754 vases contenant des restes d’enfants sur une colline de l’île d’Astypalea (Grèce). Avec une telle quantité de squelettes, on n’est plus dans l’anecdotique, mais bien dans une vision globale, de fond, permettant de mieux comprendre l’implication du corps médical dans le contrôle des maladies et du nombre des naissances. On se rend compte de l’importance de la mortalité infantile, causée principalement par les pathologies infectieuses, décimant parfois plus de 50% d’une classe d’âge. Non seulement les femmes ont du mal à avoir leurs enfants en raison de séquelles de maladies sexuellement transmissibles, mais, en plus, peu de leurs enfants survivent. Comment le sait-on ? Les squelettes parlent, avec ces lésions articulaires spécifiques des infections passées, mais aussi les ex-voto déposés dans des sanctuaires thérapeutiques figurant des bébés, des seins, des utérus et des phallus. Et que dire de ces innombrables nouveau-nés exposés dans les heures suivant le décès, puis jetés sans cérémonie dans les puits ou les égouts comme des jarres cassées ou des animaux crevés ? Pratique à l’opposée de certains très jeunes immatures (embryons ou fœtus de quelques mois, en tous cas non viables) ayant malgré tout reçu un culte posthume avec un dépôt en nécropole accompagné d’offrandes funéraires… Ensuite, épidémiologie, génétique et anthropologie physique permettent de mieux cerner les causes de décès des populations du passé : infection dont l’ADN de l’agent causal est directement identifié ; malformation congénitale dont le diagnostic est réalisable sur les ossements déformés ; traumatisme lié à un accouchement maladroit ou à un avortement ; etc.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;On pourrait considérer comme inutiles ces dépenses de moyens au service du diagnostic rétrospectif sur de vieux ossements, mais c’est oublier tout l’intérêt pour l’étude des squelettes récents, notamment dans un contexte judiciaire. Désormais, en effet, l’anthropologie médico-légale ratisse large et trouve ses champs d’expérimentation et de perfectionnement très loin des paillasses d’hôpital et des animaux de laboratoire. C’est sur les chantiers de fouilles archéologiques que sont recrutés les futurs collaborateurs des médecins légistes, et que sont validées les techniques d’identification.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;N.B. Cette chronique a été publiée dans &lt;i&gt;L'Humanité Dimanche&lt;/i&gt; (n° daté du 18/08/2011).&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;div style="mso-element:footnote-list"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;!--[if !supportFootnotes]--&gt;  &lt;hr align="left" size="1" width="33%" style="text-align: justify;"&gt;  &lt;!--[endif]--&gt;  &lt;div style="mso-element:footnote" id="ftn1"&gt;  &lt;p class="MsoFootnoteText" style="text-align: justify;"&gt;&lt;a style="mso-footnote-id:ftn1" href="http://www.blogger.com/post-edit.g?blogID=896012473241029504&amp;amp;postID=7501265800932434939&amp;amp;from=pencil#_ftnref1" name="_ftn1" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character: footnote"&gt;&lt;!--[if !supportFootnotes]--&gt;[1]&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Éditions Ausonius, Bordeaux, 2010, 222p.&lt;/p&gt;  &lt;/div&gt;  &lt;div style="mso-element:footnote" id="ftn2"&gt;  &lt;p class="MsoFootnoteText" style="text-align: justify;"&gt;&lt;a style="mso-footnote-id:ftn2" href="http://www.blogger.com/post-edit.g?blogID=896012473241029504&amp;amp;postID=7501265800932434939&amp;amp;from=pencil#_ftnref2" name="_ftn2" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character: footnote"&gt;&lt;!--[if !supportFootnotes]--&gt;[2]&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Sous la direction de Anna-Marie Guimier-Sorbets et Yvette Morizot (Éditions De Boccard, Paris, 2010, 406p).&lt;/p&gt;  &lt;/div&gt;  &lt;div style="mso-element:footnote" id="ftn3"&gt;  &lt;p class="MsoFootnoteText" style="text-align: justify;"&gt;&lt;a style="mso-footnote-id:ftn3" href="http://www.blogger.com/post-edit.g?blogID=896012473241029504&amp;amp;postID=7501265800932434939&amp;amp;from=pencil#_ftnref3" name="_ftn3" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character: footnote"&gt;&lt;!--[if !supportFootnotes]--&gt;[3]&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Comme on le voit dans &lt;i&gt;La nécropole de Dréros&lt;/i&gt;&lt;span style="font-style:normal"&gt;, édité par Massimo Perna d’après les notes et carnets de fouille d’Henri Van Effentere dans les années 1930 (éditions De Boccard, Ecole Française d’Athènes, 2009, 170p, 22pl).&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;/div&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-7501265800932434939?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/7501265800932434939/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=7501265800932434939' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7501265800932434939'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7501265800932434939'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2011/08/medecine-et-archeologie.html' title='Médecine et archéologie'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-mrXuL1ZUgZk/TlF3m04Ln7I/AAAAAAAAAu0/HUdnWIbrs28/s72-c/IMG_5443.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-3507516923641000041</id><published>2010-12-15T23:07:00.015+01:00</published><updated>2011-11-15T12:42:07.249+01:00</updated><title type='text'>Une tête embaumée authentifiée scientifiquement et historiquement : Henri IV</title><content type='html'>&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;&lt;a href="http://4.bp.blogspot.com/_twm37pwUL5c/TQk_W8rBuTI/AAAAAAAAAtA/n3cNBbH3E8M/s1600/DSCF4464.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/_twm37pwUL5c/TQk_W8rBuTI/AAAAAAAAAtA/n3cNBbH3E8M/s400/DSCF4464.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5551037679187114290" /&gt;&lt;br /&gt;&lt;/a&gt;-&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;En décembre 2010 ont été publiés dans le &lt;span style="font-style:italic;"&gt;British Medical Journal&lt;/span&gt; les résultats de notre étude scientifique et historique (20 chercheurs au total) menée sur une tête embaumée, finalement authentifiée comme étant celle du roi de France Henri IV. Le lien direct vers l'article complet est :&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.bmj.com/content/341/bmj.c6805.full"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;http://www.bmj.com/content/341/bmj.c6805.full&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;En plus, sur le site internet du &lt;i&gt;BMJ&lt;/i&gt;, retrouvez des détails sur la section "matériel et méthodes", mais aussi de plus amples renseignements sur les procédés d'embaumement au début du 17ème siècle :&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.bmj.com/content/suppl/2010/12/14/bmj.c6805.DC1/chap835561.w1_default.pdf"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;http://www.bmj.com/content/suppl/2010/12/14/bmj.c6805.DC1/chap835561.w1_default.pdf&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;ainsi qu'une explication complémentaire en mode audio :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a rel="nofollow" target="_blank" href="http://podcasts.bmj.com/bmj/2010/12/17/christmas-2010/?q=w_bmj_podblog"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;http://podcasts.bmj.com/bmj/2010/12/17/christmas-2010/?q=w_bmj_podblog&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;&lt;span class="Apple-style-span"&gt;Une version (raccou&lt;/span&gt;rcie et synthétique) a été publiée également en français dans la &lt;i&gt;Revue du Praticien&lt;/i&gt;. Elle est lisible et téléchargeable en ligne sur ce lien :&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.larevuedupraticien.fr/images/stories/articles/1474_rdp10_MEM_Charlier.pdf"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;http://www.larevuedupraticien.fr/images/stories/articles/1474_rdp10_MEM_Charlier.pdf&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;Dans la suite de ces publications, a été livrée une lettre à l'éditeur publiée dans le &lt;i&gt;British Medical Journal&lt;/i&gt;, co-signée avec Jean-Pierre Babelon (de l'Institut, Académie des Inscriptions et Belles Lettres) et Bruno Galland (directeur scientifique des Archives Nationales), répondant à divers commentaires (dont celui du Pr. Fornaciari, spécialiste italien de l'étude paléopathologique de momies &lt;i&gt;déjà &lt;/i&gt;identifiées) :&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style=" ;font-family:georgia;font-size:100%;"&gt;&lt;a href="http://www.bmj.com/content/342/bmj.d301.full.html?ijkey=30Lh9gw8gOz9mz0&amp;amp;keytype=ref"&gt;http://www.bmj.com/content/342/bmj.d301.full.html?ijkey=30Lh9gw8gOz9mz0&amp;amp;keytype=ref&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;Une synthèse sur l'embaumement du corps des rois en France, et sur le cas très particulier d'Henri IV, publiée en juin 2011 dans la &lt;i&gt;Revue du Praticien&lt;/i&gt;, est accessible librement en ligne. Au choix, vous pouvez télécharger l'article court et illustré :&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;&lt;a href="http://www.larevuedupraticien.fr/index.php/memoire/renaissance-xviie-s-xviiie-s/2219"&gt;http://www.larevuedupraticien.fr/index.php/memoire/renaissance-xviie-s-xviiie-s/2219&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;ou le texte long :&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;&lt;a href="http://www.larevuedupraticien.fr/images/stories/MemMed_2011_rdp6_henri4_long.pdf"&gt;http://www.larevuedupraticien.fr/images/stories/MemMed_2011_rdp6_henri4_long.pdf&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;Un long article signé de Stéphane Gabet, Pierre Belet et Jean-Pierre Babelon dans la revue &lt;i&gt;L'Histoire&lt;/i&gt;, portant sur les arguments historiques de l'identification, et notamment sur le non-sciage du crâne d'Henri IV :&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;&lt;a href="http://www.histoire.presse.fr/content/2_articles/article?id=14216"&gt;http://www.histoire.presse.fr/content/2_articles/article?id=14216&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" &gt;(attention, 3 pages web successives).&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;Enfin, mis en ligne en novembre 2011, les actes du Congrès de la Société Française d'Histoire de l'Art Dentaire où ont été publiés nos travaux sur la denture d'Henri IV :&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="  ;font-family:georgia;font-size:100%;"&gt;&lt;a rel="nofollow" target="_blank" href="http://194.254.96.56/sfhad/vol16/2011_17.pdf" style="text-decoration: underline; color: rgb(58, 101, 187); outline-width: 0px; outline-style: initial; outline-color: initial; "&gt;http://194.254.96.56/sfhad/vol16/2011_17.pdf&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;font-size:100%;"&gt;-&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-3507516923641000041?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/3507516923641000041/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=3507516923641000041' title='3 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3507516923641000041'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3507516923641000041'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/12/une-tete-de-roi-authentifiee.html' title='Une tête embaumée authentifiée scientifiquement et historiquement : Henri IV'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_twm37pwUL5c/TQk_W8rBuTI/AAAAAAAAAtA/n3cNBbH3E8M/s72-c/DSCF4464.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-7946138723396451337</id><published>2010-12-10T17:45:00.004+01:00</published><updated>2010-12-10T17:58:24.107+01:00</updated><title type='text'>Variations anatomiques squelettiques</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_twm37pwUL5c/TQJcA1gQtwI/AAAAAAAAAsw/42LMp9UKK_A/s1600/0003.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 260px; height: 400px;" src="http://4.bp.blogspot.com/_twm37pwUL5c/TQJcA1gQtwI/AAAAAAAAAsw/42LMp9UKK_A/s400/0003.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5549098860306020098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Trois ouvrages (introuvables en version papier) à découvrir en ligne sur le site de la BIUM. Il s'agit des traités de Le Double. Bien que datés du début du...20ème siècle, ils sont d'un intérêt incomparable en ostéo-archéologie, mais aussi en anthropologie médico-légale. Leur consultation, en cas de découverte d'une anomalie anatomique squelettique, permettra souvent de redresser un diagnostic "pathologique" en une simple "variation anatomique" sans conséquence pour l'individu.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Le tome consacré aux variations du crâne (sauf la face) est en ligne à cette adresse :&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;a href="http://web2.bium.univ-paris5.fr/livanc/?cote=23041&amp;amp;do=chapitre"&gt;http://web2.bium.univ-paris5.fr/livanc/?cote=23041&amp;amp;do=chapitre&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Le tome consacré aux variations faciales :&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://web2.bium.univ-paris5.fr/livanc/?cote=23669&amp;amp;do=chapitre"&gt;http://web2.bium.univ-paris5.fr/livanc/?cote=23669&amp;amp;do=chapitre&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Le tome consacré aux variations rachidiennes :&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://web2.bium.univ-paris5.fr/livanc/?cote=25362&amp;amp;do=chapitre"&gt;http://web2.bium.univ-paris5.fr/livanc/?cote=25362&amp;amp;do=chapitre&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Les tomes consacrés aux variations musculaires (intéressantes pour les surfaces d'insertions atypiques et les enthésopathies) :&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://web2.bium.univ-paris5.fr/livanc/?cote=141143x01&amp;amp;do=chapitre"&gt;http://web2.bium.univ-paris5.fr/livanc/?cote=141143x01&amp;amp;do=chapitre&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;et&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://web2.bium.univ-paris5.fr/livanc/?cote=141143x02&amp;amp;do=chapitre"&gt;http://web2.bium.univ-paris5.fr/livanc/?cote=141143x02&amp;amp;do=chapitre&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-7946138723396451337?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/7946138723396451337/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=7946138723396451337' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7946138723396451337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7946138723396451337'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/12/variations-anatomiques-squelettiques.html' title='Variations anatomiques squelettiques'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_twm37pwUL5c/TQJcA1gQtwI/AAAAAAAAAsw/42LMp9UKK_A/s72-c/0003.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-6066148060477030523</id><published>2010-11-13T15:31:00.004+01:00</published><updated>2010-11-13T15:58:55.967+01:00</updated><title type='text'>Crypts, rooms of mummification and procedures of conservation of bodies in Sicily</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_twm37pwUL5c/TN6nnG7EGNI/AAAAAAAAAso/RzTTmpCL_YI/s1600/Cripta%2BSan%2BMatteo%2Bal%2BCassaro%2Bpalermo.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 274px;" src="http://1.bp.blogspot.com/_twm37pwUL5c/TN6nnG7EGNI/AAAAAAAAAso/RzTTmpCL_YI/s400/Cripta%2BSan%2BMatteo%2Bal%2BCassaro%2Bpalermo.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5539048882027370706" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Lucida Grande"&gt;Cripta San Matteo al Cassaro (Palermo)&lt;/p&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Cet article est publié en ligne avant son intégration définitive dans les Actes du 3ème Colloque International de Pathographie (Paris, De Boccard, 2010), avec l'autorisation de la Dottoressa Luisa Maria Lo Gerfo (archéo-anthropologue, C.da BonGiovanni, Brucoli 2 n 10, Brucoli 96010 (SR), Italy. 0039 / 347/5916718, mail: luisa.logerfo@hotmail.it).&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;b&gt;Summary &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/b&gt;&lt;div style="text-align: justify;"&gt;Even if the Sicilian mummies are less known than those of the other geographical areas of the planet, nevertheless they are not less meaningful from the archeological, cultural and historical point of view. They furnish in fact, precious information on the physical characters of some groups, on the ways of preserving the bodies from the corruption of the death, on the imaginary collective around the life over the biological death, on the history of the social practices, the custom and the fashion, on the medical aspect and they finally allow us, to understand the most complex aspects of the social life proper of the individuals, connected to precise ideological implications on the theme of the death, to determine ritual practices and funeral contexts. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;In the exposure that follows, the more meaningful complexes of mummies will be illustrated, mostly detaining us on those few known, or not at all studied, from the scientific point of view, because they constitute a cultural premise and an essential frame to the understanding, position and development of our theme: the complex trip that the body completed, from the moment in which the individual exhaled the last breath, to the conservative treatment, up to its definitive deposition in the place of burial: the crypt.&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The mummies of the Catacombs of the Cappuccini in Palermo.&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Palermo entertains under the church of Saint Maria of the Peace, adjoining to the convent of the Cappuccini, (installed in 1534), the greatest complex of Italian mummies, commonly denominated 'catacombs': eight thousand according to the data brought by the greatest part of the sources, in reality no more than three thousand after the various vicissitudes to which the structure has been submitted in the time. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;Concerning of natural mummies (those recovered in the most ancient burials), intermediary (the greatest part of the cases) and artificial (in isolated cases): a real cemetery, submitted to the care and the great skill of the monks, that, for over three centuries, they practiced the mummification.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;Description of the Catacombs&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The structure of the Catacombs, as it is today, is constituted of five long corridors (of the monk’s, of the men, of the women and of the professionals) with a cross vault. Of these, four delimit in plant the perimeter of a rectangle whose short sides are prolonged, while the fifth one, briefer, (of the priests) ransom transversally the rectangle, dividing it in two quadrilateral uneven. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The only corridor boxed in the rock, and therefore completely in the dark, except for a reflex of light coming from a small window in the first ramp of the ancient staircase of access, it is that of the monks, while the other, built in bricks, they receive air and light from some windows set aloft. The today's access  is constituted by a second staircase in ampler stone of the preceding one, built in 1944, that it introduces among the two wings of the corridor of the monks in direction of the corridor of the men from the gatehouse. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;Of the four altars originally disposed at the four angles of the corridors, to officiate the funeral functions, - respectively devoted to the Our Lady of Sorrows, to the Ecce Homo, to S. Giuseppe, to the SS. Crucifix, - today only the first one stands, adjoining the entry from the sacristy, at the end of the corridor of the monks, (at the right of who enters), in the chapel rededicated to Saint Rosalia. The one devoted to the SS. Crucifix, at the angle between the corridor of the professionals and that of the women, was destroyed by the 1943 bombardment. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;As for the disposition of the mummies - omitting  those eventually buried under the plan pave of the corridors -, the greatest part, often identified by a tag with name and place of origin , they are situated along the corridors; some result simply suspended with a hook to the walls, while others are atop, lying on wood partitions overlapped, inside niches, or lined up standing in the same; others, instead  are deposed inside funeral boxes or reliquaries of various make, laying on the floor, or on the partitions, and, through a peep hole or the coverage in glass, they allow the sight of the dead. The most representative dead persons are situated in rooms that open along the corridors. A chapel preserves the mummies of four young girl virgins, as recited by a verse of the sacred writings and those of some children. Others instead have variedly been put inside the crypt without a precise criterion. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The attire varies second social status, sex and age: the monks are generally hanging on the walls dressed of frock, often with a cord to the neck; the religious dress the sacred dressings of brocade and silk, the luxurious laymen dresses have been consumed for the age, the soldiers the uniforms of frill, while the virgins are dressed of white with a metallic crown on the head and her children, in their festive clothes, they are tidied up with crinoline, bows (mostly blue) and garlands. A lot of mummies are simply wound in a cloth of sack laced in the waist. It seems however that this last attire is recent and realized by the monks, together with the stuffing of underlying straw, to assure its stillness.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Unusual are also the coffins and the funeral furnishings: real 'treasures' of local craftsmanship, that would delight a museum and those alone would  request for a special study. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;History of the 'catacombs'&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The history of the 'catacombs' of the Cappuccini, also in relationship to the extension of the structure and the long period of use, it broadly results documented, from historical sources and of archives, also from writings of reporters and illustrious visitors.  It is possible therefore to reconstruct in its entire both the evolution and the development and the destination of use of the famous complex. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The most ancient bodies are those of the deceased monks in the convent, originally deposed in a common pit , dug, on the southern side and externally of the church, but accessible from the inside, from where the corpse were lowered, generally without boxes and overlapped the one to the others. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;According to the historical sources, soon grows the demand to widen the structure for the increasing demand of burial of external subjects to the convent, starting the construction and amplification, that will continue in the years up to 1784. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;At the same time are built the colanders destined to the treatment of the dead bodies, four in all, which  are distributed along the perimetric corridors.  Since the beginning it results defined therefore the cemetery use of the structure, to contain, besides the monks and to the religious also the not deceased in the convent, at first the benefactors, subsequently the aristocrats and the notable ones of the place and, from 1783, all those that had applied for it. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The practice of the burial is extended up to the beginnings of the last century using different conservative methods.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;The treatment of the dead bodies&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The treatment for the mummification of the corpse is a rather empirical method, that doesn't have nothing to do with that any Egyptian embalmers. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;According to the different historical sources the treatment consisted in a preventive phase of exposure of the dead body, for a varying period from eight to twelve months, inside the colanders, in supine position to favor the discharge of the bodily liquids, which followed the washing with vinegar, the disinfection and the exposure to the air for brief time, up to the complete drying, to the stuffing of the dead body with vegetable fibers, especially in the missing parts and finally the dressing and to the definitive position inside the burial. Only in some cases - perhaps in periods of epidemic - the method adopted was to preventively set the corpse in a bath of arsenic or milk of quick lime.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;During the visit I effected near the Catacombs I have had the opportunity of seeing the inside of one of the colanders - the only one partially visible from an external gate - situated along the corridor of the professionals. It is a square room about 3,5 ms2, with squares of calcareous stone at sight and coverage with barrel vault. Along the perimeter, - excluding the portion of the door of access – are the real colanders, constituted 7 tubs in masonry, around 60 cms high, on which are disposed, as a grate, 8 parallel earthen drain for each one of the laying places, of about 10 cms of diameter. An only mummy lies naked, in supine position, on the earthen drain. The rest of the room was occupied various dismissed material (inclusive teeth and pieces of bones probably belonged to other mummies). &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The above description coincides, apart the number of the laying places, with that of a 1855 document: «every room-colander around which is built a grate of stones with the position of earthen drain able to receive a number of eight or ten dead bodies» . But in contrasts with one more ancient than 1680, of the Sambenedetti: «around four rooms with their seats, in which religious corpse that of freshly arrive, are introduced to where they are put in a sitting position with an iron chain that sustains them in the chest so they do not fall; and shut the doors to not let out the smell of it» . According to this description the corpse were not situated on the colanders in supine position, but sitting. This disposition, not  actually documented in Palermo, it is nevertheless very diffused in Sicily, we find it in fact in the colanders of Savoca, Messina, Augusta, Trapani, Trecastagni.  It cannot be excluded that this practice, also in Palermo, can have been adopted, at least for a certain period . That the desiccation of the corpse was done only through the procedure above described it is nevertheless to verify.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;The crypt of the church of S. Maria di Gesù in Palermo.&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Not far away from the Cemetery of the Cappuccini, is the church of Saint Maria of the Jesus (said also Santa Maruzza or of the "Canceddi"), famous because connected to the sect of the “Beati Paoli”.  It keeps an underground crypt, with cross coverages that follows the perimeter of the building above to which its entrance is through a flight of steps set near the entry. Opposite to this last, there is the altar with painted in fresco motives, while, along the two corridors to the sides of the staircase are situated, numerous colanders. These last, are characterized by tubs in masonry with a central hole for drainage. The horizontal loculi, disposed on three parallel files and separated by niches of semicircular bottom with spherical coverage, are boxed in the opposite walls of the colanders and in those to the sides of the altar. They are of the type to shelves and they are furnished with headrest in stone.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;The crypt of the Church of San Matteo to the Cassaro in Palermo.&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Along the Course Vittorio Emanuele rises the imposing church of San Matteo, founded by monk Leonardo Galici in 1633, as a desire of the Brotherhood of the “Miseremini”  . Under the plan pave  is preserved great underground room in a rectangular form with barrel coverage, which was built in 1701. Along all its perimeter, boxed in the walls, are disposed the loculi, structured on six parallel files for a total number of 180. Furnished with headrest in stone, they are in a rectangular form and introduces the ledge slightly tilted and covered with tiles majolica.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The colanders are not individualized, however the church has undergone through various restructurings during the centuries. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;The crypt of the church of San Domenico in Palermo.&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Not far from the church of San Matteo rises the church of San Domenico, that constitutes an authentic jewel of the art of the eighteenth century A. D. The sacred building, often remembered for the beauty of the plasters, marbles and paintings, once preserved the graves (as for es. that of the great statesman Francesco Crispi, died the 11 August of 1901), cenotaphs and commemorative headstones: in 1954, during the restorations, good part of the sepulchral rooms and the crypts have been filled with various materials.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;The Church of Santa Maria degli Angeli La Gancia in Palermo.&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The building of cult, situated in the ancient popular neighborhood of the Scopari , was built by the Franciscan fathers in 1485 with the function of hospice; very little of its original structure is preserved, because during the construction of the realization of the crypt, in 1672, part of it has collapsed. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The crypt, of the particular form of "L", is constituted by two connected rectangular rooms: on the inside walls of the first one (both to the right and to the left), 6 niches are grafted with semicircular bottom with spherical coverage and 6 shelf loculi, while on the one at the end there is a small altar in masonry, placed side by side by two couples of columns, above which (boxed in the wall), there is a fresco, in which a priest is represented; the second room (a little greater than the first one) has 16 niches with semicircular bottom with spherical coverage, separates the one from the other by as many columbary. The structure, that results elegantly decorated with gilded plasters (in particular way the coverages of the niches with motives as shell), it constitutes a "unicum" in comparison to all the other crypts until to viewed. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The human rests, that once lodged in some niches, have been thrown in the ossuary - situated at the center of the room - and replaced with skeletons in chalk.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Near the crypt there is the room of mummification. It is a small place with colanders constituted by stone seats, on which have holes were for the cadaverous sewages.&lt;/div&gt; &lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;The crypt of the Church of the Madonna of the Itria in Palermo.&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In Laurel street is the church of the Madonna of the Itria, built in 1611 by the Brotherhood of the Coachmen.  From the sacred building, through a flight of steps, you enter in the room of mummification - partially buried today - and to the underground crypt.  This last, richly decorated with frescos of the "purgative souls" and of the "intercessions of the saints for the salvation of the souls", it has loculi of the shelf type (provided of headrest), that are arranged on more file parallel in loggias separated by pillars.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;The crypt and the colanders of the Church of Santa Maria of the Agonizzanti in Palermo.&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The Church of Saint Maria of the Agonizzanti was founded by the Brotherhood of the Agonizzanti in 1630 and preserve below the plan pave of the central aisle, a great underground room of rectangular form - recently modified, because of the works of consolidation and restructuring of the flooring - and a small room with colanders, with loopholes for the flow of air. It is provided of two tubs with earthen drain, surmounted by ledges of majolica, furnished with headrest in stone.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;The crypt of the church of San Nicolò from Tolentino in Palermo.&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Not far away from the market Ballarò, is the church of San Nicolò from Tolentino , founded in the seventeenth century A. D. from the Company of San Nicolò. It has a rectangular underground crypt, with barrel coverage, to which you enter through flight of steps, to whose sides, partially buried, are arranged the colanders, furnished with seats in stone. In the wall at the end, there is the altar, with two niches with semicircular bottom with spherical coverage. On the right side wall there are situated 6 loculi, arranged on three parallel files and separated at the center by an equal niche to those above described; while on the wall left side are six niches. On the floor it is situated the trap door of the ossuary. The room had to appear richly decorated: still today can be seen some fragments of the frescos that evoke the personification of the Death, strict  judge, in front of which nobody can escape, and the decorations to plaster of the coverages of the niches to form of shell.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The Church of the Spirito Santo (Messina).&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The city of Messina, situated on the northeastern coast of Sicily, preserves, in the church of the Spirito Santo, one room of mummification, in a rectangular form, to which you enter through a flight of steps, set under the floor of the Church. On the inside walls 10 niches are grafted with semicircular bottom with spherical coverage, furnished with seats of stone, of seats of stone, on which the holes are practiced once employed for the out flow of the cadaverous sewages. To the left of the staircase, there is the well, of rectangular form, used for getting the water during the practices of the mummification. During the recognition it has not been possible for me to individualize the crypt, because the church has suffered various restructurings after the earthquake of the 1908 (also the floor has suffered an analogous fate).&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The mummies, the crypt and the colanders of Savoca (Messina).&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Savoca is small center of the province in Messina, castled on a ridge to 303 meters altitude, between the homonym stream and the river of Agrò, 5 Kms from the ionic coast. It preserves, the eighteenth-century A. D. crypt of the Convent of the Cappuccini , 33 bodies mummified of high prelates, noble or notable, recognizable from the sacred vestments or from sumptuous suits of frill, contained in niches, reliquaries and funeral boxes variedly disposed on the floor. Their position is the result of an approximate setup through the years Fifties and Sixties of last the century, as an awkward attempt to economically exploit it as to recall tourists.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The rectangular shape Crypt, is situated below the plan pave of the terrace in front the church of the Convent. There are two entries: the first one, the original, is constituted by a trap door in wood on the floor of the church; the second, of recent construction, colleague directly the outside in the same crypt.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;On the inside walls some niches are grafted with semicircular bottom with spherical coverage, while in the apse, rises an altar on 3 steps, surmounted by a round arc. Before the apse, under the floor in kilned Sicilian square tiles, is situated an ossuary. The room of the crypt is covered by two barrel vault with fanlights and on the impost of the arcs, along the whole perimeter, is inserted a decorated frame, interrupted in some lines, above which are recognizable a skylight and two windows. Above of the niches are as many columbary, some of which expose human skulls. The practice of the mummification was practiced in a different place of the Convent of the Cappuccini: in the Main Church of Savoca. Here, the room of mummification is constituted by an underground room of semicircular form, ventilated by numerous loopholes in the walls; the entrance is through flight of steps fixed in front of the apse of the Church. Inside, opposite to the staircases, is situated an altar, its sides are disposed some niches (10 in everything, of which 5 to the right, as many to the left). These, of semicircular form, are furnished with seats of stone for the "dripping" of the dead bodies: the practiced holes on the seats carried the humors and the cadaverous sewages in a pipe-line to expurgate underlying, connected to a pit of collection, set under the floor of an adjoining second room next to the room above described, of small dimensions, to rectangular plant, with barrel coverage, and with small openings - now walled- for the flow of air. This second room is furnished with 6 niches.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The crypts and the rooms of straining of the Church of S. Maria of the Lettera of Riposto (Catania)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Riposto is a coast town at 7 m. over the sea level of the sea, along the oriental coast of Sicily that goes from Catania to Messina. Its toponymy, "u ripostu" or the closet, it has roots of a prosperous past, in which small middle class merchant developed a predominant role in the flourishing sea-faring suburb, devoted to stow huge quantities of vinery products and agricultural in special stores. In such context, the religious and funeral practices were grafted, connected with the stories of the building of cult the “Sanctuary of the Madonna of the S. Lettera”. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The sacred building rises on the rests of two preexisting buildings, connected between them by a small access: of the first structure (a seventeenth-century A. D. church entitled to S. Maria of the Letter), remains the floor of Sicilian earthen square tiles, that was used as a platform a rectangular sepulchre with coverage of stone plates ; the second, better preserved, directed toward north, was built by Don. Giovanni Calì in the year 1710, as it is deduced in the deed of foundation .&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In 1979, on the occasion of the reconstruction of the plan pave, came to the light a room of straining, constituted by an underground room of rectangular form, with barrel coverage. Its entrance is through few steps set to the south wall. Opposite to the steps, along the north wall, are situated the colanders, once certainly provided of niches, today almost entirely disappeared. These, of semicircular form, they are furnished with seats of stone and mortar, on which were set to sit the dead bodies, until the draining was completed. The holes practiced on the seats carried the humors and the cadaverous sewages in an underlying short pipe line of expurgate, connected to a pit of collection, set under the floor and directly connected with the sea. During the visit by me effected I have been able to perceive, besides, a square well (deep m. 1,80 around), set at the angle between the steps and the west wall, where it is possible to directly observe the sea water. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;A second room, whose walls follow the perimeter of the eighteenth-century A. D. building, is furnished with a barrel coverage, provided with two square trap doors in lava stone, which guaranteed the access. On the east walls, south and west of the room, are set some "beds in stone", where great quantities of human skeletons are deposed.  Regarding the destination of use of this last room it is possible to formulate some hypotheses: perhaps to receive the corpse once they completed the preventive treatment, or destined to family tomb (kept in consideration the presence of the funeral beds previously mentioned and the posthumous changes during the 1868 restructuring ). &lt;/div&gt;&lt;div style="text-align: justify;"&gt;In March of the 2002, following the town deliberation  and of the favorable opinion of the Superintendence for the cultural welfare of Catania, they began the operations of requalification and restoration of the monument. To the of under of the plan the small church of the seventeenth century A. D. (in correspondence of the actual sacristy), another crypt was discovered, in which numerous skeletal rests are deposed. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The direct observation confirms therefore the affirmations of the oral tradition that the room aforesaid served the monks to accomplish the various operations of treatment of the dead bodies.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The skulls and the body of an infant of Randazzo (Catania)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Unique exemplary, for the elevated number of pathologies found, are the so-called skulls of Randazzo, casually recovered for the partial collapse of one of the walls of an underground room, during the resettlement and putting in safety of the Church of S. Maria . We are referring to one hundred thirty five skulls and of the body acephalous of an infant of about 70 cms of length, mummified and provisionally settled near the Town Cemetery. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The sample has revealed, immediately, interesting from the point of view paleopathologic , as it, has shown an ample variety of pathologies: from the indicators of more common stresses (cases of porotic hyperostosis diffused, chronic rhinitis, arthropathies, dent alveolar infections, traumas provoked by blunt weapons), to the most complex pathologies (neoplasy, spina bifida), or of infectious nature as some cases of tuberculosis. Two cases of cranial trepanation have been found: the first one shows a complete bony obliteration of the parietal bone left and the other, a partial osteophyte of the borders. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;Regarding the practices of maintenance of the dead bodies, it is reasonable to suppose that for this sample an intermediary mummification has been used, on the basis of the examination of the fragments of cerebral material and the traces of the liquids of putrefaction still visible on the human rests. Also have been observed two cases of craniotomy that shows the signs of the cut with a toothed blade at different heights on the cranial surface, but no incision provoked by a scalpel: they been effected on already dried rests. In other cases a filling of the skull is observed with various material (straw, twines you fragment metallic, wadding etc.), without having effected any cut of the skull.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The crypts and the rooms of straining of Trecastagni (Catania)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The town of Trecastagni rises to the slopes of the volcano Etna, at 586 m. over the sea level and preserves in the Church of Sant'Antonio from Padova and in the Church of the Souls of the Purgatory some crypts and rooms of mummification. As much as the two buildings of cult present similar analogies, each one of them is furnished with structures turned to the conservative trials with its own peculiarities. The Church of Sant'Antonio from Padova, attached to the Convent of the reformed Smaller Fathers , below the plan pave is provided of a crypt of rectangular plant. It has two entries: the first one, constituted by a small staircase in stone it set on the floor of the church and the second, of recent construction, connects directly to the outside in the crypt. On the inside walls 24 niches are grafted with semicircular bottom with spherical coverage and 44 columbary disposed on other parallel files. At the left of the first entry, there is a room of straining with barrel coverage (once ventilated by a loophole), provided with a rectangular well (set at the left angle of the wall at the end) and of tubs with earthen drain: two are situated along the side walls and one in the wall at the end near the well.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;A second room, whose entry is always situated inside the crypt, the was intended for process of mummification and currently it only preserve a tub, set at the left wall of the entrance. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The convent and the church have recently been object of restoration and the human rests have definitely been deposed in the ossuary.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The Church of the Souls of the Purgatory is composed of an only aisle. Beyond the portal of lava stone (on which a skull and crossbones are engraved with two hourglasses, the foundation date is 1701 and the epigraph IUDICATI SUNT MORTUI, "the dead are judged"), the entrance is, through a staircase set in front of the apse of the Church, to an underground room of rectangular form, once ventilated by windows drawn by the side walls, richly decorated with floral motives of red color. On the wall at the end is situated an altar, at whose sides are situated 4 niches to semicircular bottom, while, along the other walls there are others 12. These were furnished with seats for the mummification (still visible the imprints in negative left on the masonry) and of a drain to expurgate, that carried the cadaverous sewages in an underlying pit of collection. Finally it is possible to see the well, set at the right of the entrance and a second room of small dimensions, adjoining the one mentioned before, with rises in lava stone set at the angles. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;A sepulchral room (perhaps private funeral chapel?) is situated under the central part of the aisle: according to oral sources, it shelters four mummified bodies. Such hypothesis remains to be confirmed through a more deepened study.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The crypt and the chapel of the prince Don Alvaro Paternò (Catania)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Catania, famous for its interesting history and the beauty of the monuments, it rises at the slopes of the volcano Etna and preserve in the Church of Santa Maria del Gesù an underground crypt and the funeral chapel of the prince Don Alvaro Paternò. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The crypt, of a narrow and long form, is of rectangular plant. Along the inside walls they are arranged, one top of the other, the wooden sarcophagi of some individuals, that belonged to important patrician families of the city. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;A funeral chapel of quadrangular form (erect in 1519), it opens to the left of the Church entrance and preserve, according to the sources, the body of Prince Don Alvaro Paternò, a real patron of the sixteenth century A. D. A more deepened study is necessary for a confirmation of the data gathered.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The Church of Sant'Agata La Vetere (Catania)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The Church, situated inside the sixteenth-century A. D. surrounding wall, has been many times reconstructed during the centuries (the most ancient plant goes up to the medieval period, when it was the cathedral of Catania). &lt;/div&gt;&lt;div style="text-align: justify;"&gt;During the operations of restoration some Hypogea rooms have been discovered, among which a room of mummification, the crypt and a few private funeral chapels. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;The room of mummification is of rectangular form (of the XVIII cent. around) you enter through a flight of steps shaped as L, set near the side entry of the Church. On the inside walls 28 niches are grafted in  semicircular bottom with spherical coverage. At the end of the room, there is the altar, richly fresco painted with floral motives. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;Also have been discovered, some underground sepulchral rooms, situated under the floor of the central aisle, in which today are still visible the loculi in horizontal position with headrest.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The room of straining of the Church of Jesus and Maria of the trumpet of Augusta (Syracuse)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Augusta, whose origins are owed to Federico II of Svevia, it is an important center of the province in Syracuse, endowed with a great port commercial and military. The ancient built-up area and part of the buildings of cult (in all 20) were destroyed by the 1693 earthquake and by the bombardments during the second world war. Despite this catastrophic scenery, the city, according to Elio Salerno , still preserves  the rests of rooms of straining and crypts, present to a large extent of the buildings of cult survived. In the impossibility to be able to personally verify the situation of the sites of August, cause the inaccessibility of the same, it seemed to me useful for our study to look for some bibliographical comparisons. To such intention, the description  of the discovery is interesting under the main altar in the Church of Jesus and Maria of the trumpet (bombed 13/05/1943), of two rooms, identified as crypts. In reality it deals with a room of straining of rectangular form (according to what is visible from the photo), provided of four  seats of stone with arm rests, pelvic shaped, on which the bodies were sat (the human skull and crossbones are seen still)  and of a twin second room, connected to the first one, whose function was probably that to mummify the dead bodies.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The crypt and the mummies of the Convent of the Cappuccins of Burgio (Agrigento)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The building of cult was built by the fathers Cappuccins in 1683, in substituting preexisting structure of the 1580. It keeps the mummified bodies of religious, men and women, according to a routine consolidated in the other convents, situated in a great crypt of rectangular plant, with cross vault, to which is entered through a small entry adjoining the church.  On the inside walls numerous niches are grafted bottom semicircular with spherical coverage, within which the mummies are lodged, while in the apse, is an altar, surmounted by a fresco with decorations. Above of the niches, are as many shelves,, some of which expose human skull and crossbones.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The mummies of the hermitage of Santa Rosalia La Quisquina (Agrigento)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The sanctuary, erected in honor of Santa Rosalia, is situated in the Greenhouse of Quisquina, at 936 m. of altitude and it was built by the Prince Gaetano Ventimiglia starting by 1683. It preserves the mummified bodies of some of the monks devoted to Santa Rosalia, according to a routine consolidated in the other convents, situated in an room of rectangular plant, adjoining the church. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;There are two entrances: the first one, connects through a brief corridor the crypt with the church; the second, of recent construction, the connected directly with the outside. On the inside walls  there are 16 niches with semicircular bottom with spherical coverage, of which 7 along the wall A, 7 in the B, 2 in the C, set at the sides of the altar, while in the wall D a colander furnished with a tub with earthen drip edges. At the center, under the original floor of square tiles enameled with floral motives polychrome, an ossuary is situated. The coverage is constituted by a barrel vault with fanlights, on which open two windows.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The Sanctuary of the Annunziata (Trapani)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The town of Trapani, situated on the north-west coast of Sicily, it has a room of mummification, of rectangular form (of the XVII cent. around), to which its entrance is through an L shaped staircase, set near the side entry of the Church. On the inside walls are 28 niches with semicircular bottom with spherical coverage. Opposite to the staircases, there is the altar, in which, according to oral sources, the bodies that were originally situated in the colanders have been walled. A further underground sepulchral room is set under the central part of the Chapel of the sailors or the risen Christ (realized from 1514 to 1552): according to some oral sources, it has never been violated. Such hypothesis remains to be confirmed through a study more deepened.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The mummies and the conservative process&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The studies on the treatment of the dead bodies, on the mummies and the formalities of burial in Sicily, to exception of some case, they are scanty and quite recent, while the bibliography is scarce. This has caused more than a few difficulties during the archeo-anthropological recognitions.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The practice of the mummification in Sicily has not been certainly favored neither from the environmental  and geographical conditions, nor by the cultural traditions. Sicily doesn't normally have rooms as the deserts and the swamps, properly for the natural mummification of the bodies. As for its geographical position, the conformation of the territory and the numerous of coasts encourage the development of a mild climate, a discreet rain and a consistent rate of humidity for good part of the year, these factors are not suited for the maintenance of the flesh. The traditional practices of preservation of the bodies, finally - from the cremation, very much in use by the Romans, to the burial, more properly of the Christian world, practiced from the Middle Ages to our days - it would seem to exclude the diffused appeal to alternative forms of maintenance of the bodies. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;Despite this, the Sicilian mummies, whether you deal with complexes, or isolated groups or of single recoveries, are very numerous in relationship to the limited extension of the territory. It primarily concerns bodies, for the more going back to an arc of ample period, from the Modern age to the nineteenth century A.D., submitted to different conservative procedures and deposed in the mortuary chapels, crypts, rooms attached to the church, for the more undergrounds, but also heightened. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;During the archaeological investigation different types of mummification have been seen:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;1) intermediary mummification: the body and the head had fixed in such position that the bodily fluids, because of the effect of gravity, they could gather in the bodily hollow and flow out, through the anal orifice or the vagina, to be gathered in a special pit (or cistern) underlying the room of mummification.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;2) artificial mummification (characterized by some variants): &lt;/div&gt;&lt;div style="text-align: justify;"&gt;a. for the embalming. The body was deposed in the straining room after the evisceration had been practiced: operation that was done with the opening of the chest through a Y incision at the sides of the sternum, that it was rejoined in an only incision in the region epigastric or of the pubic symphysis. For the decerebralizzation instead, a cut was practiced in the horizontal section, to which followed the removal of the brain and the filling with various material (twines, wadding, feathers, bits of metal, fragments of cloth). In many cases the removal of the ocular bulbs have also been observed; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;b. for the use of substances ceraceous or liquid wax (methods used by Ruysh et Tranchina);&lt;/div&gt;&lt;div style="text-align: justify;"&gt;c. for the immersion of the body in baths of arsenic and milk of mortar, after having practiced injections in the abdomen of alcoholic substances (method used by the Prof.Tranchida); &lt;/div&gt;&lt;div style="text-align: justify;"&gt;d. for the use of chemical substances similar to medicines (method used by Dr. Salafia).&lt;/div&gt;&lt;div style="text-align: justify;"&gt;For long time, the practices of mummification were destined to the bodies of monks, priests, saints and subsequently also to the persons of the hegemonic classes, with previous payment. Such habit reached the maximum development between the seventeenth and nineteenth centuries, for then gradually disappear toward the end of the nineteenth century A. D., naturally with uneven temporal margin in the different sites, for the generalization of the legislative prohibition of burial of the dead bodies in the church, due to the introduction in Italy of the known Napoleonic edict of Saint-Cloud, of September 5th 1806.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The place of mummification: the rooms of mummification&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The desiccation of the dead bodies occurred in special rooms, called "colanders", in which the process of dehydration and the microclimate interrupted the putrefaction and the consequently ruin of the bodies.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;It refers to underground rooms attached to the church, of rectangular form, with a to barrel vault or a cross vault, ventilated by loopholes drawn in the walls, whose entrance is guaranteed through some ramps of staircases set on the floor. Normally they is furnished with wells (of square or rectangular form), that were used for drawing the water during the procedure of mummification, and of an altar in masonry. According to L. Rocca and E. Raia , once, these rooms were furnished with a plate of slate hermetic closing - today disappeared -, that maintained the hygienic conditions of the room, so favoring the access to the places. The direct observation has only confirmed partly these affirmations: the grooves for the lodging of the plate have been observed only on the colanders of some sites, but not in everyone. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;During the archaeological investigation the presence of two different types of rooms of mummification has been attested:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;1) the colanders with semicircular niche with seats in stone. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;It refers to semicircular niches with spherical coverage, furnished with seats of stone, on which the dead bodies were set to sit. The practiced holes on the seats they carried the humors and the cadaverous sewages in a pipe line of expurgate underlying, connected to a pit of collection, post under the floor. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;2) the horizontal colanders with earthen drain. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;This typology, is characterized by a series of rectangular tubs furnished with parallel earthen drain, on which the bodies were layed. The liquids of putrefaction were gathered up in special underground lines of expurgate.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;After the mummification, on the body were practiced the last retouches and it was dressed, before the definitive transfer to the place of burial, the crypt. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;There isn’t any historical information about the period of realization of the straining rooms, even if an hypothesis in such sense could be deducted through the comparison of two historical sources : the testimony of Sambenedetti (1680), that concerns a description of 4 colander-rooms with seats, on which the fresh dead bodies of religious were placed, tied up with chains to avoid their fall; that of Farella (1855), that refers to some colander-rooms with grate of stones, furnished with earthen drain. The comparison of the two sources induces to think that the description of the Sambenedetti, constitutes the proof that the niche of semicircular colanders with seats in stone was already employed during 1680. The archaeological study of the structures and the constructive materials of some sites (for es. the typology of some tiles, the form of the seats and the nails to hold still the dead bodies), have confirmed partly, the preceding affirmation. The “terminus post quem” seems so defined, even if it is not impossible, in presence of further studies, to demote it. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;The place of burial: the crypts and the funeral chapels&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;With solemn funerals, the body was transported to the underground necropolis of the church, where it received the definitive position in the place that the individual had bought when was still alive. We will treat with the principal characteristics of the crypts. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;It regards of rooms with the barrel or cross coverage, on whose inside walls are situated the loculi, in which lodged the mummified bodies. Usually on the wall at the end is visible an round arc, in front of which rises an altar, while to the center, under the floor of square or rectangular in earthen tiles Sicilian, an ossuary is situated. Along the whole perimeter is a frame decorated grafts, interrupted in some lines, above which some skylights and columbary are situated, some of which, still today they expose human skulls.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;During the archaeological investigation three different types of graves have been individualized:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;1) loculus in horizontal position or as shelf, with or without headrest.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;2) loculus in vertical position with semicircular niche with spherical coverage.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;3) private mortuary chapels.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;These different forms of burial found in the numerous Sicilian places, are strongly tied to the social function, political or religious and to the economic possibilities of the individuals. At the origin of such phenomenon there is, on one side, the idea that the body of the dead persons must be saved from the corruption (which implicates the idea of life after the death in spiritual or terrestrial sense as persistence of the corpses among the alive) and on the other side, the interpretation of the idea of the abode of the saints (that was spread in the Christian age from the fifth century  A.D., especially in the western world). This last one, constitutes the cultural model of reference within which are placed a big part of the Italian mummies and, from my point of view, the Sicilian mummies: in fact, it is strictly tied to the idea to bury the corpses in proximity of the bodies of the martyrs (&lt;i&gt;ad sanctos&lt;/i&gt;), in the external or the inside parts of the church (&lt;i&gt;apud ecclesiam&lt;/i&gt;) . &lt;/div&gt;&lt;div style="text-align: justify;"&gt;Such practice moves from the feudal ideology of the Middle Ages according to which « a saint is a chosen prince, of which the Christian world is considered vassal. He is buried under the altar, with the bishop nearby; followed by the prince and his faithful. According to their rank on earth, are buried in the church or around it».  It is not in fact a case that the most part of the Sicilian mummies belong to the notables of the respective communities.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;Conclusions&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;In spite the partiality of the sources and the state of degrade in which stands the greatest part of the structures, this study has allowed to clarify more than a few questions on the funeral, the mortuary practices and the rooms of mummification in Sicily. The identification, for the first time, of different typologies of rooms of mummification is revealed essential in the analysis of the conservative methods and in the confirmation of the bibliographical sources. The conspicuous number of structures in relation to the maintenance of the dead bodies has shown that the mummification was a diffused practice in Sicily, but destined only to some part of the population. Analogous conclusions have been drawn during the identification of the different places of deposition of the bodies (besides confirming the social function of them, it shows that, from this point of view, after the death they are not all equal).&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Further scientific studies still in progress will certainly contribute to clarify certain proper aspects of the Sicilian mummies of the Modern age.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;Acknowledgments&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;I would like to thank Dr. Philippe Charlier for his invitation to participate in this conference, his continuous support, his help in the interpretation of certain paleopathologic lesions of the sample of Randazzo; Dr. Huynh-Charlier for her precious collaboration during the study of some samples; the Dr. Del Campo, Mayor of Randazzo and Dr. Gaetano Fisauli, Dir. Demografic of Randazzo for their precious collaboration; Dr. Giovanni Leto Barone, Deputy Manager of the Archaeological and Landscape Park "Valley" of the Temples in Agrigento, who has furnished me the authorization to examine the preserved human rests in the hermitage of S. Rosalia La Quisquina, the president Dr. arch. Giuseppe Adamo and the personnel of the cooperative "La Quercia Grande", for their precious collaboration and hospitality. More sincere thanks to Mr. Giuseppe Carrabino, impassioned of history and popular tradition of Augusta; Dott. Concetto Russo and Rev. Cavallaro for their precious collaboration in the town of Trecastagni. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight:bold;"&gt;&lt;div style="text-align: justify;"&gt;References&lt;/div&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;F. D. Farella, O. F. M. Cap. Cenni storici della chiesa e delle catacombe dei cappuccini di Palermo, Palermo, 1982.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;B. Sambenedetti da Milano, Vita del venerabile servo di Dio Fr. Bernardo da Corleone, siciliano, religioso laico dei Cappuccini della Prov. Di Palermo, Pa, 1690.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;P. Antonino da Castellammare, Le Catacombe ossia la grande sepoltura dei Cappuccini in Palermo, Pa, 1938.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;S. Lombardo, Le «Catacombe» del Convento dei Cappuccini di Savoca. Storia e personaggi, Savoca, 1985.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Vincenzo Di Maggio, Il Santuario della Madonna della Lettera nella Storia di Riposto, alr, Giarre, 1987.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;F. Di Colo, L’imbalsamazione umana, Milano, 1910.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;L. Rocca, E. Raia, Palermo, luoghi del sottosuolo, Scientific Book, 2006. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;Elio Salerno, La Chiesa delle Anime Sante, in Notiziario storico di Augusta n° 11, 1983, p. 23&lt;/div&gt;&lt;div style="text-align: justify;"&gt;P. Ariès, L’uomo e la morte dal Medioevo ad oggi, Editori La Terza, Bari, 1985.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;M.S. Todesco, Fermare il tempo. Sul restauro di una mummia in Savoca, « Bollettino della Sovrintendenza ai Beni culturali e Ambientali di Messina », in  b.c.a., Sicilia,  Fasc. III e IV, 1993-1994.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-6066148060477030523?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/6066148060477030523/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=6066148060477030523' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6066148060477030523'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6066148060477030523'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/11/crypts-rooms-of-mummification-and.html' title='Crypts, rooms of mummification and procedures of conservation of bodies in Sicily'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_twm37pwUL5c/TN6nnG7EGNI/AAAAAAAAAso/RzTTmpCL_YI/s72-c/Cripta%2BSan%2BMatteo%2Bal%2BCassaro%2Bpalermo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-5143284216249835038</id><published>2010-10-16T16:48:00.002+02:00</published><updated>2010-10-16T16:55:04.482+02:00</updated><title type='text'>Une malformation rare diagnostiquée sur un squelette médiéval</title><content type='html'>-&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_twm37pwUL5c/TLm8nthRqxI/AAAAAAAAAsA/FKFFCnqORmQ/s1600/collaterals-in-coarctation-21.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 326px;" src="http://3.bp.blogspot.com/_twm37pwUL5c/TLm8nthRqxI/AAAAAAAAAsA/FKFFCnqORmQ/s400/collaterals-in-coarctation-21.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5528657407994080018" /&gt;&lt;/a&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Ces travaux sont publiés par une équipe multidisciplinaire (à la suite d'une journée d'expertise paléopathologique au CHU de Garches) dans la toute nouvelle &lt;i&gt;Revue de Médecine Légale&lt;/i&gt;. Il s'agit d'une malformation de l'aorte thoracique se traduisant par le développement d'un réseau vasculaire collatéral laissant des lésions osseuses caractéristiques. Si ce diagnostic est "anecdotique" en ostéo-archéologie, il demeure dans tous les cas particulièrement intéressant en anthropologie médico-légale car il constitue un élément d'identification pathologique spécifique.&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: justify;"&gt;L'intégralité de l'article est en ligne sur ce lien :&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.sciencedirect.com/science?_ob=ArticleURL&amp;amp;_udi=B986V-4YT7KSW-1&amp;amp;_user=10&amp;amp;_coverDate=03%2F31%2F2010&amp;amp;_rdoc=8&amp;amp;_orig=browse&amp;amp;_origin=browse&amp;amp;_zone=rslt_list_item&amp;amp;_srch=doc-info(%23toc%2359136%232010%23999989998%231900743%23FLA%23display%23Volume)&amp;amp;_cdi=59136&amp;amp;_sort=d&amp;amp;_docanchor=&amp;amp;_ct=9&amp;amp;_acct=C000050221&amp;amp;_version=1&amp;amp;_urlVersion=0&amp;amp;_userid=10&amp;amp;searchtype=a&amp;amp;_fmt=full&amp;amp;_pii=S1878652910000076&amp;amp;_issn=18786529&amp;amp;md5=36b688ca54085f7d1c51f1d20acd6741#secx1"&gt;&lt;span class="Apple-style-span" style="color: rgb(0, 0, 0); -webkit-text-decorations-in-effect: none; "&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.sciencedirect.com/science?_ob=ArticleURL&amp;amp;_udi=B986V-4YT7KSW-1&amp;amp;_user=10&amp;amp;_coverDate=03%2F31%2F2010&amp;amp;_rdoc=8&amp;amp;_orig=browse&amp;amp;_origin=browse&amp;amp;_zone=rslt_list_item&amp;amp;_srch=doc-info(%23toc%2359136%232010%23999989998%231900743%23FLA%23display%23Volume)&amp;amp;_cdi=59136&amp;amp;_sort=d&amp;amp;_docanchor=&amp;amp;_ct=9&amp;amp;_acct=C000050221&amp;amp;_version=1&amp;amp;_urlVersion=0&amp;amp;_userid=10&amp;amp;searchtype=a&amp;amp;_fmt=full&amp;amp;_pii=S1878652910000076&amp;amp;_issn=18786529&amp;amp;md5=36b688ca54085f7d1c51f1d20acd6741#secx1"&gt;http://www.sciencedirect.com/science?_ob=ArticleURL&amp;amp;_udi=B986V-4YT7KSW-1&amp;amp;_user=10&amp;amp;_coverDate=03%2F31%2F2010&amp;amp;_rdoc=8&amp;amp;_orig=browse&amp;amp;_origin=browse&amp;amp;_zone=rslt_list_item&amp;amp;_srch=doc-info(%23toc%2359136%232010%23999989998%231900743%23FLA%23display%23Volume)&amp;amp;_cdi=59136&amp;amp;_sort=d&amp;amp;_docanchor=&amp;amp;_ct=9&amp;amp;_acct=C000050221&amp;amp;_version=1&amp;amp;_urlVersion=0&amp;amp;_userid=10&amp;amp;searchtype=a&amp;amp;_fmt=full&amp;amp;_pii=S1878652910000076&amp;amp;_issn=18786529&amp;amp;md5=36b688ca54085f7d1c51f1d20acd6741#secx1&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-5143284216249835038?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/5143284216249835038/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=5143284216249835038' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/5143284216249835038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/5143284216249835038'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/10/une-malformation-rare-diagnostiquee-sur.html' title='Une malformation rare diagnostiquée sur un squelette médiéval'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_twm37pwUL5c/TLm8nthRqxI/AAAAAAAAAsA/FKFFCnqORmQ/s72-c/collaterals-in-coarctation-21.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-1135209133030104351</id><published>2010-10-16T16:14:00.003+02:00</published><updated>2010-10-16T16:55:36.875+02:00</updated><title type='text'>Du nouveau sur la mort de Santa Rosa</title><content type='html'>-&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_twm37pwUL5c/TLm1zZFhR7I/AAAAAAAAAr4/uWqSDCae6Pg/s1600/mummy_1476390i.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 258px;" src="http://2.bp.blogspot.com/_twm37pwUL5c/TLm1zZFhR7I/AAAAAAAAAr4/uWqSDCae6Pg/s400/mummy_1476390i.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5528649912085989298" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Le coeur de Sainte Rosa, cette jeune fille du 13ème siècle morte dans des circonstances troublantes, a fait l'objet de plusieurs publications par une équipe italienne dans la revue &lt;i&gt;Lancet&lt;/i&gt;. On trouvera ci-dessous un récent commentaire remettant en question la cause même du décès (thrombose cardiaque sur une malformation complexe). Insistons sur la nécessité de ne pas s'arrêter à une belle image radiologique (qui n'est qu'évocatrice d'un diagnostic), mais d'aller jusqu'au fond des choses en réalisant un examen anatomo-pathologique (= microscopique). A condition d'avoir l'autorisation de prélever, ce dont n'ont malheureusement pas bénéficié les auteurs de la publication d'origine...&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.thelancet.com/journals/lancet/article/PIIS0140-6736(10)61483-3/fulltext"&gt;&lt;span class="Apple-style-span" style="color: rgb(0, 0, 0); -webkit-text-decorations-in-effect: none; "&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.thelancet.com/journals/lancet/article/PIIS0140-6736(10)61483-3/fulltext"&gt;http://www.thelancet.com/journals/lancet/article/PIIS0140-6736(10)61483-3/fulltext&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;-&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-1135209133030104351?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/1135209133030104351/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=1135209133030104351' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/1135209133030104351'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/1135209133030104351'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/10/du-nouveau-sur-la-mort-de-santa-rosa.html' title='Du nouveau sur la mort de Santa Rosa'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_twm37pwUL5c/TLm1zZFhR7I/AAAAAAAAAr4/uWqSDCae6Pg/s72-c/mummy_1476390i.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-6513291110928585483</id><published>2010-08-12T12:43:00.004+02:00</published><updated>2010-08-12T12:53:48.264+02:00</updated><title type='text'>Cas présentés à la journée d’expertise paléopathologique du 28 mai 2010 (Garches).</title><content type='html'>Cette journée a été organisée avec le soutien institutionnel du GAAF et de l'INRAP, dans des locaux de l'AP-HP / UVSQ.&lt;br /&gt;&lt;br /&gt;Squelettes présentés par Stéphanie Desbrosse-Degobertière&lt;br /&gt;Centre Archéologique INRAP&lt;br /&gt;38 rue des Dâts&lt;br /&gt;51520 Saint-Martin-sur-le-Pré&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Avenay, Val d’Or, lieu-dit « La Planche »&lt;/strong&gt;&lt;br /&gt;Chez ce sujet adulte (médiéval) sont mises en évidence des lésions ostéo-articulaires en rapport avec le syndrome ostéo-archéologique dit « du cavalier » :&lt;br /&gt;- facette de Poirier (bilatéral : &lt;strong&gt;Figure 1&lt;/strong&gt;) ;&lt;br /&gt;- 3ème trochanter (bilatéral) ;&lt;br /&gt;- tubercule fémoral marqué du grand adducteur (bilatéral) ;&lt;br /&gt;- enthésopathies éversées vers le dehors de la crête iliaque (bilatéral) ;&lt;br /&gt;- enthésopathies du trou obturateur (bilatéral) ;&lt;br /&gt;- enthésopathies de la fossette auriculaire fémorale (bilatéral) ;&lt;br /&gt;- extension supéro-latérale de l’acetabulum (bilatéral) ;&lt;br /&gt;D’autres lésions sont associées, pouvant être en rapport avec le même stress mécanique :&lt;br /&gt;- patella emarginata (bilatéral) ;&lt;br /&gt;- lésions d’ostéonécrose aseptique à la face postéro-distale des condyles fémoraux (région latérale du côté gauche, région médiale et latérale du côté droit).&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://2.bp.blogspot.com/_twm37pwUL5c/TGPRU_XxKhI/AAAAAAAAAqw/_6NORtx51nY/s1600/ind+1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5504473328115591698" style="WIDTH: 300px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://2.bp.blogspot.com/_twm37pwUL5c/TGPRU_XxKhI/AAAAAAAAAqw/_6NORtx51nY/s400/ind+1.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Figure 1&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;strong&gt;Avenay, Val d’Or, lieu-dit « La Planche », Sépulture 720&lt;/strong&gt;&lt;br /&gt;Chez ce sujet de 7 ans environ (médiéval), de sexe indéterminable, on visualise des enthésopathies en creux au niveau de la face antérieure des extrémités distales des 2 humérus (&lt;strong&gt;Figure 2&lt;/strong&gt;) et des clavicules (zones d’insertion deltoïdienne). De telles lésions ont été décrites, chez les immatures, comme des arguments en faveur d’une activité physique supra-physiologique, suggérant un travail infantile.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_twm37pwUL5c/TGPRVX5mzRI/AAAAAAAAAq4/Zig8XbTGO6A/s1600/ind+2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5504473334699969810" style="WIDTH: 300px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://1.bp.blogspot.com/_twm37pwUL5c/TGPRVX5mzRI/AAAAAAAAAq4/Zig8XbTGO6A/s400/ind+2.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;Figure 2&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;strong&gt;Avenay, Val d’Or, lieu-dit « La Planche », Sépulture 837 (fouilles 1999)&lt;/strong&gt;&lt;br /&gt;Chez ce sujet de 15-18 ans (médiéval), de sexe indéterminable, on objective une scaphocéphalie (&lt;strong&gt;Figure 3&lt;/strong&gt;) pour laquelle il est impossible de préciser le caractère taphonomique (déformation post-mortem consécutive aux pressions telluriques exercées sur le squelette) ou pathologique. A noter la présence d’une granulation de Paccioni (peu courant à un âge aussi jeune), d’une crâniosynostose sagittale prématurée (à l’origine de la déformation ?). Une vérification de l’âge et une quantification du volume crânien (recherche d’une macrocéphalie) sont conseillés.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_twm37pwUL5c/TGPRV5jlr8I/AAAAAAAAArA/rzW04P3z21I/s1600/ind+3.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5504473343734427586" style="WIDTH: 300px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://2.bp.blogspot.com/_twm37pwUL5c/TGPRV5jlr8I/AAAAAAAAArA/rzW04P3z21I/s400/ind+3.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;Figure 3&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;strong&gt;Pont sur Seine, lieu-dit « Haut de Launoy », Structure 1 (fouilles 2009)&lt;/strong&gt;&lt;br /&gt;Sur ces ossements humains poly-fragmentés (néolithiques), provenant d’une gravière, est observé un aspect « d’os dans l’os » (&lt;strong&gt;Figure 4&lt;/strong&gt;) d’origine taphonomique, consécutif à une lente percolation, à une minéralisation progressive de la structure osseuse et à une imbibition ferreuse. Il ne s’agit pas d’un processus pathologique.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_twm37pwUL5c/TGPRWIfGnvI/AAAAAAAAArI/XNm3knefqTk/s1600/ind+4.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5504473347742146290" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 300px" alt="" src="http://4.bp.blogspot.com/_twm37pwUL5c/TGPRWIfGnvI/AAAAAAAAArI/XNm3knefqTk/s400/ind+4.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;Figure 4&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;strong&gt;Références&lt;br /&gt;&lt;/strong&gt;Charlier P., « L’identification du travail infantile en paléopathologie », &lt;em&gt;in&lt;/em&gt; Charlier P. (&lt;em&gt;Dir&lt;/em&gt;.), &lt;em&gt;Ostéo-archéologie et techniques médico-légales&lt;/em&gt;. Paris, De Boccard, 2008, pp. 309-310.&lt;br /&gt;Charlier P., « Deux cas paléopathologiques du syndrome « du cavalier » sur le site de Monte Bibele », &lt;em&gt;in&lt;/em&gt; Curci A., Vitali D. (&lt;em&gt;Dir&lt;/em&gt;.), &lt;em&gt;Animali tra uomini e dei. Archeozoologia del mondo preromano. Atti del convegno internazionale, Ravenna-Monterenzio, 8-9/11/2002&lt;/em&gt;, Ante Quem (Bologna), Studi e Scavi, nuova serie, 14, 2006, pp. 173-177.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-6513291110928585483?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/6513291110928585483/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=6513291110928585483' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6513291110928585483'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6513291110928585483'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/08/cas-presentes-la-journee-dexpertise.html' title='Cas présentés à la journée d’expertise paléopathologique du 28 mai 2010 (Garches).'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_twm37pwUL5c/TGPRU_XxKhI/AAAAAAAAAqw/_6NORtx51nY/s72-c/ind+1.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-4396057388117694168</id><published>2010-07-23T17:21:00.002+02:00</published><updated>2010-07-25T19:26:10.882+02:00</updated><title type='text'>Les funérailles du bon roi Henri</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_twm37pwUL5c/TExzJvYzLtI/AAAAAAAAAqo/X7DN1nGn4Qo/s1600/SCAN+HIV130+Cercueil+Henri.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 320px;" src="http://4.bp.blogspot.com/_twm37pwUL5c/TExzJvYzLtI/AAAAAAAAAqo/X7DN1nGn4Qo/s400/SCAN+HIV130+Cercueil+Henri.jpg" alt="" id="BLOGGER_PHOTO_ID_5497895856289033938" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div align="justify"&gt;-&lt;br /&gt;-&lt;br /&gt;En ce 400ème anniversaire de la mort de Henri IV, penchons-nous sur un excellent ouvrage signé par un éminent historien, Joël Cornette, qui accompagne l’exposition « Henri IV à Saint-Denis, chroniques d’évènements prodigieux » (exposition se tenant à la basilique de Saint-Denis, de juin à octobre 2010, et dont Joël Cornette est le commissaire).&lt;br /&gt;&lt;br /&gt;Ce livre regorge d’informations détaillées sur les funérailles royales et notamment sur la préparation du corps du roi défunt. Autant d’actions, de transformations physiques, de gestes plus ou moins précis, pouvant être secondairement diagnostiqués sur les squelettes exhumés lors de fouilles archéologiques.&lt;br /&gt;&lt;br /&gt;On apprend ainsi que « Sur le minuit du vendredi [jour de son assassinat par Ravaillac], le corps du Roi, dépouillé d’un habit de satin noir égratigné, sans pansement, fut revêtu d’un pourpoint de satin blanc et porté sur le lit de sa chambre, où il fut vu, considéré, pleuré et regretté par toute la ville de Paris. La chaleur de la saison et le sang qui s’était amassé dans le ventre ne permirent que l’on différa davantage de l’ouvrir&lt;a title="" style="" href="http://www.blogger.com/post-create.g?blogID=896012473241029504#_ftn1" name="_ftnref1"&gt;[1]&lt;/a&gt; ». « L’ouvrir », c’est-à-dire pratiquer une autopsie afin de s’assurer des causes du décès, et de récupérer certains organes à déposer ailleurs, comme on va le voir. La dissection a donc lieu le samedi, vers quatre heure de l’après-midi, en présence de 14 médecins du Roi, de 4 médecins de Paris et de 11 chirurgiens du Roi. On connaît bien les résultats de cette autopsie puisque son compte-rendu a été publié par l’un des praticiens (le Dr Guillemeau) dans ses œuvres complètes. Deux plaies thoraciques sont retrouvées, dont l’une, assez profonde, a tranché « l’artère veineuse » et causé une hémorragie cataclysmique.&lt;br /&gt;Les viscères sont déposés dans un contenant et inhumés sans cérémonie à Saint-Denis ; le cœur, embaumé, fut offert aux Jésuites et placé à La Flèche (dans la Sarthe). D’ailleurs, quel type de préparation a-t-il subi ? Cornette indique : « Ouvert, nettoyé, mis à tremper dans l’esprit de vin et de l’huile de térébenthine rectifiée, (…) bourré d’une dizaine d’aromates, de teintures et d’huiles essentielles puis logé dans un petit sac de toile cirée, scellée dans une boîte de plomb, entourée d’une étoffe de taffetas, le tout (…) placé dans un coffret d’argent en forme de cœur&lt;a title="" style="" href="http://www.blogger.com/post-create.g?blogID=896012473241029504#_ftn2" name="_ftnref2"&gt;[2]&lt;/a&gt; ».&lt;br /&gt;Vient enfin le moment tant attendu de l’embaumement, destiné, en Occident, non pas à conserver intact le cadavre pour les siècles et les siècles (à la mode égyptienne), mais au contraire, dans un esprit pratique, à le garder présentable le temps que s’organisent les cérémonies, les transferts de dépouilles, les éventuelles successions). Cornette, qui cite un ouvrage de 1699 (celui de Penicher), rapporte que, « débarrassé de tous les organes putrescibles, y compris la langue et les yeux, le cadavre fut d’abord lavé à l’aide de vin balsamique contenant du girofle, des roses, du citron, de l’orange, de la coloquinte, du styrax et du benjoin. Des boules de coton vinrent obturer la bouche, les yeux, le nez et les oreilles. On enveloppa ensuite le corps dans de la toile cirée avant de le remplir de différents baumes (…) : écorces de cyprès, lavande, thym, sauge, romarin, sel, poivre, absinthe, benjoin, styrax, myrrhe, origan, cannelle, aneth, clous de girofle, écorces de citron, anis et encens ».&lt;br /&gt;Voilà qui ressemble bien à une recette de cuisine… et cela est bien logique car les premier embaumeurs n’étaient ni barbiers-chirurgiens, ni médecins, mais maîtres queue ! D’où la variété des produits aromatiques utilisés en pareil moment… qu’on retrouvera plus tard, d’ailleurs, dans les apothicaireries.&lt;br /&gt;&lt;br /&gt;Si vous allez un jour dans la Basilique Royale de Saint-Dnis, ne manquez pas d’aller respirer à pleines bouffées l’odeur émanant des cercueils de la chapelle des Princes, dans la crypte. Vous sentirez, très distinctement, toutes ces odeurs d’épices et d’aromates émanant des derniers sépulcres des Bourbons…&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Référence&lt;br /&gt;&lt;/strong&gt;Cornette J., &lt;em&gt;Henri IV à Saint-Denis, de l’abjuration à la profanation&lt;/em&gt;. Belin (Paris), juin 2010.&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;&lt;br /&gt;Notes&lt;/strong&gt;&lt;br /&gt;&lt;a title="" style="" href="http://www.blogger.com/post-create.g?blogID=896012473241029504#_ftnref1" name="_ftn1"&gt;[1]&lt;/a&gt; Pierre Mathieu, Histoire de la mort déplorable de Henri IV, Roi de France et de Navarre, 1610 (cité par Cornette, 2010, p. 163).&lt;br /&gt;&lt;a title="" style="" href="http://www.blogger.com/post-create.g?blogID=896012473241029504#_ftnref2" name="_ftn2"&gt;[2]&lt;/a&gt; Cornette, 2010, p. 165.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-4396057388117694168?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/4396057388117694168/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=4396057388117694168' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/4396057388117694168'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/4396057388117694168'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/07/les-funerailles-du-bon-roi-henri.html' title='Les funérailles du bon roi Henri'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_twm37pwUL5c/TExzJvYzLtI/AAAAAAAAAqo/X7DN1nGn4Qo/s72-c/SCAN+HIV130+Cercueil+Henri.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-1368975516708139653</id><published>2010-07-23T17:20:00.068+02:00</published><updated>2011-05-09T15:35:18.393+02:00</updated><title type='text'>4ème colloque international de pathographie (13-15 mai 2011)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-OHhByrP-NPE/TXlef7hDKLI/AAAAAAAAAt4/6YiBg5O5u_c/s1600/Diapositive1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://2.bp.blogspot.com/-OHhByrP-NPE/TXlef7hDKLI/AAAAAAAAAt4/6YiBg5O5u_c/s400/Diapositive1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5582597115747707058" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--StartFragment--&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify" align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify" align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify" align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;!--EndFragment--&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;br /&gt;Le &lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;4ème Colloque International de Pathographie&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; se déroulera à &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.ville-saint-jean-de-cole.fr/ind.html"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Saint-Jean-de-Côle&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; (Dordogne), du 13 au 15 mai 2011.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Il est placé sous le Haut Patronage de Madame Valérie Pécresse, Ministre de l'Enseignement Supérieur et de la Recherche, et de Monsieur Frédéric Mitterrand, Ministre de la Culture et de la Communication.&lt;br /&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Introduction&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;La paléopathologie, c’est-à-dire l’étude médicale des restes humains anciens issus de fouilles archéologiques ou de collections muséographiques, se révèle de plus en plus une discipline scientifique d’importance. Associée à l’histoire de la médecine et des maladies, à l’archéologie, à l’anthropologie physique et à l’histoire, à la sociologie et à la démographie, elle explore toutes les voies de recherche possibles et imaginables pour identifier des maladies à partir de fragments plus ou moins complets de squelettes et de momies. Elle s’intéresse autant à des cas isolés qu’à de vastes nécropoles, apportant à chaque fois des informations radicalement différentes et utilisant à chaque coup des méthodes adaptées et orientées.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;La pathographie : l’Histoire dit-elle la réalité ?&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Les cas isolés et bien documentés sur le plan historique rentrent dans le cadre de la pathographie, une sous-discipline de la paléopathologie. Cette spécialité a été définie à l’occasion du 1er Colloque International de Pathographie (Loches, Avril 2005) comme l’étude médicale des individus pour lesquels nous disposons d’informations pertinentes sur les circonstances de leur vie, de leur décès, sur leur aspect physique (portraits disponibles ou description passée à la postérité), etc. Bien loin d’étudier un individu dont on ignore tout, en pathographie, on ne travaille pas tout à fait à l’aveugle. Le principal risque est évidemment d’être influencé par toutes ces données centrées sur l’individu étudié. C’est par un travail multidisciplinaire et des échanges permanents entre chercheurs que ces biais d’étude peuvent être minorés.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;A quelles questions la pathographie est-elle susceptible de répondre ?&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Il est souvent nécessaire d’authentifier les restes humains d’individus passés à la postérité. Leur renommée est souvent la cause d’importantes perturbations funéraires, chaque génération cherchant à collecter des reliques, à prélever des souvenirs historiques, à examiner (par curiosité morbide) ce qu’il reste d’un sujet fameux et, parfois, à détruire rageusement, ses cendres. La pathographie permet également de démêler le vrai du faux. Autrement dit, grâce à de nombreuses études scientifiques, elle est en mesure de dire si l’Histoire rapporte des légendes, des fantasmes ou des faits réels. Toutes les spécialités médicales et biologiques sont susceptibles d’être mises en jeu, avec une méthodologie générale inspirée de la médecine légale : microscopie (optique et électronique à balayage), radiographie (standard et scanner), bactériologie, virologie, parasitologie, toxicologie (analyses élémentaires et organiques), biologie moléculaire (études paléogénétiques), etc. Le but est d’arriver à un résultat tout aussi fiable qu’avec un patient vivant. Sont ainsi résolus des problèmes pratiques comme la recherche d’un empoisonnement (Agnès Sorel, Diane de Poitiers, famille des Médicis à Florence, tsarines du Kremlin à Moscou, etc.), d’un traumatisme crânien, d’une maladie héréditaire, d’une infection létale ou invalidante, etc. Tout ce qui n’était qu’anecdotes historiques, traditions hagiographiques ou données biographiques peut ainsi être vérifié, critiqué et, parfois, confirmé. Les techniques utilisées sont souvent des techniques de pointe, et les études paléopathologiques (et notamment pathographiques) participent à développer et affiner ces moyens d’investigation, au service immédiat des vivants. Finalement, au lieu de tester ces nouvelles technologies sur des cobayes, on use de maîtresses royales ou de condottiere vieux de plusieurs siècles…&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;br /&gt;Pour une &lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;bibliographie complète&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;, consulter : Charlier P., « Paléopathologie et pathographie. Pourquoi autopsier nos ancêtres ? », in Charlier P. (Dir.), 1er Colloque International de Pathographie, Loches, Avril 2005, De Boccard, Paris, Collection Pathographie (1), 2006, pp. 5-27.&lt;br /&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Colloques&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Tous les 2 ans depuis 2005 se déroulent des colloques internationaux de Pathographie. Les actes de ces colloques sont publiés aux éditions de Boccard (11 rue de Médicis, 75006 Paris). Ces rencontres sont volontairement accessibles au grand public, les communications étant données en langage clair et compréhensible pour « faire sortir la Science du laboratoire ». Antérieurement à Loches (2005 et 2007), puis Bourges (2009), la prochaine édition aura lieu à Saint-Jean-de-Côle les 13-15 mai 2011.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://3.bp.blogspot.com/_twm37pwUL5c/TEreEIVuTWI/AAAAAAAAAqg/wZr5mHNYE-k/s1600/st-jean-de-cole.jpg"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5497450457698553186" alt="" src="http://3.bp.blogspot.com/_twm37pwUL5c/TEreEIVuTWI/AAAAAAAAAqg/wZr5mHNYE-k/s400/st-jean-de-cole.jpg" border="0" style="width: 360px; height: 240px; " /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;br /&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Programme définitif&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;br /&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;i&gt; &lt;!--StartFragment--&gt;&lt;br /&gt;&lt;table border="0" cellspacing="0" cellpadding="0" style="border-collapse:collapse; mso-padding-alt:0cm 5.4pt 0cm 5.4pt"&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width="460" colspan="2" valign="top" style="width:460.3pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;13 mai 2011&lt;/b&gt;&lt;span style="font-weight:normal"&gt; (&lt;i&gt;entrée libre&lt;/i&gt;&lt;/span&gt;)&lt;span class="apple-style-span"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;16h – 18h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Accueil des congressistes sous   la halle de Saint-Jean-de-Côle (place de l’église)&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;18h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Ouverture   officielle du colloque&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;18h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Conférence inaugurale du Dr   Philippe Charlier : « La tête embaumée d’Henri IV : histoire   d’une authentification »&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;19h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;Inauguration de l’exposition   « Le miroir du temps : les momies siciliennes de Randazzo » et visite   commentée en présence de Mlle Luisa Lo Gerfo&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;20h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;Cocktail dînatoire sous la   halle de Saint-Jean-de-Côle (place de l’église)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="460" colspan="2" valign="top" style="width:460.3pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;&lt;b&gt;14   mai 2011&lt;/b&gt;&lt;/span&gt;&lt;span class="apple-converted-space"&gt; &lt;/span&gt;&lt;span class="apple-style-span"&gt;(&lt;i&gt;journée réservée aux congressistes&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;)&lt;/span&gt;&lt;span class="apple-converted-space"&gt; &lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;9h – 11h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Marché de Thiviers&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;11h – 12h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Dégustation de foie gras à la   Maison du Foie Gras (Thiviers)&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;12h – 14h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Déjeuner libre&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;14h – 17h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Communications scientifiques   dans l’église de Saint-Jean-de-Côle&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;14h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Nadine   Borie, &lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;. :   « Présentation pathographique de Saint-Jean de Côle »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;14h15&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Marie-Hélène   Nguyen, Dominique Nguyen : « Saint Pantaléon : à propos de l'origine   d'un culte funéraire d'enfants en France au Moyen Age »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;14h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Sébastien   Varéa, &lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;. : « La   Tête Maori de Rouen et sa numérisation »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;14h45&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Laetitia   Laquay, &lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;. : « La   nécropole à crémation de Zimnicea (Roumanie, 4&lt;sup&gt;ème&lt;/sup&gt;-3&lt;sup&gt;ème&lt;/sup&gt;   s. av. J.-C.) : bilan préliminaire »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;15h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Vasilica   Lungu,&lt;/span&gt;&lt;span class="apple-converted-space"&gt; &lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-converted-space"&gt;. &lt;/span&gt;&lt;span class="apple-style-span"&gt;: « L’&lt;i&gt;herôon&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-converted-space"&gt; &lt;/span&gt;&lt;span class="apple-style-span"&gt;d’Orgamé   (Roumanie) : étude ostéo-archéologique d’une sépulture de prestige »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;15h15&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Pause&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;15h45&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Édouard   Felsenheld : « Les ravages du sport selon Galien de Pergame »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;16h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Guillaume   Yout : « La mort et l’embaumement de Poppaea Sabina, épouse de Néron, un cas   inédit sous le Haut Empire romain »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;16h15&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Caroline   Monier, Thibault Monier : « Thaïs d'Antinoë : de la découverte d'une   momie à la naissance d'un mythe du début du 20&lt;sup&gt;ème&lt;/sup&gt; siècle »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;16h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Anastasia   Tsaliki, Liliane Karali : « Un cas de mort par catastrophe en Grèce   antique (Héliké) »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;16h45&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Jean-Louis   Devoize : « Icono-diagnostic de l'hémispasme facial grâce à «l'autre signe   de Babinski». Description d'un cas sur une terre cuite de Smyrne ».&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;17h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Pause&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;18h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Concert de piano d’Alexandre   Javaud dans l’église de Saint-Jean-de-Côle&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;19h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Départ pour l’abbaye de Ligueux&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;20h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Apéritif puis dîner assis dans   les écuries de l’abbaye de Ligueux&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="460" colspan="2" valign="top" style="width:460.3pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;&lt;b&gt;15   mai 2011&lt;/b&gt;&lt;/span&gt;&lt;span class="apple-converted-space"&gt; &lt;/span&gt;&lt;span class="apple-style-span"&gt;(&lt;i&gt;journée réservée aux congressistes&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;)&lt;/span&gt;&lt;span class="apple-converted-space"&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;09h30   – 13h30&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Communications scientifiques   dans l’église de Saint-Jean-de-Côle&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;09h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Joël   Poupon, &lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;. : « Intérêt et   limite de la micro-fluorescence X pour l'étude des échantillons ostéo-archéologiques »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;09h45&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Christophe   Moulherat : « Etude des textiles d’une momie d’enfant de Randazzo »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;10h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Marie-Jeanne   Sedeyn : « L'écrit, trace matérielle de l'individu vivant. Exemples   pathographiques »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;10h15&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;David   Alliot : « Céline et la Grande Faucheuse »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;10h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Pause et signature par David   Alliot de son livre&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;10h45&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Hossein   Khonsari,&lt;/span&gt;&lt;span class="apple-converted-space"&gt; &lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;. :   « Étude des déformations intentionnelles du crâne par imagerie 3D :   modifications architecturales spécifiques dans les cas antéropostérieurs,   circonférentiels et toulousains »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;11h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Philippe   Froesch (Visual Forensic) : « Reconstruction faciale 3D numérique :   gestion de l'information, méthode et applications »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;11h15&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Fabrice   Gauthier,&lt;/span&gt;&lt;span class="apple-converted-space"&gt; &lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;. :   « Une sépulture de pèlerin exceptionnellement conservée : la sépulture 1   du porche nord de la collégiale de Brioude (début du 15&lt;sup&gt;ème&lt;/sup&gt;   s.) »&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;11h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Micheline   Ruell-Kellerman : « &lt;i&gt;Un dialogue bref et concis sur les dents et la bouche &lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;(Valladolid, 1557) par un dentiste à la cour de   Philippe II »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;11h45&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;Pause et signature par Micheline   Ruell-Kellerman de son livre&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;12h00&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Stéphanie   Cavard, &lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;. : « Regard   pathographique sur deux crânes de la collection phrénologique de Gall (Musée   de l'Homme, Paris) »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;12h15&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Bérengère   Soustre de Condat-Rabourdin, &lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;.   : « Lésions traumatiques du crâne par armes blanches : étude de cas   paléopathologiques des collections du Musée de l'Homme, Paris »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;12h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;William   Devriendt, &lt;i&gt;et al&lt;/i&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;. :   « Pratiques autopsiques à Douai : les ossements découpés du cimetière de   l'ancienne église Saint-Jacques (XIII&lt;sup&gt;ème&lt;/sup&gt;-XVIII&lt;sup&gt;ème&lt;/sup&gt;   s.) »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;12h45&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Laure   Pipien : « Désastre ou destinée, morts féminines dans le roman européen du 19&lt;sup&gt;ème&lt;/sup&gt;   siècle. Mme Bovary, Nana, Tess d’Uberville, Effi Briest »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;13h&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Danielle   Gourevitch : « Pathographie et tuberculose osseuse dans les années 1920-1930   »&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="115" valign="top" style="width:115.05pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;13h15 – 13h30&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="345" valign="top" style="width:345.25pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="apple-style-span"&gt;Discussion   et clôture du colloque&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="Apple-style-span" style="color:#FF0000;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="Apple-style-span" style=" font-style: normal; font-family:Georgia, serif;"&gt;&lt;strong&gt;&lt;span style="COLOR: rgb(255,0,0)"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;A l'occasion du colloque de 2011, les actes du colloque précédent (Bourges, 2009) seront publiés et remis aux congressistes.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Inscription&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Les inscriptions sont possibles dès maintenant (les communiquants n'en sont pas exemptés). Les tarifs ci-dessous sont proposés :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Tarif plein&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; (125 &lt;/span&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;€ &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;par personne) incluant :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- le matériel d'accès au colloque ;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- l'accès à l'exposition temporaire ;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- l'accès aux conférences ;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- les cocktails et dîners des 13 et 14 mai 2011 ;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- les actes du 3ème Colloque International de Pathographie ;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- un exemplaire du &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Coloquio Breve&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; par M. Ruel-Kellermann ;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- une place pour le concert de piano d'A. Javaud du 14 mai 2011.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Tarif accompagnant&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; (65 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;€ &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;par personne) incluant :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- l'accès à l'exposition temporaire :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- l'accès aux conférences ;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- les cocktails et dîners des 13 et 14 mai 2011 ;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;- une place pour le concert de piano d'A. Javaud du 14 mai 2011.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Tarif réduit&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; (95 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;€&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; par personne au lieu de 125 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;€&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;) pour les étudiants de moins de 25 ans, les chômeurs et les habitants de la Communauté de communes du Pays Thibérien, sur présentation d'un justificatif au moment de l'inscription).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Merci de joindre à votre rêglement (par chèque établi à l'ordre de l'AFPP  = Association Française de Paléopathologie et de Pathographie), une fiche de renseignements comportant vos coordonnées (notamment votre e-mail). L'ensemble est à envoyer à l'adresse suivante :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Dr Philippe Charlier&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Service de Médecine Légale&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;CHU R. Poincaré&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;104 boulevard R. Poincaré&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;92380 Garches&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;France&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Attention !&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Compte-tenu du déroulement du colloque dans un Monument Historique, le nombre de places sera limité !&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Ne tardez donc pas à vous inscrire !&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Pour organiser votre hébergement sur place, et pour tout renseignement complémentaire&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; :&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://www.pays-thiberien.fr/-Tourisme-.html"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;http://www.pays-thiberien.fr/-Tourisme-.html&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;ou appelez directement l'office de tourisme au +33 (0)5 53 55 12 50 pour gérer en direct votre réservation d'hôtel, de gîte ou de chambre d'hôte.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Exposition&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;En parallèle du colloque, inaugurée le 13 mai 2011 et d’une durée de 3 mois, cette exposition intitulée « &lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Le miroir du temps : les momies siciliennes de Randazz&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;o (17ème-19ème s.) &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;», co-organisée par Luisa Lo Gerfo et Philippe Charlier, réunit une centaine de restes de momies siciliennes inédites, accompagnées de tout leur dossier ostéo-archéologique. &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style=" ;font-family:georgia;"&gt;Cette exposition est également placée sous le Haut Patronage de Monsieur Frédéric Mitterrand, Ministre de la Culture et de la Communication.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style=" ;font-family:georgia;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style=" ;font-family:georgia;"&gt;Elle présente dans les salles basses du château de Saint-Jean-de-Côle, de façon didactique les conditions de leur fabrication, de leur conservation et les moyens scientifiques d’étude employés pour « faire parler les morts ». L’ensemble est repris dans un catalogue en vente tout le long de l’exposition, publié par les éditions De Boccard (Paris).&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style=" ;font-family:georgia;"&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style=" ;font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; "&gt;&lt;a href="http://3.bp.blogspot.com/-GkQ6moXiSz4/TccUTJ0pCoI/AAAAAAAAAuY/zaQYuFkw6vo/s1600/AfficheExpoSaintJeanDeCole.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://3.bp.blogspot.com/-GkQ6moXiSz4/TccUTJ0pCoI/AAAAAAAAAuY/zaQYuFkw6vo/s400/AfficheExpoSaintJeanDeCole.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5604470580572654210" style="cursor: pointer; width: 300px; height: 400px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Partenaires&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; (liste non exhaustive)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Conseil Général de Dordogne, Conseil Régional d’Aquitaine, AFPP (Association Française de Paléopathologie et de Pathographie), laboratoire Stallergènes, OGF/&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="  ;font-family:georgia;font-size:small;"&gt;PFG,&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt; Fondation de France, Université Versailles-Saint-Quentin-en-Yvelines, HALMA-IPEL (UMR 8164 CNRS), Ministère de la Culture et de la Communication, Lycée technique de Thiviers, M. de Beaumont, M. et Mme de Chauliac, &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style=" ;font-family:georgia;"&gt;Sous-Préfecture de Nontron, &lt;/span&gt;&lt;span class="Apple-style-span" style=" ;font-family:georgia;"&gt;villes de Lempzours, Saint-Jean-de-Côle, Corgniac, Saint-Pierre-de-Côle, Nantheuil, Ligueux, Thiviers (et communauté de communes) et Randazzo (Sicile, Italie), Office de tourisme de Saint-Jean-de-Côle et de la Communauté de Commune du Pays Thibérien, Maison du Foie Gras de Thiviers, Ambassade de France en Roumanie.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;Avec le soutien institutionnel de RFI (Radio France Internationale) et sous l'égide de la Société Française d'Histoire de la Médecine.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;.&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5525672441044557554" style="WIDTH: 79px; CURSOR: hand; HEIGHT: 78px" alt="" src="http://1.bp.blogspot.com/_twm37pwUL5c/TK8hzxGgXvI/AAAAAAAAArg/bBwtxAXRM7Y/s400/logo.png" border="0" /&gt; &lt;img id="BLOGGER_PHOTO_ID_5527638465202897202" style="WIDTH: 71px; CURSOR: pointer; HEIGHT: 123px" alt="" src="http://2.bp.blogspot.com/_twm37pwUL5c/TLYd5b00QTI/AAAAAAAAAro/6u-mT0Rk8z8/s400/sfhm.jpg" border="0" /&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;a href="http://3.bp.blogspot.com/_twm37pwUL5c/TLYeK3Zn5eI/AAAAAAAAArw/TjubLnU_1ss/s1600/LogoAFPP.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5527638764662810082" style="WIDTH: 400px; CURSOR: pointer; HEIGHT: 102px" alt="" src="http://3.bp.blogspot.com/_twm37pwUL5c/TLYeK3Zn5eI/AAAAAAAAArw/TjubLnU_1ss/s400/LogoAFPP.jpg" border="0" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/-H6Zg3FPYH-I/TcftIA_wuUI/AAAAAAAAAuo/rnOJFtCM_jU/s1600/logo.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img src="http://2.bp.blogspot.com/-H6Zg3FPYH-I/TcftIA_wuUI/AAAAAAAAAuo/rnOJFtCM_jU/s400/logo.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5604708983248042306" style="cursor: pointer; width: 189px; height: 234px; " /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family:georgia;"&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;br /&gt;.&lt;/span&gt;&lt;/span&gt;&lt;!--EndFragment--&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-1368975516708139653?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/1368975516708139653/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=1368975516708139653' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/1368975516708139653'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/1368975516708139653'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/07/4eme-colloque-international-de.html' title='4ème colloque international de pathographie (13-15 mai 2011)'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-OHhByrP-NPE/TXlef7hDKLI/AAAAAAAAAt4/6YiBg5O5u_c/s72-c/Diapositive1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-8829046349287703108</id><published>2010-07-18T17:17:00.006+02:00</published><updated>2010-08-18T11:28:27.321+02:00</updated><title type='text'>Caravage était le numéro 5...</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_twm37pwUL5c/TEMdJSKBTnI/AAAAAAAAAqY/kURe9geD9J8/s1600/caravaggio-ossa-ap486.jpg"&gt;&lt;span style="font-family:georgia;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5495268015652032114" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 216px" alt="" src="http://4.bp.blogspot.com/_twm37pwUL5c/TEMdJSKBTnI/AAAAAAAAAqY/kURe9geD9J8/s400/caravaggio-ossa-ap486.jpg" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;&lt;!--StartFragment--&gt;&lt;/span&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify"&gt;&lt;span style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify"&gt;&lt;span style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"&gt;A l’occasion du 4&lt;/span&gt;&lt;sup&gt;&lt;span class="Apple-style-span"&gt;ème&lt;/span&gt;&lt;/sup&gt;&lt;span class="Apple-style-span"&gt; centenaire de la mort du Caravage (et oui, la même année que Henri IV, en 1610 !), une équipe d’universitaires italiens est parti à la recherche de ses ossements. Mais pour retrouver leur trace, la tâche est bien ardue…&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify"&gt;&lt;span style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"&gt;Des fouilles ont eu lieu à Porto Ercole, en Toscane, pas loin de Grossetto, dans la crypte du cimetière communale où reposent sans aucun ordonnancement plusieurs milliers de squelettes fragmentés et éparpillés. Et là, dans ce fatras pas croyable, des chercheurs de 4 universités (Lecce, Bologne, Ravenne et Pise) ont espéré retrouver les restes du peintre maudit, Michelangelo Merisi. Il faut dire qu’ils partaient du témoignage de jeunesse de l’une des chevilles ouvrières, la &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"&gt;professoressa&lt;/span&gt;&lt;/i&gt;&lt;span style="FONT-STYLE: normal"&gt;&lt;span class="Apple-style-span"&gt; Giovana Anastasia ; celle-ci se souvenait très bien avoir vu, en 1956 (elle avait alors 10 ans), lors du transfert de l’ossuaire de Porto Ercole à San Sebastiano (reconverti en parc municipal) vers son emplacement actuel, un squelette entouré d’un manteau brodé d’une croix de Malte. Or, notre peintre avait été fait chevalier de Saint-Jean-de-Jérusalem deux avant sa mort… On sait par ailleurs que c’est dans cet ossuaire qu’il fut déposé, si l’on en croit une main courante déposée dans le registre des morts de l’église San’Erasmo de Porto Ercole… cette notule manuscrite indique même que l’artiste est « mort de maladie à l’hôpital de Santa Maria Ausiliatrice », et non pas assassiné comme on le croyait auparavant.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Les fouilles réalisées dans la partie la plus ancienne de l’ossuaire ont mis au jour 17 cadavres, mais seuls 9 correspondent à des quarantenaires. Le peintre se cachait-il dans cet échantillon, c’est possible, même si la chance de pouvoir l’identifier était bien faible. Sur quels critères cette identification aurait-elle d'ailleurs pu être portée, hormis le sexe et l’âge ? Les scientifiques comptaient sur une comparaison des reliefs crâniens avec plusieurs portraits du peintre et notamment un autoportrait sous les traits de la tête de Goliath… mais aucun crâne intact n’a été retrouvé dans l’ossuaire. Ils espèraient en revanche que le saturnisme pourrait avoir touché l’artiste en raison du plomb avec lequel il badigeonnait à foison ses toiles et qui pourrait s’être déposé de façon excessive dans ses ossements. Enfin, il y avait l’ADN, car même si le peintre est resté sans descendance connue, ce n’est pas le cas de sa sœur, Catarina, qui a assuré la conservation du patronyme dans la localité lombarde de Caravaggio !&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Et là, coup de théâtre le 16 juin 2010, où un communiqué de presse annonce finalement la redécouverte des restes du peintre (avec une fiabilité de 85 %). Près de 200 corps ont finalement été scrutés, mais le bon, l’unique, le seul, le vrai était enregistré sous le numéro 5, correspondant à un homme âgé entre 35 et 45 ans (le Caravage est mort à 39 ans), de hauteur moyenne et de constitution robuste. Bien sûr, il ne reste pas grand-chose de l’artiste : un grand fragment de fémur droit, le massif frontal, le maxillaire supérieur, la moitié gauche de la mandibule (avec encore quelques dents) un le sacrum. Non contents de cette identification (par certaine, mais hautement probable, donc), ils ont confirmé le saturnisme suspecté, mais aussi mis en évidence des traces de syphilis !&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify"&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;Alors, même si les chercheurs aiment mieux juger ce genre de nouvelle sensationnelle au vu d’un article scientifique en bonne et due forme (à ce jour, il n’est pas encore paru), mais on peut d’ores et déjà prévoir une cérémonie de ré-inhumation et de réhabilitation du peintre aussi fastueuse que méritée !&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-8829046349287703108?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/8829046349287703108/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=8829046349287703108' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/8829046349287703108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/8829046349287703108'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/07/caravage-etait-le-numero-5.html' title='Caravage était le numéro 5...'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_twm37pwUL5c/TEMdJSKBTnI/AAAAAAAAAqY/kURe9geD9J8/s72-c/caravaggio-ossa-ap486.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-3510865321890522830</id><published>2010-06-23T00:10:00.002+02:00</published><updated>2010-06-23T00:19:31.980+02:00</updated><title type='text'>Sainte Rose de Viterbe, malade du cœur</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_twm37pwUL5c/TCE15xi3QYI/AAAAAAAAAqQ/vYDFR80OWRU/s1600/Santa-Rosa-Viterbo1.gif"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 304px;" src="http://2.bp.blogspot.com/_twm37pwUL5c/TCE15xi3QYI/AAAAAAAAAqQ/vYDFR80OWRU/s400/Santa-Rosa-Viterbo1.gif" border="0" alt="" id="BLOGGER_PHOTO_ID_5485725087782355330" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;C’est une histoire à deux épisodes qui se déroule dans les colonnes de la prestigieuse revue médicale anglaise &lt;i&gt;The Lancet&lt;/i&gt;&lt;span style="font-style:normal"&gt;. En 1999, une équipe de 3 Italiens rattachés au département d’anthropologie de Chieti (dans les Abruzzes) publie ses travaux menés sur la momie de Sainte Rose, un corps naturellement embaumé conservé à Viterbe, près de Rome. La Sainte femme (ou jeune femme, plutôt) est morte en 1252 à 19 ans seulement, dans des circonstances douteuses (on a parlé de complications de tuberculose, mais en réalité on ne sait pas très bien…). Lors de l’examen radiographique préliminaire de la momie, les scientifiques se sont rendu compte que le sternum était absent : ceci n’aurait rien d’extraordinaire si la momie avait été artificielle, c’est-à-dire si l’on avait ouvert les différentes cavités pour en extirper les organes et empêché la décomposition de survenir. Mais dans le cas présent, la momie était naturelle : au moment de son décès, aucune intervention humaine n’a, semble-t-il, favorisé sa conservation spontanée… Les Italiens ont alors réalisé une fibroscopie à l’intérieur de la cavité thoracique de la Sainte pour observer de plus près son ossature : ils ont confirmé qu’elle était née sans sternum (on parle d’&lt;/span&gt;&lt;i&gt;agénésie sternale&lt;/i&gt;&lt;span style="font-style:normal"&gt;) et que les côtes n’avaient pas été sectionnées. Ceci correspond à une malformation bien particulière, le syndrome de Cantrell, qui associe à ce thorax bien particulier une malposition des gros vaisseaux au niveau de la racine du cœur.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Coup de théâtre le 19 juin 2010, car les mêmes scientifiques publient cette fois-ci dans la même revue leur examen du cœur de la Sainte, qui a été extrait de la momie en 1921 (l’incision est d’ailleurs toujours visible sur la face antérieure du thorax). Or, celui-ci est totalement malformé, caractérisé par plusieurs diverticules et notamment un ventricule gauche bifide. En réalisant l’examen radiographique de cette pièce anatomique, les Italiens ont observé une importante opacité dans ce ventricule, qu’ils attribuèrent à un thrombus massif, c’est-à-dire à une coagulation du sang dans la cavité cardiaque, cause de décès. Ainsi était résolue l’énigme de la mort de Sainte Rose. Le problème, c’est que les scientifiques n’ont pas réussi à faire la différence entre une coagulation précédant le décès (donc cause de décès), et une coagulation suivant le décès (le sang ne circulant plus, il précipite) : seul un examen microscopique aurait permis de faire cette distinction. Le doute est donc permis…&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Références&lt;/p&gt;  &lt;ol style="margin-top:0cm" start="1" type="1"&gt;  &lt;li class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="EN-GB"&gt;&lt;a href="http://www.thelancet.com/journals/lancet/article/PIIS0140673609607297/fulltext?rss=yes"&gt;D’Anastasio R, Di Silvestro G,      Versacci P, Capasso L, Marino B. The heart of Santa Rosa. &lt;/a&gt;&lt;i&gt;&lt;a href="http://www.thelancet.com/journals/lancet/article/PIIS0140673609607297/fulltext?rss=yes"&gt;Lancet&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;a href="http://www.thelancet.com/journals/lancet/article/PIIS0140673609607297/fulltext?rss=yes"&gt; 2010; &lt;/a&gt;&lt;b&gt;&lt;a href="http://www.thelancet.com/journals/lancet/article/PIIS0140673609607297/fulltext?rss=yes"&gt;375&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;a href="http://www.thelancet.com/journals/lancet/article/PIIS0140673609607297/fulltext?rss=yes"&gt;: 2168.&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="EN-GB"&gt;&lt;a href="http://download.thelancet.com/pdfs/journals/lancet/PIIS0140673605751849.pdf"&gt;Capasso L, Caramiello S,      D’Anastasio R. The anomaly of Santa Rosa. &lt;/a&gt;&lt;i&gt;&lt;a href="http://download.thelancet.com/pdfs/journals/lancet/PIIS0140673605751849.pdf"&gt;Lancet&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;a href="http://download.thelancet.com/pdfs/journals/lancet/PIIS0140673605751849.pdf"&gt; 1999; &lt;/a&gt;&lt;b&gt;&lt;a href="http://download.thelancet.com/pdfs/journals/lancet/PIIS0140673605751849.pdf"&gt;353&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;a href="http://download.thelancet.com/pdfs/journals/lancet/PIIS0140673605751849.pdf"&gt;: 504.&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ol&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-3510865321890522830?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/3510865321890522830/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=3510865321890522830' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3510865321890522830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3510865321890522830'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/06/sainte-rose-de-viterbe-malade-du-cur.html' title='Sainte Rose de Viterbe, malade du cœur'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_twm37pwUL5c/TCE15xi3QYI/AAAAAAAAAqQ/vYDFR80OWRU/s72-c/Santa-Rosa-Viterbo1.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-2118533461245770093</id><published>2010-05-30T10:07:00.004+02:00</published><updated>2010-05-30T12:22:51.825+02:00</updated><title type='text'>La cuisine à bout de souffle</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_twm37pwUL5c/TAIeC2s6o2I/AAAAAAAAAqI/2UpzuXxhOSM/s1600/41w%2B5kCi6PL._SS500_.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://2.bp.blogspot.com/_twm37pwUL5c/TAIeC2s6o2I/AAAAAAAAAqI/2UpzuXxhOSM/s400/41w%2B5kCi6PL._SS500_.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5476973131228423010" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;Aujourd’hui, je vais vous raconter une belle histoire d’amour. Dans un livre intitulé « Cuisiner en tous temps et en tous lieux », troisième et dernier volume de la trop courte série « L’amateur de cuisine », Jean-Philippe Derenne nous parle des amours de sa vie : sa femme, hospitalisée pendant un très long temps, pour laquelle il concoctait chaque jour, dans son petit bureau de professeur de pneumologie à la Pitié-Salpétrière d’excellents plats. Son matériel ? Basique : uniquement une bouilloire et des sacs plastiques ? Le résultat ? Divin, à en croire l’auteur… et on le croit volontiers ! Où réside donc le secret ? principalement dans le choix des ingrédients et des matières premières qui doivent être irréprochables ! Au total, ce sont 450 recettes qui sont ici présentées, dont 2 du chef de l’Arpège, Alain Passard, par ailleurs ami de l’auteur.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Pourquoi parler de cet ouvrage ? Parce que ce n’est pas seulement un livre de cuisine, mais aussi un recueil incroyable d’anecdotes, d’historiettes, de développements facétieux sur l’origine des mets et sur leurs utilisations. On y apprend que le premier élevage d’escargots fut à l’initiative d’un certain Quintus Fulvius Lippinus, vers 50 av. J.-C., qui possédait dans la région de Tarquinia (en Etrurie, au nord de Rome) un enclos de 10 hectares environ ; les mollusques avaient été importés d’Afrique du Nord et d’Illyrie (la Croatie actuelle), et on les nourrissait avec de la farine et du vin cuit.&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Vous apprendrez aussi qu’on ne consommait a priori pas de grenouille dans l’Antiquité (du moins aucune recette n’a été conservée), tandis qu’en Chine, c’est un plat réputé depuis l’ère Yangshao (5000-3200 av. J.-C.)… correspondant à notre Néolithique français ! Chez les Tang (7&lt;sup&gt;ème&lt;/sup&gt; – 10&lt;sup&gt;ème&lt;/sup&gt; siècle ap. J.-C.), un des plats typiques du Sud consistait un une soupe de pousses de bambous dans laquelle étaient précipitées vivantes des grenouilles effrayées…&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;Vous découvrirez que l’autruche, interdite aux Juifs par le Lévitique, était déjà couramment consommée dans l’Antiquité ; Apicius en donne une recette qu’il accompagne d’une sauce complexe à base de poivre, de menthe, de cumin grillé, de graines de céleri, de dattes, de miel, de vinaigre, de vin paillé, de &lt;i&gt;garum&lt;/i&gt;&lt;span style="font-style:normal"&gt; (équivalent romain du &lt;/span&gt;&lt;i&gt;nyoc-mam&lt;/i&gt;&lt;span style="font-style:normal"&gt; vietnamien), et d’huile. Rassurez-vous, les recettes de Jean-Philippe Derenne sont moins exubérantes, et facilement exécutables. Plus qu’un simple livre de cuisine, c’est un véritable livre de voyage (dans le temps et dans l’espace) que nous offre cet amateur de bonnes choses, ce véritable humaniste !&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;a href="http://www.amazon.fr/Cuisiner-tous-temps-lieux/dp/2213651558"&gt;http://www.amazon.fr/Cuisiner-tous-temps-lieux/dp/2213651558&lt;/a&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-2118533461245770093?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/2118533461245770093/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=2118533461245770093' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/2118533461245770093'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/2118533461245770093'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/05/la-cuisine-bout-de-souffle.html' title='La cuisine à bout de souffle'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_twm37pwUL5c/TAIeC2s6o2I/AAAAAAAAAqI/2UpzuXxhOSM/s72-c/41w%2B5kCi6PL._SS500_.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-5584517310957864662</id><published>2010-05-07T22:03:00.005+02:00</published><updated>2010-05-07T22:10:57.065+02:00</updated><title type='text'>Les animaux malades de la peste…</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_twm37pwUL5c/S-Rzbn7J8AI/AAAAAAAAAqA/UmTaoN9yC2w/s1600/tyrannosaure+3.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="http://2.bp.blogspot.com/_twm37pwUL5c/S-Rzbn7J8AI/AAAAAAAAAqA/UmTaoN9yC2w/s400/tyrannosaure+3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5468622765945384962" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;C’est un article tout à fait original qui a été publié récemment dans la prestigieuse revue &lt;i&gt;PLoS One&lt;/i&gt;&lt;span style="font-style:normal"&gt; par des paléontologues américains. Les dinosaures n’auraient pas seulement été victimes du réchauffement climatique causé par la chute d’une météorite dans l’actuel golfe du Mexique. En fait, ils auraient aussi été décimés par une bactérie encore bien présente à la surface de la Terre…&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;En étudiant de près le fossile FMNH PR2081 (un Tyrannosaure connu également sous le petit nom de « Sue »), les chercheurs avaient mis en évidence une lésion érosive bien limitée et relativement profonde au niveau de la mandibule. Les clichés fournis par les paléontologues sont impressionnants, avec de véritables trous de plusieurs centimètres dans l’os fossile des pauvres carnivores géants… Et parfois même une dizaine de trous les uns à côté des autres, un véritable chapelet d’ulcérations… Plusieurs diagnostics avaient à l’époque été évoqués : actinomycose (attaque par un champignon), infection bactérienne banale, morsure par d’autres tyrannosaures, etc. En réalité, lorsque les paléontologues se sont mis à examiner d’autres spécimens de dinosaures de la même espèce, assez fréquemment, ils ont observé les mêmes lésions au même endroit…&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;De quoi s’agissait-il alors ? Le tyrannosaure ne mordait-il son ennemi qu’à la mâchoire ? Évidemment non ! La comparaison avec les animaux actuels, mais aussi avec des fossiles de volatiles porteurs des mêmes lésions osseuses les a amenés vers un autre type de maladie infectieuse : la trichomonase. Bien sûr, c’est une famille de bactérie que les femmes modernes connaissent peut-être à cause d’un germe responsable de maladies sexuellement transmissibles (&lt;i&gt;Trichomonas vaginalis&lt;/i&gt;&lt;span style="font-style:normal"&gt;), mais le type dont il s’agit en cette période ancienne était tout autre : &lt;/span&gt;&lt;i&gt;Trichomonas gallinae&lt;/i&gt;&lt;span style="font-style:normal"&gt;. Normalement, il s’attaque aux oiseaux, comme son nom l’indique, mais, à force d’en consommer, les Tyrannosaures se sont contaminés, jusqu’à ce que le germe passe la barrière d’espèce et prolifère chez les sauriens. C’est vraisemblablement, pour les chercheurs, ce qui a causé leur perte. Ce germe touche encore les rapaces, et l’on sait que les lésions du bec peuvent être tellement douloureuses qu’ils préfèrent jeûner que souffrir, jusqu’à provoquer la mort par dénutrition…&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;Autrement dit, pour aboutir à l’extinction d’une espèce, il apparaît bien plus crédible d’échafauder plusieurs mécanismes imbriqués qu’un seul phénomène isolé.&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;Pour lire l'article original, allez sur le lien suivant &lt;span class="Apple-style-span"  style="font-size:medium;"&gt;:&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;/span&gt;&lt;span style="font-family:&amp;quot;;"&gt;&lt;a href="http://www.plosone.org/article/info:doi%2F10.1371%2Fjournal.pone.0007288"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Wolff EDS, Salisbury SW, Horner JR, Varricchio DJ. Common avian infection plagued the Tyrant dinosaurs. &lt;/span&gt;&lt;/a&gt;&lt;i&gt;&lt;a href="http://www.plosone.org/article/info:doi%2F10.1371%2Fjournal.pone.0007288"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;PLoS One&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family:&amp;quot;;"&gt;&lt;a href="http://www.plosone.org/article/info:doi%2F10.1371%2Fjournal.pone.0007288"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;, 2009 ;4(9) : e7288.&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-5584517310957864662?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/5584517310957864662/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=5584517310957864662' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/5584517310957864662'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/5584517310957864662'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/05/les-animaux-malades-de-la-peste.html' title='Les animaux malades de la peste…'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_twm37pwUL5c/S-Rzbn7J8AI/AAAAAAAAAqA/UmTaoN9yC2w/s72-c/tyrannosaure+3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-3940620099828721594</id><published>2010-04-05T16:49:00.005+02:00</published><updated>2010-04-05T19:10:46.629+02:00</updated><title type='text'>Archéologie de la "mal-bouffe"</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_twm37pwUL5c/S7n6fJBPUtI/AAAAAAAAAp0/SccTZvgqcVE/s1600/Pharoah_Seti_I_-_His_mummy_-_by_Emil_Brugsch_(1842-1930).jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 290px; height: 400px;" src="http://3.bp.blogspot.com/_twm37pwUL5c/S7n6fJBPUtI/AAAAAAAAAp0/SccTZvgqcVE/s400/Pharoah_Seti_I_-_His_mummy_-_by_Emil_Brugsch_(1842-1930).jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5456667836440072914" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-style: normal; "&gt;C’est devenu une habitude, un effet de mode : il existe une véritable inflation du nombre de publications médico-historiques ou scientifico-archéologiques. Une étude dirigée par Frank Rühli (de Zurich), publiée dans la revue &lt;i&gt;Homo&lt;/i&gt;&lt;span style="font-style:normal"&gt; a consisté en un dépouillement des innombrables articles mêlant médecine et momies égyptiennes, recensés dans la base de donnée médicale internationale Pubmed&lt;/span&gt;. Au total, pas moins de 131 articles ont été décomptés entre 1977 et 2005 !&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;Un des exemples les plus frappants de cette inflation est l’article co-signé par Zahi Hawass dans une revue prestigieuse, &lt;i&gt;JAMA&lt;/i&gt;&lt;span style="font-style:normal"&gt; (&lt;/span&gt;&lt;i&gt;Journal of the American Medical Association&lt;/i&gt;&lt;span style="font-style:normal"&gt;). Zahi Hawass, c’est le très médiatique secrétaire général du Conseil des Antiquités Egyptiennes… qui a signé lui-même les conclusions de ce travail de recherche sur les origines de Toutankhamon (qui a dit qu’un ministre de la culture n’avait pas le droit d’être premier auteur d’une publication médicale ?). Si cet article est d’importance parce qu’il signe la reprise en main de l’archéologie égyptienne par les Egyptiens eux-mêmes, il pèche par de nombreuses lacunes et approximations (voir notre analyse sur ce lien : &lt;a href="http://pathographie.blogspot.com/2010/02/etude-paleopathologique-des-restes-de.html"&gt;http://pathographie.blogspot.com/2010/02/etude-paleopathologique-des-restes-de.html&lt;/a&gt;). On se demande parfois si ce qui prime pour certains journaux n’est pas l’effet d’annonce plutôt que la qualité même du texte et des informations communiquées…&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-style:normal"&gt;Un autre article, bien plus court, mais bien plus sérieux (sorti très récemment dans le &lt;i&gt;Lancet&lt;/i&gt;&lt;span style="font-style:normal"&gt;) fait le point sur le risque cardio-vasculaire dans l’Antiquité égyptienne ; il est signé par une équipe de Manchester. On y apprend que des lésions d’athérome (c’est-à-dire des dépôts de cholestérol plus ou moins calcifiés dans la paroi des artères) ont été identifiées sur les momies d’individus de haut statut social : pharaons (Meneptah, et surtout les ramessides : Séthi I&lt;sup&gt;er&lt;/sup&gt;, Ramsès II, III, V, VI, etc.), nobles et prêtres. Ces derniers semblaient tout particulièrement à risque de développer des maladies cardio-vasculaires en raison de leur régime alimentaire bien spécial. Ils profitaient en effet de la nourriture offerte aux dieux dans les sanctuaires en… finissant les restes.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;Selon les hiéroglyphes listant ces offrandes alimentaires : pain, fruits, légumes, gâteaux, vin, bière, évidemment, mais surtout bœuf, oie, petit gibier d’eau (canards, cygnes, etc.), qui représentent des apports non négligeables de cholestérol. Et c’est sans compter avec leur accompagnement culinaire associant lait, œufs et graisse ! Quant aux gâteaux, ils étaient couramment faits à base de graisse animale et/ou d’huile ! &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;Les poissons, qui auraient pu réduire ce risque alimentaire (car riches en oméga 3) n’étaient malheureusement que très peu consommés dans l’enceinte du temple, comme le montrent à la fois ces énumérations d’offrandes mais aussi les études archéo-zoologiques. On comprend alors que, dans ces conditions, la morbidité mais aussi la mortalité devaient être assez importantes. On le voit, la mal-bouffe n’est pas un phénomène récent, mais, pour le coup, il s’agit presque d’une maladie professionnelle...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;Peut-on dire pour autant que le « petit peuple » (paysans, artisans, manouvriers) était protégé, faute d’une nourriture aussi riche ? Pas si sûr… La précarité, elle aussi, est une grande pourvoyeuse de mort prématurée…&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Références&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: left;"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;&lt;span lang="EN-GB" style="mso-ansi-language:EN-GB"&gt;David AR, Kershaw A, Heagerty A. Atherosclerosis and diet in ancient Egypt. &lt;/span&gt;&lt;i&gt;Lancet&lt;/i&gt;&lt;span style="font-style:normal"&gt; 2010;375:718-719 (à lire en ligne sur ce lien : &lt;a href="http://www.thelancet.com/journals/lancet/article/PIIS0140-6736(10)60294-2/fulltext"&gt;http://www.thelancet.com/journals/lancet/article/PIIS0140-6736(10)60294-2/fulltext&lt;/a&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: left;"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;&lt;span lang="EN-GB" style="mso-ansi-language:EN-GB"&gt;Shattock SG. A report upon the pathological condition of the aorta of King Menephtah, traditionally regarded as the Pharaoh of the Exodus. &lt;/span&gt;&lt;i&gt;Proc R Soc Med&lt;/i&gt;&lt;span style="font-style:normal"&gt; 1909;2:122-127.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: left;"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;&lt;span style="font-style:normal"&gt;Zfeifel L, Büni T, Rühli FJ. evidence-based palaeopathology: meta-analysis of Pubmed-listed scientific studies on ancient Egyptian mummies. &lt;i&gt;Homo&lt;/i&gt; 2009;60(5):405-427.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-3940620099828721594?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/3940620099828721594/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=3940620099828721594' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3940620099828721594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3940620099828721594'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/04/archeologie-de-la-mal-bouffe.html' title='Archéologie de la &quot;mal-bouffe&quot;'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_twm37pwUL5c/S7n6fJBPUtI/AAAAAAAAAp0/SccTZvgqcVE/s72-c/Pharoah_Seti_I_-_His_mummy_-_by_Emil_Brugsch_(1842-1930).jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-3482786562925205332</id><published>2010-03-29T10:56:00.002+02:00</published><updated>2010-03-29T11:12:11.987+02:00</updated><title type='text'>Athérome égyptien</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_twm37pwUL5c/S7Buv2biBEI/AAAAAAAAApM/Um-6NlyvCqw/s1600/momie-1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5453980917089567810" style="WIDTH: 269px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://4.bp.blogspot.com/_twm37pwUL5c/S7Buv2biBEI/AAAAAAAAApM/Um-6NlyvCqw/s400/momie-1.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;Tout ce qui est calcifié n'est pas forcément athéromateux...&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;Un article publié dans la revue &lt;em&gt;JAMA&lt;/em&gt; par G. Thomas &lt;em&gt;et al&lt;/em&gt;. indiquait il y a quelques mois avoir trouvé des calcifications lors de l'examen systématique au scanner de momies égytiennes du musée du Caire ; faisant reposer sa démonstration uniquement sur le siège de ces lésions, ils déterminaient ainsi la présence de lésions athéromateuses en fréquence non négligeable dans les populations pharaoniques... &lt;/div&gt;&lt;div align="justify"&gt;(&lt;a href="http://jama.ama-assn.org/cgi/content/full/302/19/2091-a"&gt;http://jama.ama-assn.org/cgi/content/full/302/19/2091-a&lt;/a&gt;)&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;C'est malheureusement un peu court, car la machine utilisée est de piètre qualité, ne permettant pas de différencier une calcification artérielle, veineuse et lymphatique ; les auteurs négligent également une autre maladie des artères qui, pour le coup, n'a strictement aucune conséquence sur la survie des "patients", la médiacalcose. En pratique, rien ne dispense d'un bon examen anatomo-pathologique (= microscopique) pour un diagnostic de certitude.&lt;/div&gt;&lt;div align="justify"&gt;Voir la réponse aux auteurs sur ce lien :&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://jama.ama-assn.org/cgi/content/full/303/12/1149"&gt;http://jama.ama-assn.org/cgi/content/full/303/12/1149&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-3482786562925205332?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/3482786562925205332/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=3482786562925205332' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3482786562925205332'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3482786562925205332'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/03/atherome-egyptien.html' title='Athérome égyptien'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_twm37pwUL5c/S7Buv2biBEI/AAAAAAAAApM/Um-6NlyvCqw/s72-c/momie-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-3269383283452660266</id><published>2010-03-04T21:34:00.007+01:00</published><updated>2010-03-09T12:22:46.310+01:00</updated><title type='text'>La dent de Sainte Apollonia (Rab, Croatie)</title><content type='html'>&lt;div style="TEXT-ALIGN: justify"&gt;-&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;Ces travaux ont été publiés dans la prestigieuse revue &lt;i&gt;British Dental Journal&lt;/i&gt; et sont signés d'une équipe croate. Il s'agit de l'étude exhaustive (4 pages sur une unique dent !) d'une relique peu connue conservée dans un reliquaire à Rab. Il s'agit de la dent 14 (première prémolaire supérieure droite) qui a été copieusement mesurée, photographiée, dessinée, analysée sous toutes les coutures. Qu'apprend-on ? Pas grand chose : des caries du collet sont présentes, ainsi que des altérations de l'émail (patine et fracture) et une usure occlusale. Voilà, c'est tout.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;-&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;Même si les auteurs se défendent du peu d'informations obtenues à l'issue de cet examen ("&lt;i&gt;anatomical determination and the description of pathoanatomical changes are used to affirm the anthropological approach as one of the prerequisites in the attempt to scientifically evaluate the relic phenomenon&lt;/i&gt;"), on a malgré tout l'impression que cette publication sonne creux.&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;i&gt;Much ado about nothing ?&lt;/i&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;-&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;L'article est à découvrir sur le lien suivant :&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;&lt;a href="http://www.nature.com/bdj/journal/v207/n10/abs/sj.bdj.2009.1012.html"&gt;http://www.nature.com/bdj/journal/v207/n10/abs/sj.bdj.2009.1012.html&lt;/a&gt;&lt;/div&gt;&lt;div style="TEXT-ALIGN: justify"&gt;-&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-3269383283452660266?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/3269383283452660266/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=3269383283452660266' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3269383283452660266'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/3269383283452660266'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/03/la-dent-de-saint-apollonia-rab-croatie.html' title='La dent de Sainte Apollonia (Rab, Croatie)'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-7049785286834572512</id><published>2010-03-01T12:45:00.008+01:00</published><updated>2010-03-01T13:20:38.733+01:00</updated><title type='text'>Endoscopie archéologique (Lupercal, Rome)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_twm37pwUL5c/S4us_f8LKcI/AAAAAAAAAo0/aBi_TvRveMM/s1600-h/Lupercal+1.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5443634781513001410" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 300px" alt="" src="http://2.bp.blogspot.com/_twm37pwUL5c/S4us_f8LKcI/AAAAAAAAAo0/aBi_TvRveMM/s400/Lupercal+1.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;-&lt;br /&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;Voici une utilisation bien originale d'un endoscope montrant tout l'intérêt d'une collaboration inter-disciplinaire.&lt;/div&gt;&lt;div align="justify"&gt;En 2007, des archéologues italiens réalisent des sondages dans les fondations de la maison d'Auguste, sur le versant sud du mont Palatin (Rome). Une large fosse souterraine est alors localisée à 7 m de profondeur environ. Un forage est réalisé au décours, suivi de l'introduction d'un fibroscope permettant de visualiser une grotte ornementée dotée d'une coupole décorée d'une mosaïque de galets et d'un aigle blanc.&lt;/div&gt;&lt;div align="justify"&gt;Le film de cette découverte (véritable fibroscopie archéologique) est à découvrir sur les liens suivants :&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;a href="http://www.beniculturali.it/immagini/ImgPalatino/Videoendoscopie.wmv"&gt;http://www.beniculturali.it/immagini/ImgPalatino/Videoendoscopie.wmv&lt;/a&gt; &lt;/div&gt;&lt;div align="justify"&gt;-&lt;br /&gt;&lt;a href="http://www.codevintec.it/files/lupercale.wmv"&gt;http://www.codevintec.it/files/lupercale.wmv&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://1.bp.blogspot.com/_twm37pwUL5c/S4usEFrLqWI/AAAAAAAAAos/b_xZEg-TTnc/s1600-h/360px-lupercal2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5443633760850127202" style="WIDTH: 278px; CURSOR: hand; HEIGHT: 360px" alt="" src="http://1.bp.blogspot.com/_twm37pwUL5c/S4usEFrLqWI/AAAAAAAAAos/b_xZEg-TTnc/s400/360px-lupercal2.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;Il pourrait s'agir de la fameuse grotte du Lupercal où la louve mythique aurait recueilli puis nourri les jumeaux fondateurs Romulus et Rémus (Denys d'Halicarnasse, &lt;em&gt;Antiquités romaines&lt;/em&gt;, 1, 7, 4) : "Il y avait autrefois au bas de la colline une grande caverne couverte d'une épaisse chênaie, de petites sources fort profondes sous les rochers et tout auprès de là un bois, que ses arbres hauts et touffus rendaient extrêmement sombres". Ce paysage avait bien changé aux temps d'Octave qui monumentalisa ce lieu et l'aménagea en nymphée vers 42 av. J.-C.... à moins qu'il ne s'agisse d'un autre monument, son attribution n'étant pour l'instant qu'incertaine.&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;Référence :&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://www.codevintec.it/pdf/Lupercale.pdf"&gt;http://www.codevintec.it/pdf/Lupercale.pdf&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-7049785286834572512?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/7049785286834572512/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=7049785286834572512' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7049785286834572512'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7049785286834572512'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/03/endoscopie-archeologique.html' title='Endoscopie archéologique (Lupercal, Rome)'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_twm37pwUL5c/S4us_f8LKcI/AAAAAAAAAo0/aBi_TvRveMM/s72-c/Lupercal+1.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-8575946169205014317</id><published>2010-02-23T14:38:00.013+01:00</published><updated>2010-03-09T09:57:51.198+01:00</updated><title type='text'>Diane de Poitiers</title><content type='html'>&lt;div align="justify"&gt;&lt;a href="http://4.bp.blogspot.com/_twm37pwUL5c/S4PapJRW3hI/AAAAAAAAAoc/x7XHJGwNxc0/s1600-h/330px-Hans_Baldung_025.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5441433175191903762" style="WIDTH: 220px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://4.bp.blogspot.com/_twm37pwUL5c/S4PapJRW3hI/AAAAAAAAAoc/x7XHJGwNxc0/s400/330px-Hans_Baldung_025.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;Les résultats de l'étude scientifique des restes de Diane de Poitiers (1499-1566) sont maintenant publiés en français dans le &lt;em&gt;Revue du Praticien (Monographie)&lt;/em&gt;. Vous pouvez télécharger légalement le pdf de l'article &lt;em&gt;in extenso&lt;/em&gt; sur le lien suivant :&lt;/div&gt;&lt;div align="justify"&gt;-&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://www.larevuedupraticien.fr/images/memoire_de_med/2010/RDP_2010_2_290.pdf"&gt;http://www.larevuedupraticien.fr/images/memoire_de_med/2010/RDP_2010_2_290.pdf&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;Rappelons la liste des collaborateurs ayant participé à cet examen :&lt;br /&gt;Étude paléogénétique : Bertrand Ludes, Christine Keyser (IML, Strasbourg) ; étude toxicologique et élémentaire : Joël Poupon (service de toxicologie biologique, CHU Lariboisière, Paris), Dominique Favier (IFF, Suresnes), Karine Boitel (Fuchs Lubrifiants France SA, Nanterre) ; étude radiologique : Isabelle Huynh-Charlier (service de radiologie, CHU La Pitié-Salpêtrière, Paris) ; étude olfactive : Jean-Michel Duriez (Jean Patou/Rochas, Paris) ; datation 14C : Jean-François Saliège (LODYC, Paris), Beta-Analytics (Miami, États-Unis) ; conseillère en histoire de l’art : Anne Embs (conservateur du Patrimoine) ; conseiller historique : Michel de Grèce (Paris-Athènes-Patmos).&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;A cette occasion, &lt;i&gt;La Revue du Praticien (Monographie)&lt;/i&gt; a mis en ligne d'autres études paléopathologiques ou pathographiques à lire ou à relire :&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;-L'examen des fausses reliques de Jeanne d'Arc (Chinon) par notre équipe&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://www.larevuedupraticien.fr/images/memoire_de_med/2007/RDP_2007_16_1848.pdf"&gt;http://www.larevuedupraticien.fr/images/memoire_de_med/2007/RDP_2007_16_1848.pdf&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;-Un excellent article de notre collègue Stanis Perez sur la fistule anale de Louis XIV&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://www.larevuedupraticien.fr/images/memoire_de_med/2009/RDP_2009_3_439.pdf"&gt;http://www.larevuedupraticien.fr/images/memoire_de_med/2009/RDP_2009_3_439.pdf&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div align="justify"&gt;Et la vidéo du &lt;em&gt;British Medical Journal&lt;/em&gt; narrant l'étude complète des restes de Diane de Poitiers est encore en ligne :&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://www.bmj.com/video/fatalalchemy.dtl"&gt;http://www.bmj.com/video/fatalalchemy.dtl&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;-&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-8575946169205014317?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/8575946169205014317/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=8575946169205014317' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/8575946169205014317'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/8575946169205014317'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/02/diane-de-poitiers.html' title='Diane de Poitiers'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_twm37pwUL5c/S4PapJRW3hI/AAAAAAAAAoc/x7XHJGwNxc0/s72-c/330px-Hans_Baldung_025.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-7255487356092756817</id><published>2010-02-17T12:55:00.010+01:00</published><updated>2010-02-23T20:22:27.163+01:00</updated><title type='text'>Etude paléopathologique des restes de Toutankhamon</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_twm37pwUL5c/S3vbh0oaCoI/AAAAAAAAAoU/EQm4Mr-X5yY/s1600-h/Tut.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5439182349090294402" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 268px" alt="" src="http://3.bp.blogspot.com/_twm37pwUL5c/S3vbh0oaCoI/AAAAAAAAAoU/EQm4Mr-X5yY/s400/Tut.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;-&lt;br /&gt;&lt;div&gt;&lt;/div&gt;-&lt;br /&gt;&lt;div&gt;Publiés ce jour dans &lt;em&gt;JAMA&lt;/em&gt; :&lt;br /&gt;&lt;a href="http://jama.ama-assn.org/cgi/content/full/303/7/638"&gt;http://jama.ama-assn.org/cgi/content/full/303/7/638&lt;/a&gt;&lt;/div&gt;-&lt;br /&gt;&lt;div&gt;Avec les développements éthiques inhérents à l'étude de corps humains :&lt;/div&gt;&lt;div&gt;&lt;a href="http://jama.ama-assn.org/cgi/content/full/303/7/667"&gt;http://jama.ama-assn.org/cgi/content/full/303/7/667&lt;/a&gt;&lt;/div&gt;-&lt;br /&gt;&lt;div&gt;Lire les commentaires dans la revue &lt;em&gt;Nature&lt;/em&gt; :&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.nature.com/news/2010/100216/full/news.2010.75.html"&gt;http://www.nature.com/news/2010/100216/full/news.2010.75.html&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;-&lt;/div&gt;&lt;div&gt;Pour comparaison, une étude paléogénétique (irréprochable) menée par l'équipe du Niels Bohr Institute (Copenhague), à nouveau dans la revue &lt;em&gt;Nature.&lt;/em&gt; Il s'agit du premier séquençage complet d'un ADN humain ancien (paléo-Inuit) :&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.nature.com/nature/journal/v463/n7282/full/nature08835.html"&gt;http://www.nature.com/nature/journal/v463/n7282/full/nature08835.html&lt;/a&gt;&lt;/div&gt;&lt;div&gt;-&lt;/div&gt;&lt;div&gt;-&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-7255487356092756817?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/7255487356092756817/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=7255487356092756817' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7255487356092756817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7255487356092756817'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/02/etude-paleopathologique-des-restes-de.html' title='Etude paléopathologique des restes de Toutankhamon'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_twm37pwUL5c/S3vbh0oaCoI/AAAAAAAAAoU/EQm4Mr-X5yY/s72-c/Tut.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-4599672989822428200</id><published>2010-02-03T12:36:00.004+01:00</published><updated>2010-02-03T13:05:52.652+01:00</updated><title type='text'>Publications récentes en paléopathologie et pathographie</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_twm37pwUL5c/S2lmlptzh2I/AAAAAAAAAng/pDie0kizdtM/s1600-h/Diane_de_Poitiers6.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5433987222438381410" style="WIDTH: 278px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://1.bp.blogspot.com/_twm37pwUL5c/S2lmlptzh2I/AAAAAAAAAng/pDie0kizdtM/s400/Diane_de_Poitiers6.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;1. Une amputation humérale chez un sujet adulte daté du Néolithique (4700-4500 av. J.-C.) originaire de Seine-et-Marne.&lt;br /&gt;&lt;a href="http://antiquity.ac.uk/projgall/buquet322/#author"&gt;http://antiquity.ac.uk/projgall/buquet322/#author&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;2. Une intoxication chronique à l'or chez Diane de Poitiers (1499-1566) dont les ossements ont été identifiés à Anet en Eure-et-loir.&lt;br /&gt;&lt;a href="http://www.bmj.com/cgi/content/full/339/dec16_2/b5311"&gt;http://www.bmj.com/cgi/content/full/339/dec16_2/b5311&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;3. Des restes de momies égyptiennes (chat et sujet humain) transformés en fausses "reliques" de Jeanne d'Arc provenant de Chinon&lt;br /&gt;&lt;a href="http://www.sciencedirect.com/science?_ob=ArticleURL&amp;amp;_udi=B6T6W-4XNVTCF-1&amp;amp;_user=3236941&amp;amp;_coverDate=01%2F30%2F2010&amp;amp;_rdoc=1&amp;amp;_fmt=high&amp;amp;_orig=search&amp;amp;_sort=d&amp;amp;_docanchor=&amp;amp;view=c&amp;amp;_acct=C000060027&amp;amp;_version=1&amp;amp;_urlVersion=0&amp;amp;_userid=3236941&amp;amp;md5=d16ad64f779d28716d4cf563fdb99385"&gt;http://www.sciencedirect.com/science?_ob=ArticleURL&amp;amp;_udi=B6T6W-4XNVTCF-1&amp;amp;_user=3236941&amp;amp;_coverDate=01%2F30%2F2010&amp;amp;_rdoc=1&amp;amp;_fmt=high&amp;amp;_orig=search&amp;amp;_sort=d&amp;amp;_docanchor=&amp;amp;view=c&amp;amp;_acct=C000060027&amp;amp;_version=1&amp;amp;_urlVersion=0&amp;amp;_userid=3236941&amp;amp;md5=d16ad64f779d28716d4cf563fdb99385&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Bonne lecture !&lt;br /&gt;D'autres publications et liens très prochainement...&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-4599672989822428200?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/4599672989822428200/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=4599672989822428200' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/4599672989822428200'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/4599672989822428200'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/02/publications-recentes-en.html' title='Publications récentes en paléopathologie et pathographie'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_twm37pwUL5c/S2lmlptzh2I/AAAAAAAAAng/pDie0kizdtM/s72-c/Diane_de_Poitiers6.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-6110321342397760738</id><published>2010-01-29T21:47:00.007+01:00</published><updated>2010-02-06T10:42:21.166+01:00</updated><title type='text'>Étude ostéo-archéologique des crémations grecques d’Orgamé (Roumanie, 8ème-5ème s. av. J.-C.)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_twm37pwUL5c/S205dBd0wWI/AAAAAAAAAno/QIvvGN8zOQk/s1600-h/Orgam%C3%A92.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 354px;" src="http://4.bp.blogspot.com/_twm37pwUL5c/S205dBd0wWI/AAAAAAAAAno/QIvvGN8zOQk/s400/Orgam%C3%A92.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5435063496078573922" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Dr Philippe CHARLIER&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;- Service de Médecine Légale, CHU R. Poincaré (AP-HP, UVSQ), 92380 Garches.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;- HALMA-IPEL, UMR 8164, CNRS, Université de Lille 3.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Introduction&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Un déplacement en Roumanie du 21 au 24 août 2008 a été organisé par Alexandre Baralis (Institut Française d’Etudes Anatoliennes, Istanbul, Turquie) et financé par l’Ambassade de France en Roumanie (Michel Farine et Antoine Chouinard, Bucarest). Ce court séjour avait pour but de définir les axes de recherche potentiels en ostéo-archéologie sur les sites antiques du littoral de la Mer Noire.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Temps fort de cette mission, une reconnaissance du site archéologique d’Orgamé a été réalisée, ainsi qu’une appréciation de la conservation des restes humains (squelettes d’inhumations paléochrétiennes, crémations grecques). Un échantillonnage de tessons de poterie présentant des empreintes digitales d’artisans (d’époque grecque, romaine et byzantine) a été réalisé (identification, choix, nettoyage, photographie) pour identification médico-légale. La participation active aux fouilles d’un secteur de la nécropole tumulaire a permis la réalisation d’un échantillonnage de terre pour dosage du pH (afin d’expliquer la pauvreté de conservation des esquilles osseuses après crémation). Une quarantaine d’incinérations grecques du secteur de la nécropole sud (secteur II) et de &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;l’hérôon&lt;/span&gt;&lt;/i&gt;&lt;span style="font-style:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; (secteur I) ont été confiées par Vasilica Lungu pour étude ultérieure en laboratoire spécialisé ; ce sont ces résultats qui sont présentés ci-après.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Méthodologie&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;a name="_Toc74652366"&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;a name="_Toc86631598"&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;a name="_Toc86634822"&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;a name="_Toc86636084"&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;a name="_Toc86636227"&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;a name="_Toc86636346"&gt;&lt;/a&gt;&lt;/span&gt;&lt;a name="_Toc86636582"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Le rituel funéraire de la crémation représente une pratique diffuse dans de nombreuses cultures, et particulièrement dans le monde gréco-romain. L’examen de tels restes squelettiques suit une méthodologie bien précise directement inspirée des techniques anthropologiques médico-légales. Le type de fragmentation, l’aspect extérieur des ossements, de même que leur morphologie interne sont indicateurs du dépôt d’onguents sur le cadavre, du degré d’obésité du défunt, de la réalisation de gestes particuliers&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn1" name="_ftnref1" title=""&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; (offrandes animales ou végétales), etc. L’identification des altérations osseuses d’origine thermique a permis une évaluation de la température de combustion selon la table de Shipman (&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Tableau 1&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;). Lorsque le pourcentage de conservation des segments corporels est élevé, la comparaison de la coloration des diverses parties anatomiques d’un même sujet peut permettre d’identifier les fragments les plus soumis au feu, donc, indirectement, d’approcher la position du corps sur le bûcher.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;table border="1" cellspacing="0" cellpadding="0" style="border-collapse:collapse; mso-table-layout-alt:fixed;border:none;mso-border-alt:solid windowtext .5pt; mso-padding-alt:0cm 3.5pt 0cm 3.5pt"&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width="157" valign="top" style="width:156.5pt;border:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span lang="FR-BE"  style="  font-variant:small-caps;mso-ansi-language:FR-BEfont-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;G&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span lang="FR-BE"  style="font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;rade de Shipman&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="157" valign="top" style="width:156.5pt;border:solid windowtext .5pt;  border-left:none;mso-border-left-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span lang="FR-BE"  style="  font-variant:small-caps;mso-ansi-language:FR-BEfont-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;T&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span lang="FR-BE"  style="font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;empérature (°&lt;/span&gt;&lt;span style="font-variant:small-caps"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;C&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;)&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="279" valign="top" style="width:279.35pt;border:solid windowtext .5pt;  border-left:none;mso-border-left-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;a name="_Toc74652365"&gt;&lt;span lang="FR-BE"  style="font-variant:  small-caps;mso-ansi-language:FR-BEfont-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;C&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span lang="FR-BE"  style="font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;o&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span lang="FR-BE"  style="font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;loration&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;     &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="157" valign="top" style="width:156.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;I&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="157" valign="top" style="width:156.5pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span"  style="font-size:-webkit-xxx-large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="279" valign="top" style="width:279.35pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Blanc ou jaunâtre&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;     &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="157" valign="top" style="width:156.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;II&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="157" valign="top" style="width:156.5pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;285&lt;/span&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:Jo%91l" datetime="2007-08-16T10:36"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;°&lt;/span&gt;&lt;/del&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;   - 525&lt;/span&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:Jo%91l" datetime="2007-08-16T10:36"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;°&lt;/span&gt;&lt;/del&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="279" valign="top" style="width:279.35pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Marron-rougeâtre, jaune-rougeâtre, gris tirant plus   ou moins sur le marron&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;     &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="157" valign="top" style="width:156.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;III&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="157" valign="top" style="width:156.5pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;525&lt;/span&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:Jo%91l" datetime="2007-08-16T10:36"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; °&lt;/span&gt;&lt;/del&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;   - 645&lt;/span&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:Jo%91l" datetime="2007-08-16T10:36"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;°&lt;/span&gt;&lt;/del&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="279" valign="top" style="width:279.35pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Noir avec zones bleuâtres ou jaune-rougeâtre&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;     &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="157" valign="top" style="width:156.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;IV&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="157" valign="top" style="width:156.5pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;645&lt;/span&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:Jo%91l" datetime="2007-08-16T10:36"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;°&lt;/span&gt;&lt;/del&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;   - 940&lt;/span&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:Jo%91l" datetime="2007-08-16T10:36"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;°&lt;/span&gt;&lt;/del&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="279" valign="top" style="width:279.35pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Blanc, gris clair ou gris bleu&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;     &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="157" valign="top" style="width:156.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;V&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="157" valign="top" style="width:156.5pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;940&lt;/span&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:Jo%91l" datetime="2007-08-16T10:36"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; °&lt;/span&gt;&lt;/del&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;      &lt;td width="279" valign="top" style="width:279.35pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Blanc, parfois avec des tonalités grisâtre ou   rougeâtre&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;     &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Tableau 1. &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Coloration des restes humains brûlés et température de combustion correspondante&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn2" name="_ftnref2" title=""&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;La méthode de Guillon a été utilisée afin de déterminer si les ossements avaient été brûlés secs (&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;post-mortem&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-style:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; ancien, après décharnement ou squelettisation) ou frais (&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;post-mortem&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-style:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; immédiat)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn3" name="_ftnref3" title=""&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;  &lt;/span&gt;&lt;p class="MsoNormal" style="text-align:justify;text-indent:35.45pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Aucun lavage des fragments squelettiques n’a été réalisé en raison du risque de détérioration irréversible du matériel (surtout lorsqu’il s’agit d’os spongieux). Lorsque cela s’avérait nécessaire, néanmoins, un nettoyage à la brosse fine a été réalisé pour minorer la contamination tellurique des ossements et permettre une meilleure reconnaissance anatomique (lorsque cela était possible). Un examen visuel systématique, ponctuellement aidé d’une étude en loupe binoculaire ou à l’aide de l’outil radiographique, a été réalisé afin de mettre en évidence tout objet archéologique associé, notamment métallique ou céramique.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.45pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Une analyse quantitative et une détermination du nombre d’individus est faite après avoir isolé les ossements de leur gangue de terre, et procédé à une systématisation par zones anatomiques (crâne, tronc (=colonne vertébrale, côtes, ceintures scapulaires et pelvienne), membres supérieurs, membres inférieurs, restes non identifiables). Le pesage de chaque sous-groupe, comparé au poids total de la crémation, permet ainsi d’identifier une éventuelle sélection de telle ou telle partie du corps lors de la récupération des restes à la fin de la crémation, sur le &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;bustum&lt;/span&gt;&lt;/i&gt;&lt;span style="font-style:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; ou l’&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;ustrinum&lt;/span&gt;&lt;/i&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn4" name="_ftnref4" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. On est aidé pour ce faire par la table de Lawrence et Latimer indiquant les pourcentages en poids des différentes parties anatomiques humaines comparés au poids du squelette crémé d’un sujet adulte, quel que soit son sexe (&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Tableau 2&lt;/span&gt;&lt;/b&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;).&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;table border="1" cellspacing="0" cellpadding="0" style="border-collapse:collapse; mso-table-layout-alt:fixed;border:none;mso-border-alt:solid windowtext .5pt; mso-padding-alt:0cm 3.5pt 0cm 3.5pt"&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Zone   anatomique&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border:solid windowtext .5pt;  border-left:none;mso-border-left-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Poids   (%)&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Crâne&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;17,98&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Mandibule&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;2,42&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Rachis&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;10,06&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Côtes&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;6,42&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Sternum&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;0,47&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Clavicule&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;1,04&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Scapula&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;2,48&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Humérus&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;6,38&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Radius&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;2,18&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Ulna&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;2,66&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Main&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;2,53&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Os   coxal&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;7,83&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Fémus&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;17,67&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Tibia&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;10,63&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Fibula&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;2,47&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="148" valign="top" style="width:147.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Pied&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" valign="top" style="width:81.0pt;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;5,79&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Tableau 3&lt;/span&gt;&lt;/b&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Pourcentages (en poids) de différentes parties anatomiques comparés au squelette complet d’un sujet adulte&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn5" name="_ftnref5" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Cette évaluation doit évidemment être pondérée par la perte fréquente de matériel archéologique au cours de la fouille mais également au cours du temps sous l’effet d’une fragmentation progressive et d’une dissolution tellurique. Il est également important de connaître le poids théorique maximal (c’est-à-dire en cas de récupération exhaustive des esquilles osseuses) d’une crémation humaine en fonction du degré de maturité du défunt : les expérimentations et observations de Trotter puis Mays ont permis l’établissement de telles données (&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Tableau 3&lt;/span&gt;&lt;/b&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;).&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="Bibliographie" style="margin-top:0cm"&gt;&lt;a name="_Toc81125484"&gt;&lt;span style="font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;  &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span&gt;&lt;/span&gt;  &lt;/span&gt;&lt;table border="1" cellspacing="0" cellpadding="0" style="border-collapse:collapse; mso-table-layout-alt:fixed;border:none;mso-border-alt:solid windowtext .5pt; mso-padding-alt:0cm 3.5pt 0cm 3.5pt"&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width="103" valign="top" style="width:102.5pt;border:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Age (en années)&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="192" valign="top" style="width:191.6pt;border:solid windowtext .5pt;  border-left:none;mso-border-left-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Poids moyen (g)&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="103" valign="top" style="width:102.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;0-0,5&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="192" valign="top" style="width:191.6pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;54&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="103" valign="top" style="width:102.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;0,5-3&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="192" valign="top" style="width:191.6pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;185&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="103" valign="top" style="width:102.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;3-13&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="192" valign="top" style="width:191.6pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;661&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="103" valign="top" style="width:102.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;13-25&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="192" valign="top" style="width:191.6pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="Bibliographie" align="center" style="margin-top:0cm;text-align:center"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;2&lt;/span&gt;&lt;span class="msoIns"&gt;&lt;ins cite="mailto:Jo%91l" datetime="2007-08-16T10:40"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/ins&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;191&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="103" valign="top" style="width:102.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Homme adulte&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="192" valign="top" style="width:191.6pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;2&lt;/span&gt;&lt;span class="msoIns"&gt;&lt;ins cite="mailto:Jo%91l" datetime="2007-08-16T10:40"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/ins&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;288 (1&lt;/span&gt;&lt;span class="msoIns"&gt;&lt;ins cite="mailto:Jo%91l" datetime="2007-08-16T10:40"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/ins&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;534-3&lt;/span&gt;&lt;span class="msoIns"&gt;&lt;ins cite="mailto:Jo%91l" datetime="2007-08-16T10:40"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/ins&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;605)&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="103" valign="top" style="width:102.5pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Femme adulte&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="192" valign="top" style="width:191.6pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 3.5pt 0cm 3.5pt"&gt;   &lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;1&lt;/span&gt;&lt;span class="msoIns"&gt;&lt;ins cite="mailto:Jo%91l" datetime="2007-08-16T10:40"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/ins&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;550 (952-2&lt;/span&gt;&lt;span class="msoIns"&gt;&lt;ins cite="mailto:Jo%91l" datetime="2007-08-16T10:40"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/ins&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;278)&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Tableau 4&lt;/span&gt;&lt;/b&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Poids des résidus osseux de crémation d’un squelette humain complet selon le degré de maturité&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn6" name="_ftnref6" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[6]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoBodyText" style="text-indent:35.45pt"&gt;&lt;span style="font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Mais tous les segments osseux ne sont pas identifiables, principalement en raison d’une fragmentation excessive. Celle-ci peut aussi bien être naturelle (liée à un éclatement d’origine thermique) qu’artificielle (liée à une fragmentation &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;a posteriori&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; des résidus de crémation par l’homme pour les rendre moins reconnaissables). Il importe donc de quantifier cette fragmentation osseuse en trois grades cotés de A à C (Tableau 5).&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;table border="1" cellspacing="0" cellpadding="0" style="border-collapse:collapse; border:none;mso-border-alt:solid windowtext .5pt;mso-padding-alt:0cm 5.4pt 0cm 5.4pt"&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width="55" valign="top" style="width:55.05pt;border:solid windowtext .5pt;  padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Grade&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="120" valign="top" style="width:120.45pt;border:solid windowtext .5pt;  border-left:none;mso-border-left-alt:solid windowtext .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Degré   de fragmentation&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="198" valign="top" style="width:7.0cm;border:solid windowtext .5pt;  border-left:none;mso-border-left-alt:solid windowtext .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Caractéristiques&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="55" valign="top" style="width:55.05pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;A&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="120" valign="top" style="width:120.45pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Élevée&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="198" valign="top" style="width:7.0cm;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Plus   de 50 % des restes ont des   dimensions inférieures à 2x2 cm&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="55" valign="top" style="width:55.05pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;B&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="120" valign="top" style="width:120.45pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Modérée&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="198" valign="top" style="width:7.0cm;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Plus   de 50 % des restes ont des   dimensions supérieures à 2x2 cm&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="55" valign="top" style="width:55.05pt;border:solid windowtext .5pt;  border-top:none;mso-border-top-alt:solid windowtext .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;C&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="120" valign="top" style="width:120.45pt;border-top:none;border-left:  none;border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Faible&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="198" valign="top" style="width:7.0cm;border-top:none;border-left:none;  border-bottom:solid windowtext .5pt;border-right:solid windowtext .5pt;  mso-border-top-alt:solid windowtext .5pt;mso-border-left-alt:solid windowtext .5pt;  padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Plus   de 50 % des restes ont des   dimensions supérieures à 2x5 cm&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:&amp;quot;;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Tableau 5&lt;/span&gt;&lt;/b&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Classification des degrés de fragmentation des résidus de crémation humaine&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn7" name="_ftnref7" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[7]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.45pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;La détermination du nombre minimum d’individus (NMI) par crémation est fondée sur l’existence de doublons osseux, la présence de zones anatomiques avec degrés de maturation clairement différents, et, avec beaucoup de prudence, l’hétérogénéité d’altération thermique des ossements. Un examen minutieux secondaire devra alors différencier l’ajout de cendres d’un second individu dans l’urne d’un premier sujet (réunion de crémations), la crémation contemporaine de plusieurs défunts, la récupération involontaire de résidus d’une crémation antérieure lors de la collecte des restes du défunt principal (lorsque plusieurs cadavres sont successivement crémés au même endroit : &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;ustrinum&lt;/span&gt;&lt;/i&gt;&lt;span style="font-style:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;). Une crémation multiple sera évoquée lorsque le poids total dépassera largement le poids total maximal d’ossements d’un individu adulte récupérés de façon exhaustive (3600 g), en l’absence de maladie augmentant la densité osseuse (maladie de Paget ou troubles métaboliques, par exemple).&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.45pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;La détermination du sexe sera principalement fondée sur l’examen de segments anatomiques du bassin (os coxaux, sacrum)&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn8" name="_ftnref8" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[8]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, en tenant compte des modifications volumétriques liées à l’élévation thermique et à la carbonisation. En l’absence de conservation de ces secteurs, d’autres zones, fréquemment préservées car remarquablement denses, pourront présenter un caractère indicatif (mais incertain)&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn9" name="_ftnref9" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[9]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; : processus mastoïde, symphyse et condyles mandibulaires, crête nucale occipitale, arcades sourcilières, etc.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.45pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;La méthodologie d’évaluation de l’âge au décès varie en fonction du degré de maturité du défunt. Pour les sub-adultes, on utilise les stades de maturation des germes dentaires&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn10" name="_ftnref10" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[10]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, fréquemment conservés au sein de l’os alvéolaire (on peut dans ce cas s’aider d’un examen radiographique permettant une meilleure visualisation) ou les tableaux d’âges osseux fondés sur l’observation d’épiphyses libres ou de listels sur les plateaux des corps vertébraux. Pour les adultes, les moyens diagnostics sont variés : degré de synostose des sutures crâniennes&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn11" name="_ftnref11" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[11]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, importance des légions dégénératives (arthrose), visualisation d’une perte de densité osseuse avec complications (ostéoporose avec tassements vertébraux ou fractures pathologiques), présence d’une racine complète d’une 3&lt;/span&gt;&lt;sup&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;ème&lt;/span&gt;&lt;/sup&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; molaire (âge au décès supérieur à 16 ans), modifications surfaciques de la symphyse pubienne&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn12" name="_ftnref12" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[12]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; et de la surface auriculaire de l’os coxal&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn13" name="_ftnref13" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[13]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, etc.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.45pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Cette étude a été réalisée avec l’aide technique de Stéphanie Cavard, Laure Huard et Virginie Biaud (Service de Médecine Légale, CHU R. Poincaré, Garches, AP-HP, UVSQ).&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Discussion&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Nous avons précédemment montré qu’une crémation attique (Ambelokipi, Athènes) datée par &lt;/span&gt;&lt;sup&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;14&lt;/span&gt;&lt;/sup&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;C du 5&lt;/span&gt;&lt;sup&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;ème&lt;/span&gt;&lt;/sup&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; siècle av. J.-C. et actuellement conservée au Musée du Louvre (&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;lébès&lt;/span&gt;&lt;/i&gt;&lt;span style="font-style:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; BR 2590) présentait les caractéristiques du rite homérique (comme si ce soldat des guerres médiques, ancien vainqueur d’un concours athlétique comme en témoignait l’inscription du vase&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn14" name="_ftnref14" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[14]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, se comparait, même dans la mort, aux héros de l’&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Iliade&lt;/span&gt;&lt;/i&gt;&lt;span style="font-style:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, notamment Patrocle et Hector :&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:35.4pt;text-align:justify;text-indent:35.4pt"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;« Les amis du défunt firent un bûcher de cent pieds sur chaque côté. Au plus haut du bûcher, ils déposèrent le cadavre, le cœur affligé. Devant le bûcher, ils égorgèrent quantité de robustes moutons et de bœufs noirs aux pattes torses. À toutes les bêtes, Achille au grand cœur ôta la graisse et en recouvrit le défunt de la tête aux pieds. Autour, il entassa les cadavres écorchés. Il y plaça des amphores d’huile et de miel, les inclinant contre le lit. Poussant de grands gémissements, il se hâta de mettre sur le bûcher quatre juments de forte encolure. Neuf chiens appartenaient à Patrocle, leur maître, nourris à sa table. A deux d’entre eux, il trancha le cou, les mit sur le bûcher, tua, avec son arme de bronze, douze nobles fils des Troyens au grand cœur, dans son âme imaginant des actes de cruauté, et lâcha le feu et sa force de fer, pour qu’il se repût (…). Au matin, ils éteignirent d’abord le bûcher avec le vin qui flamboie, tout ce que la force du feu avait attaqué, où était tombée une cendre épaisse. En pleurant, ils rassemblèrent les blancs ossements de leur dévoué compagnon, dans un bassin d’or, avec une double couche de graisse, et, les déposant dans le pavillon, les recouvrirent d’un souple et fin tissu de lin. Ils firent un tombeau arrondi, mettant une base en parement, autour du bûcher. Aussitôt ils répandirent dessus la terre d’un tertre, et, ayant répandu la terre du tombeau, ils s’en allèrent. Mais Achille retint là le peuple des guerriers et fit siéger une vaste assemblée. Des nefs, il apporta des prix : chaudrons, trépieds, chevaux, mules, têtes robustes de bœufs, femmes à la belle ceinture et fer gris&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn15" name="_ftnref15" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[15]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; ».&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:35.4pt;text-align:justify;text-indent:35.4pt"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;« Pendant neuf jours, ils amenèrent du bois en quantité inexprimable. Mais quand parut, pour la dixième fois, l’aurore, alors ils emportèrent l’intrépide Hector, en répandant des larmes. Ils placèrent le mort au plus haut d’un bûcher et y mirent le feu (…). Lorsque parut l’Aurore aux doigts de rose, le peuple s’assembla autour du bûcher tout entier, avec le vin qui flamboie, tout ce que la force du feu avait attaqué. Et puis, ils rassemblèrent, frères et compagnons, les os blancs, en versant des pleurs, et coulaient de leurs joues les larmes à foison. Ils prirent les os et les mirent dans un coffre en or, les recouvrant de molles toiles pourpres. Ils les mirent, sans tarder, au creux d’un fossé, et par-dessus ils étendirent un épais lit de grosses pierres&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftn16" name="_ftnref16" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[16]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; ».&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Si l’on synthétise les différents moments de ces crémations « homériques » pouvant laisser des traces ostéo-archéologiques, on retrouve : un bûcher de bois au sommet duquel est déposé le mort (habillé ? paré ?) ; des animaux jetés dans le bûcher, ainsi que des substances organiques (vin, huile, graisse animale) ; une extinction par le vin, le lendemain, du bûcher fumant ; un ramassage des cendres par la famille ou les proches avec dépôt dans un contenant (tissu, coffret, parfois au contact de graisse qui retarde la putréfaction) ; des offrandes métalliques ou organiques placées au contact des ossements dans l’urne funéraire.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Au sein des différentes crémations d’Orgamé, certains de ces faits ont pu être mis en évidence, d’autre pas.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;D’abord, la totalité des crémations étudiées n’intéresse que des sujets humains adultes ; aucun reste animal brûlé n’a été mis en évidence, à l’exclusion de mollusques thanatophages&lt;/span&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. L’observation de ces derniers au sein de 8 crémations est relativement intéressante car elle signale la présence de matériaux organiques en décomposition/putréfaction au moment de leur recrutement : s’agit-il du contenant lui-même (linge ? osier ? bois ?) ou de cette graisse couvrant les os (décrite par Homère) ? Dans tous les cas, la crémation étant réputée complète (os secs), les ossements seuls n’ont pas pu être à l’origine de la présence de ces mollusques. Les quelques restes d’insectes retrouvés lors de l’étude (amphore de Chios) sont sans rapport avec la taphonomie et les rites funèbres, correspondant à une contamination des sachets de conservation en post-fouille (espèces banales, non thanatophages).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Des résidus métalliques ont été observés, tantôt en alliages de fer&lt;/span&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, tantôt en alliage de cuivre. Trop fragmentés et réduits à l’état de structures informes présentant parfois des traces de fusion, ils témoignent de la présence d’objets métalliques au sein du bûcher lors de la crémation du défunt (bijoux, armes, obole à Charon, etc.).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;La récupération des restes est très souvent partielle, privilégiant les ossements des membres inférieurs ; seul l’individu déposé dans l’amphore de Chios, avec un poids d’ossements de près de 720 grammes, représente un ramassage important (ne correspondant néanmoins qu’à 30% du poids théorique maximal d’une crémation humaine, soit 2288 grammes).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;L’aspect majoritaire des ossements est très nettement celui d’un stade IV de Shipman, correspondant à une température de combustion se situant entre 645 et 940°C, fortement consommatrice de combustible ; des restes de charbons de bois ont ainsi été mis en évidence, parfois associés aux esquilles osseuses, en faible quantité&lt;/span&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Enfin, l’importance de fragmentation des esquilles osseuses correspond à un degré A de Minozzi&lt;/span&gt;&lt;span style="font-weight:normal"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, témoignant autant d’une destruction architecturale d’origine thermique qu’humaine par cassure directe des fragments encore conservés (le but étant de rendre ensuite ceux-ci méconnaissables et plus facilement déposables dans un contenant).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Conclusion&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Pour l’ensemble des éléments examinés, il a été observé une très importante fragmentation osseuse avec faible récupération des esquilles à l’issue du temps de crémation (aux environs de 10% de la masse totale théorique). On est donc dans le domaine du symbolique plutôt que de l’exhaustif. Néanmoins, un respect du rituel dit « homérique » semble être la norme, avec présence de matériel associé métallique et de formations d’origine mixte témoignant d’une fusion au cours de la carbonisation entre corps organiques et matériaux minéraux. L’extension d’études à d’autres échantillons et d’autres nécropoles contemporaines permettra de mieux comprendre l’organisation du temps funéraire de ces Grecs d’outre-mer.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style="mso-element:footnote-list"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;hr align="left" size="1" width="33%"&gt;    &lt;div id="ftn1"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref1" name="_ftn1" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;McKinley J.I., “The analysis of cremated bone”, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;in&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; Cox M., Mays S. (&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Dir&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.) &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Human osteology in archaeology and forensic sciences&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. London, GMM, 2000, pp. 403-421.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn2"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref2" name="_ftn2" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Shipman P., Foster G., Schoeninger M., « Burnt bones and teeth&lt;/span&gt;&lt;span class="msoDel"&gt;&lt;del cite="mailto:Jo%91l" datetime="2007-08-14T22:15"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/del&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;: an experimental study of colour, morphology, crystal structure and shrinkage », &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;J. 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Paris, CNRS, 1987b, pp. 191-194.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn4"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref4" name="_ftn4" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; Duday H., &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Lezioni di archeotanatologia. Archeologia funeraria e antropologia di campo&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Istituto Arti Grafiche Mengarelli, Roma, 2006.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn5"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref5" name="_ftn5" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Krogman W.M., Iscan M.Y., &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;The human skeleton in forensic medicine&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Springfield (Illinois), Charles C. 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Paris, De Boccard. 2008, p. 249-257.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn8"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref8" name="_ftn8" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[8]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; Bruzek J., Schmitt A., “L’identification du sexe d’un individu à partir du squelette”, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;in&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; Charlier P. (&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Dir&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.), &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Ostéo-archéologie et techniques médico-légales : tendances et perspectives. Pour un « Manuel pratique de paléopathologie humaine »&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Paris, De Boccard. 2008, p. 259-267.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn9"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref9" name="_ftn9" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[9]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Ferembach D., Schwidetzky I., Stloukal M., «Recommandations pour déterminer l’âge et le sexe sur le squelette », &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Bull. et Mém. de la Soc. d'Anthrop. de Paris&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, 1979, 6 : 7-45.&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn10"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref10" name="_ftn10" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[10]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Ubelaker D.H., “The estimation of age at death from immature human bone”, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;in&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; Iscan M.Y. (&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Dir&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.), &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Age markers in the human skeleton&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Springfield (Illinois), Charles C. Thomas, 1989, pp. 55-70.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn11"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref11" name="_ftn11" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[11]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Meindl R.S., Lovejoy C.O., “Ectocranial suture closure : a revised method for the determination of age at death based on the lateral-anterior sutures”, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Am. J. Phys. Anthropol.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, 1985, 68 : 57-66.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn12"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref12" name="_ftn12" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[12]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Meindl R.S., Lovejoy C.O., Mensforth R.P., Walker R.A., “A revised method of age determination using the os pubis, with a review and tests of accuracy of other current methods of pubic symphyseal aging”, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Am. J. Phys. Anthropol.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, 1985, 68 : 29-45.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn13"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref13" name="_ftn13" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[13]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Lovejoy C.O., Meindl R.S., Prysbeck T.R., Mensforth R.P., “Chronological metamorphosis of the auricular surface of the ilium : a new method for the determination of adult skeletal age at death”, &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Am. J. Phys. Anthropol.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, 1985, 68 : 15-28.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn14"&gt;  &lt;p class="MsoFootnoteText" style="text-align:justify"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref14" name="_ftn14" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[14]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;« Les Athéniens ont donné les prix aux concours en l’honneur des morts à la guerre ». Cette inscription qui court en pointillé sur la lèvre du vase est une formule officielle établie par les magistrats chargés d’organiser des concours lors des jeux funèbres. Plusieurs fêtes instaurées peu après les guerres médiques, comme les &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Epitaphia&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, les &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Heracleia&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; ou les &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Eleutheria&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, ont donné lieu ainsi à des épreuves athlétiques. Les vainqueurs recevaient un ustensile en métal qu’ils pouvaient utiliser ensuite comme urne funéraire (collection Rayet, 1875).&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div id="ftn15"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref15" name="_ftn15" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span lang="EN-US"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[15]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-US"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Iliade&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, 23, 184-257, traduction L. Bardollet, éditions Robert Laffont, collection Bouquins, 1995.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div style="mso-element:footnote" id="ftn16"&gt;  &lt;p class="MsoFootnoteText"&gt;&lt;a href="http://www.blogger.com/post-edit.do#_ftnref16" name="_ftn16" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span lang="EN-US"&gt;&lt;span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;[16]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN-US"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Iliade&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, 24, 790sq, traduction L. Bardollet, éditions Robert Laffont, collection Bouquins, 1995.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoFootnoteText"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoFootnoteText"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoFootnoteText"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Pour aller plus loin&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; :&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoFootnoteText"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Charlier P., &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Male mort. Morts violentes dans l'Antiquité gréco-romaine&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;. Fayard, 2009.&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;/div&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-6110321342397760738?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/6110321342397760738/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=6110321342397760738' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6110321342397760738'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6110321342397760738'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/01/etude-osteo-archeologique-des.html' title='Étude ostéo-archéologique des crémations grecques d’Orgamé (Roumanie, 8ème-5ème s. av. J.-C.)'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_twm37pwUL5c/S205dBd0wWI/AAAAAAAAAno/QIvvGN8zOQk/s72-c/Orgam%C3%A92.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-6176046675727908485</id><published>2010-01-12T10:32:00.002+01:00</published><updated>2010-01-12T10:47:49.575+01:00</updated><title type='text'>Journées d'expertise paléopathologique 2010</title><content type='html'>Les journées d'expertise paléopathologique se dérouleront dans la Bibliothèque du Service de Médecine Légale  du CHU R. Poincaré (Garches) aux dates suivantes :&lt;div&gt;- 19 mars,&lt;/div&gt;&lt;div&gt;- 28 mai&lt;/div&gt;&lt;div&gt;- 15 octobre&lt;/div&gt;&lt;div&gt;de 10h jusqu'à épuisement des stocks d'ossements à analyser.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;L'adresse complète du site est la suivante :&lt;/div&gt;&lt;div&gt;Service de Médecine Légale et d'Anatomie/Cytologie Pathologiques&lt;/div&gt;&lt;div&gt;Pavillon Vésale&lt;/div&gt;&lt;div&gt;CHU R. Poincaré&lt;/div&gt;&lt;div&gt;92380 Garches&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Vous trouverez les informations pratiques pour se rendre sur le site en cliquant sur le lien suivant :&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.aphp.fr/index.php?module=livret&amp;amp;action=afficher_livret&amp;amp;vue=livret_tous&amp;amp;THEME.NITHEME=14&amp;amp;NIHOPITAL=31"&gt;http://www.aphp.fr/index.php?module=livret&amp;amp;action=afficher_livret&amp;amp;vue=livret_tous&amp;amp;THEME.NITHEME=14&amp;amp;NIHOPITAL=31&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Merci de bien vouloir respecter les habitudes en prévenant le responsable de ces journées par un e-mail (&lt;a href="ph_charlier@yahoo.fr"&gt;ph_charlier@yahoo.fr&lt;/a&gt;) donnant une brève description des ossements et de leur contexte chrono-culturel, au moins un cliché numérisé par os pathologique, et vos coordonnées complètes. Il est recommandé de venir avec l'intégralité du squelette lorsque cela est possible.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Un plateau technique sera à la disposition des participants : radiologie, loupe binoculaire, microscopie et, depuis peu, fibroscopie.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;A bientôt !&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Dr Philippe Charlier.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-6176046675727908485?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/6176046675727908485/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=6176046675727908485' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6176046675727908485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6176046675727908485'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2010/01/journees-dexpertise-paleopathologique.html' title='Journées d&apos;expertise paléopathologique 2010'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-7411091164717021600</id><published>2009-11-08T15:26:00.004+01:00</published><updated>2009-11-08T15:34:35.362+01:00</updated><title type='text'>Nouvel ouvrage : MALE MORT. Morts violentes dans l'Antiquité.</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_twm37pwUL5c/SvbVwsa-twI/AAAAAAAAAm4/SAfi7ZcDes4/s1600-h/Charlier-_Charlier+couv+2.jpg"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 279px;" src="http://1.bp.blogspot.com/_twm37pwUL5c/SvbVwsa-twI/AAAAAAAAAm4/SAfi7ZcDes4/s400/Charlier-_Charlier+couv+2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5401739835612247810" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span"  style="font-family:'lucida grande', tahoma, verdana, arial, sans-serif;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Par Philippe Charlier&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Résumé :&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Il y a ceux qui meurent lentement d’une mort douce, ou attendue. Et il y a ceux qui partent de façon brutale : guerre, crime, catastrophe naturelle, suicide, épidémie, accident, exécution, etc. Grâce à l’examen de squelettes provenant de fouilles archéologiques du pourtour méditerranéen, il est désormais possible de reconstituer, cas après cas, un tableau des morts violentes dans l’Antiquité gréco-romaine. Des récits, des anecdotes, des commentaires historiques permettent de préciser ce descriptif complet.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;L’auteur s’attachera également à étudier le devenir du cadavre de ces individus partis avant l’heure ou soudainement, centré sur la peur du retour des morts (nécrophobie) : mise à l’écart, démembrement, magie noire, mutilation, etc.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;À travers ce voyage dans les morts violentes, c’est à une déambulation dans les bas-fonds de la société antique qu’est convié le lecteur, à la recherche d’un étonnant et méconnu côté obscur.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;L'auteur :&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Philippe Charlier est médecin, paléopathologiste et docteur ès lettres (École pratique des hautes études). Spécialisé en anatomopathologie et en médecine légale, Philippe Charlier a publié "Médecin des morts, récits de paléopathologie" (Fayard, 2006) et "Les Monstres humains dans l’Antiquité" (Fayard, 2008 ; prix Louis Castex de l’Académie française 2009 et prix Jean-Charles Sournia de l’Académie nationale de médecine 2009). Assistant hospitalo-universitaire à Garches (AP-HP, UVSQ) et chercheur associé au CNRS (HALMA-IPEL, Lille-III), il enseigne notamment à la faculté de médecine de Paris- Ouest.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new', serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Fayard (Paris)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new', serif;"&gt;&lt;span class="Apple-style-span"  style="font-family:Garamond, Arial, Helvetica, sans-serif;"&gt;&lt;ul style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: none; "&gt;&lt;li style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: none; "&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Date de Parution : 04/11/2009&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: none; "&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Collection : Nouvelles Etudes Historiques&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: none; "&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Prix public TTC : 23,00 €&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: none; "&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Code ISBN / EAN : 9782213635644 / hachette : 3538097&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: none; "&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Format (153 x 235)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: none; "&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Nombre de pages : 432&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: none; "&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Près d'une centaine d'illustrations dans le texte.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Acheter sur Amazon:&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;a href="http://www.amazon.fr/Male-mort-Morts-violentes-lAntiquit%C3%A9/dp/2213635641/ref=sr_1_2?ie=UTF8&amp;amp;s=books&amp;amp;qid=1257690776&amp;amp;sr=8-2"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;http://www.amazon.fr/Male-mort-Morts-violentes-lAntiquité/dp/2213635641/ref=sr_1_2?ie=UTF8&amp;amp;s=books&amp;amp;qid=1257690776&amp;amp;sr=8-2&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new', serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new', serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Ecouter l'interview sur Europe 1:&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:'courier new';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;a href="http://www.europe1.fr/Radio/ecoute-podcasts/Emissions/Cafe-crimes/Cafe-Crimes-les-morts-violentes-dans-l-Antiquite"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;http://www.europe1.fr/Radio/ecoute-podcasts/Emissions/Cafe-crimes/Cafe-Crimes-les-morts-violentes-dans-l-Antiquite&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span"    style="font-family:'lucida grande', tahoma, verdana, arial, sans-serif;font-size:100%;color:#333333;"&gt;&lt;span class="Apple-style-span"  style="font-size:11px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-7411091164717021600?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/7411091164717021600/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=7411091164717021600' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7411091164717021600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/7411091164717021600'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2009/11/nouvel-ouvrage-male-mort-morts.html' title='Nouvel ouvrage : MALE MORT. Morts violentes dans l&apos;Antiquité.'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_twm37pwUL5c/SvbVwsa-twI/AAAAAAAAAm4/SAfi7ZcDes4/s72-c/Charlier-_Charlier+couv+2.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-6027724034861047590</id><published>2009-09-25T12:42:00.002+02:00</published><updated>2009-09-25T12:49:53.738+02:00</updated><title type='text'>Nouvel ouvrage : Analyse épigraphique et paléopathologique de textes de guérison grecs</title><content type='html'>&lt;div align="justify"&gt;&lt;a href="http://4.bp.blogspot.com/_twm37pwUL5c/SryfqrS3nyI/AAAAAAAAAmo/bXFtZGNephc/s1600-h/pretre+charlier+(couv+sept+09).jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5385354809953460002" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 286px" alt="" src="http://4.bp.blogspot.com/_twm37pwUL5c/SryfqrS3nyI/AAAAAAAAAmo/bXFtZGNephc/s400/pretre+charlier+(couv+sept+09).jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;par Clarisse Prêtre et Philippe Charlier&lt;/div&gt;&lt;div align="justify"&gt;avec une préface par Angelos Chaniotis.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;Clarisse Prêtre&lt;/div&gt;&lt;div align="justify"&gt;Ancien membre de l’École française d’Athènes, chercheur au CNRS, Clarisse Prêtre vit entre la France et la Grèce. Elle mène des travaux sur le vocabulaire des pratiques votives à travers les sources épigraphiques de Délos et le matériel archéologique de Thasos. Parallèlement, elle prépare la publication du nouveau corpus des inscriptions de la cité d’Argos.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;Philippe Charlier&lt;/div&gt;&lt;div align="justify"&gt;Médecin spécialisé en médecine légale et en anatomo-pathologie, chercheur associé au CNRS, Philippe Charlier trace des ponts permanents entre médecine et archéologie. En parallèle de sa pratique autopsique et de son enseignement d’histoire de la médecine et des maladies, il étudie de nombreux restes squelettiques provenant de fouilles archéologiques du monde grec et romain. Il organise et dirige la publication, tous les 2 ans depuis 2005, des colloques internationaux de pathographie.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;Cet ouvrage présente une approche originale des textes épigraphiques évoquant les guérisons miraculeuses en Grèce antique. L'union des connaissances d'une philologue spécialiste du grec ancien et d'un médecin paléopathologiste permet de mieux saisir la richesse de ce corpus. Chaque texte est suivi d'une traduction moderne et de commentaires lexicaux et médicaux qui nous plongent directement au cœur des pratiques curatives dans les grands sanctuaires de Grèce comme Epidaure ou Lébèna.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;Thérapies divines ou humaines ? Grâce à un diagnostic rétrospectif fiable et pondéré des maladies décrites et grâce à l'étude des soins apportés aux patients qui venaient s'endormir dans les temples d'Asclépios, les auteurs démystifient souvent l'idée de guérisons spontanées par la seule intervention du dieu. Leurs recherches réfutent également les anciennes théories qui faisaient passer tous les malades pour des hypocondriaques ou des « hystériques ». Intégrant systématiquement les données paléopathologiques les plus récentes, et en les comparant aux données épigraphiques et aux descriptions cliniques fournies par ce choix de textes, cet ensemble permet de reconstituer un tableau relativement fourni et objectif de l’état sanitaire de ces populations mais également des pratiques médico-chirurgicales contemporaines, dans une perspective prudemment synchronique.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;Du IVe siècle av. J.-C. au IIIe siècle de notre ère, ce parcours dans des sources textuelles parfois peu exploitées jusqu'à présent est une petite contribution à la compréhension de l'histoire de la médecine, de la religion et de la société.&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;Publié aux PUS (Presses Universitaires du Septentrion, Villeneuve d'Ascq).&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://www.septentrion.com/"&gt;http://www.septentrion.com/&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;ISBN 978-2-7574740-002-9&lt;/div&gt;&lt;div align="justify"&gt;Dès octobre 2009.&lt;/div&gt;&lt;div align="justify"&gt;258p.&lt;/div&gt;&lt;div align="justify"&gt;22 euros.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/896012473241029504-6027724034861047590?l=pathographie.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://pathographie.blogspot.com/feeds/6027724034861047590/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=896012473241029504&amp;postID=6027724034861047590' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6027724034861047590'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/896012473241029504/posts/default/6027724034861047590'/><link rel='alternate' type='text/html' href='http://pathographie.blogspot.com/2009/09/nouvel-ouvrage-analyse-epigraphique-et.html' title='Nouvel ouvrage : Analyse épigraphique et paléopathologique de textes de guérison grecs'/><author><name>-</name><uri>http://www.blogger.com/profile/07326384623313656951</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_twm37pwUL5c/SryfqrS3nyI/AAAAAAAAAmo/bXFtZGNephc/s72-c/pretre+charlier+(couv+sept+09).jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-896012473241029504.post-6333461220150883537</id><published>2009-05-14T16:08:00.002+02:00</published><updated>2009-05-14T16:12:17.385+02:00</updated><title type='text'>Le mummie di Savoca (Messina, secoli XVIII-XIX)</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Le mummie di Savoca (Messina, secoli XVIII-XIX) nel contesto archeologico e paleopatologico della Sicilia : uno studio preliminare.&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;Lo Gerfo L.M. (1)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ol style="margin-top:0cm" start="1" type="1"&gt;  &lt;li class="MsoNormal" style="text-align:justify;mso-list:l103 level1 lfo107;     tab-stops:list 36.0pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Via C.      Colombo n°65, 95027 San Gregorio di Catania (CT), Italia, &lt;a href="mailto:luisa.logerfo@hotmail.it"&gt;luisa.logerfo@hotmail.it&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ol&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Sommario&lt;/b&gt;&lt;/span&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Oggetto specifico del mio studio sono state le mummie custodite nella cripta della chiesa di San Francesco, a Savoca (Messina, sec. XVIII-XIX), finora pochissimo studiate, prevalentemente dal punto di vista storico, sulle quali peraltro non esiste una documentazione bibliografica che esuli dall'interesse erudito o dalla curiosità intellettuale di qualche cultore locale. L’indagine, condotta attraverso lo studio della bibliografia esistente e di campioni significativi delle mummie stesse, vuole offrire, attraverso la ricognizione e la schedatura dei reperti, una sintesi dei risultati dedotti dalla ricerca.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Introduzione&lt;/b&gt;&lt;/span&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Resti di corpi mummificati appartengono a tutte le culture e costituiscono da tempo oggetto di studio dal punto di vista storico, archeologico, antropologico e paleopatologico in quanto beni culturali in senso ampio; si tratta di beni culturali, per così dire, « anomali » in quanto non sono reperti nella accezione comune del termine, ma resti di cadaveri che si sono naturalmente conservati, o che, per particolari motivi di ordine religioso, rituale, sociale sono stati sottoposti a trattamenti conservativi; ciascuno di essi è « un “bene” che un tempo fu persona, a cui venne successivamente assegnato il compito, sotto la facies di mummia, di testimoniare se stessa e la sua, sia pur illusoria perdurante presenza nel mondo&lt;a style="mso-footnote-id:ftn1" href="#_ftn1" name="_ftnref1" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; ». Essi ci documentano non solo sull'immaginario collettivo circa la vita oltre la morte biologica, sulle tecniche di conservazione dei corpi, sulla storia delle pratiche sociali, del costume, della moda, ma anche sull’aspetto medico, sulle cause di morte, sull’incidenza delle malattie nel passato. Tali informazioni sono utili per capire non solo in che modo si affrontava e si « viveva » la malattia nelle popolazioni trascorse, ma anche di comprendere gli aspetti più complessi della vita sociale: la presenza o l’assenza di patologie specifiche, il loro impatto sulla speranza di vita, sull’età di morte di individui, gruppi o persone, oltre alla complessa problematica della qualità della vita nelle popolazioni antiche. I risultati, degli studi Paleopatologici, inoltre, consentono di ricavare un’enorme mole di informazioni sulle malattie dei secoli passati, in grado non solo di illuminare aspetti fondamentali della vita delle popolazioni, finora scarsamente documentati, ma anche di ricercare informazioni utili anche per contrastare le malattie attuali ; tali risultati offrono inoltre, agli antropologi, agli archeologi, ai paleopatologi e agli storici dati scientifici per affrontare alcune questioni disciplinari specifiche tuttora irrisolte. Gli interessanti risultati che costituiscono l’oggetto di questa comunicazione sono emersi nel corso della ricerca particolareggiata&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;su un campione di 17 mummie collocate nella Cripta del Convento dei Cappuccini di Savoca.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Brevi notizie storiche su Savoca&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Savoca é un piccolo centro della provincia di Messina,&lt;sup&gt; &lt;/sup&gt;arroccato su un crinale a 303 metri di altitudine, tra il torrente omonimo e la fiumara d’Agrò, 37 km. a Sud-Ovest del capoluogo, e a 5 km dalla costa ionica ; essa custodisce, nella settecentesca cripta sottostante la chiesetta annessa al Convento dei Cappuccini&lt;a style="mso-footnote-id:ftn2" href="#_ftn2" name="_ftnref2" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;, impropriamente denominata catacombe, poco più di due decine di mummie intermedie. Per spiegare la presenza di un tale patrimonio culturale in una cittadina così piccola (8,80 Km&lt;sup&gt;2 &lt;/sup&gt;per una popolazione di 1675 abitanti) bisogna rifarsi alla sua storia passata. La cittadina siciliana fu fondata nella prima metà del XII secolo, in età normanna, da Ruggero II, dalla riunione in un unico centro, sotto la giurisdizione della Baronia di Savoca, dei vari casali disseminati nel territorio, e conobbe il massimo splendore nei secoli XIV e XV, come è testimoniato dall’edificazione di ben 17 chiese (tra urbane e rurali), poste sotto la giurisdizione della chiesa archimandritale locale (oggi chiesa Madre), intitolata a « S. Maria in Cielo Assunta », il cui archimandrita esercitava il diritto di questua su alcuni territori posti nel circondario, fra Taormina e Messina, e nell’entroterra, a Limina, Roccafiorita, Mandanici, Locadi, Forza&lt;a style="mso-footnote-id:ftn3" href="#_ftn3" name="_ftnref3" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. Nel XVI secolo, con i suoi 4469 abitanti, era il centro più popolato del distretto di Messina, annoverando, tra le famiglie stanziali della popolazione del luogo, anche un cospicuo numero di famiglie aristocratiche e una comunità ebraica di 200 abitanti&lt;a style="mso-footnote-id:ftn4" href="#_ftn4" name="_ftnref4" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. Il declino, già in atto alla fine del XVIII secolo, si accentua poco prima dell'unità d'Italia, con lo “scivolamento” sulla costa della popolazione e delle istituzioni nella vicina Santa Teresa Riva, cui verrà annessa in epoca fascista, per riacquistare la sua autonomia nel 1948.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Descrizione della cripta&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;La cripta, a pianta rettangolare, di m 14 x 4,25, longitudinalmente orientata da Est ad Ovest, è ubicata al di sotto del piano pavimentale della terrazza antistante la chiesa del Convento. Per comodità di lettura, ho indicato i quattro lati perimetrali con le lettere A, B, C, D (&lt;b&gt;Figura 1&lt;/b&gt;&lt;/span&gt;&lt;span style="mso-fareast-language:IT"&gt;). Sulle pareti interne s’innestano alcune nicchie a fondo semicircolare con copertura ad arco (39 in tutto) di cui 17 lungo la parete A, 7 nella B, 15 nella C. Nella parete D, che funge da abside, si erge un altare. Antistante all’abside, sotto il pavimento, è ubicato un ossario. Lungo tutto il perimetro, si innesta una cornice, su cui sono poggiate 9 casse lignee, di cui 4 sovrapposte. Al di sopra delle nicchie, sfalsate rispetto alle stesse, sono ricavati altrettanti colombari, alcuni dei quali espongono teschi umani. Solo le nicchie della parete A, (16 su 17), contengono dei corpi mummificati, di alti prelati, nobili o notabili, le restanti sono vuote. Altri corpi mummificati, sono contenuti in teche o casse funebri variamente collocate sul pavimento.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Notizie storiche sulla cripta dei cappuccini&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;La costruzione della Cripta fu avviata agli inizi del XVII secolo, per custodire i resti dei padri Cappuccini deceduti. Successivamente questa divenne un vero e proprio “cimitero di notabili” in quanto fu destinata ad accogliere alcuni individui delle famiglie locali più in vista, vissuti tra il XVIII e il XIX secolo, particolarmente legati all’Ordine dei Cappuccini&lt;a style="mso-footnote-id:ftn5" href="#_ftn5" name="_ftnref5" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. Si tratta di medici, notai, giudici, commercianti, avvocati e rispettive famiglie nobiliari o emergenti, e di illustri personaggi del clero locale (abati, arcipreti, sacerdoti), anch’essi provenienti (secondo un costume diffuso nella Sicilia feudale) dalle stesse famiglie. Evidentemente il tipo di sepoltura e il trattamento post mortem differivano in relazione alla potenza del personaggio e alle sue possibilità economiche.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Il numero delle mummie custodite nella cripta&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Il numero delle mummie che la cripta ospita è imprecisato. Allo stato attuale, infatti, non è possibile definirlo con esattezza, dal momento che la loro collocazione è il risultato di una sistemazione approssimativa compiuta tra gli anni Cinquanta e Sessanta, per un maldestro tentativo di sfruttarle economicamente come richiamo turistico. Nella ipotesi minimale, è probabile che sicuramente 17 mummie erano collocate nelle nicchie, in piedi, 5 in teche di vetro, 11 in casse funebri, variamente collocate all’interno della cripta stessa. Nella risistemazione alcune delle mummie custodite nelle casse furono trasferite nelle nicchie, rimaste vuote a causa del deterioramento prodotto dal tempo e dall’incuria&lt;a style="mso-footnote-id:ftn6" href="#_ftn6" name="_ftnref6" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[6]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. L’operazione, deprecabile dal punto di vista culturale, spesso compiuta in modo approssimativo, in qualche caso costringendo a forza i corpi nello spazio ristretto delle nicchie, o allacciandoli in modo rudimentale perché stessero in piedi, si sarebbe protratta per qualche decennio&lt;a style="mso-footnote-id:ftn7" href="#_ftn7" name="_ftnref7" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[7]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. Attualmente, sommando ai 16 corpi delle nicchie, i 5 riposti nelle teche di vetro e i 12 che dovrebbero essere contenuti nelle casse funebri, il totale delle mummie sarebbe 33. Ma è certamente inferiore alla somma dei rispettivi alloggiamenti, dal momento che un certo numero di casse sono sicuramente vuote. Va aggiunto inoltre che alcuni cognomi riportati sui cartigli apposti nell’ultima sistemazione si riferiscono, talora, a personaggi mai esistiti o alcuni nomi sono inesistenti, altri, infine, sono di personaggi appartenenti a famiglie sicuramente sepolte in altre chiese di Savoca.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;La pratica della mummificazione&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Non si hanno notizie storiche su pratiche di mummificazione intenzionale compiute dai Cappuccini sui loro confratelli defunti, che fu invece certamente praticata nei secoli XVIII e XIX, fino al 1876. Infatti, nonostante il 7 luglio del 1866 fosse stata decretata, da parte del giovane Regno d’Italia, la soppressione di ordini, congregazioni e corporazioni religiose, con relativa confisca dei beni e loro attribuzione al Demanio dello Stato&lt;a style="mso-footnote-id:ftn8" href="#_ftn8" name="_ftnref8" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[8]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;, il Convento dei Cappuccini di Savoca, anche se privo di ogni riconoscimento giuridico, e di proprietà comunale, continuò a svolgere la sua funzione e a praticare la mummificazione, come risulta dalla presenza di almeno due mummie appartenute a individui deceduti posteriormente a tale data&lt;a style="mso-footnote-id:ftn9" href="#_ftn9" name="_ftnref9" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[9]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Quanto alla tecnica usata per accelerare il processo di mummificazione, non esistono fonti storiche coeve che parlino del trattamento riservato ai cadaveri, mancano addirittura notizie se un trattamento del genere sia mai stato praticato. Le fonti documentano invece diverse richieste di diritto di sepoltura previo pagamento di una somma di denaro o come compenso per le celebrazioni di rito demandate al Convento nelle varie ricorrenze&lt;a style="mso-footnote-id:ftn10" href="#_ftn10" name="_ftnref10" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[10]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Qualche informazione sui luoghi, le modalità e i tempi per la mummificazione dei cadaveri risultano invece da scritti inediti di studiosi del luogo, come quello di Padre Basilio Gugliotta&lt;a style="mso-footnote-id:ftn11" href="#_ftn11" name="_ftnref11" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[11]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;, posteriori alla mummificazione stessa, che attingono alla tradizione orale, anche se non è possibile confrontarle coi risultati di studi scientifici condotti sulle mummie, attualmente pressoché inesistenti. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Dall’esame delle strutture architettoniche del locale della cripta della Chiesa Madre di Savoca, risulta che in essa veniva praticata la “scolatura” dei cadaveri, secondo la tecnica diffusa in Italia meridionale. L’esame diretto ha appurato anche altre forme di trattamento dei cadaveri mediante eviscerazione e decerebralizzazione.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Il luogo di mummificazione : la cripta della chiesa Madre di Savoca (descrizione)&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;La « camera di mummificazione », nella Cripta di detta chiesa è costituita da un ambiente sotterraneo di forma semi-circolare, ventilato da diverse feritoie ricavate nelle pareti. All’interno, sono ubicate le nicchie (10 in tutto). Queste, di forma semi-circolare, sono dotate di sedili di pietra, sui quali venivano posti a sedere i cadaveri da mummificare, fino a « scolatura » ultimata. Dei fori praticati sui sedili convogliavano gli umori e i liquami cadaverici in una conduttura di espurgo sottostante collegata a una fossa (o cisterna) di raccolta, posta sotto il pavimento di un secondo vano contiguo all’ambiente sopradescritto, di piccole dimensioni, a pianta rettangolare, e munito di piccole aperture (attualmente murate) per il passaggio dell’aria. Durante la visita da me effettuata ho potuto scorgere, tra l’altro, all’interno della fossa suddetta, frammenti di ossa umane con attaccati brandelli di pelle e canalette di terracotta confluenti verso l’esterno, chiaro segno queste ultime della loro funzione di smaltimento dei liquami di raccolta. La terra di accumulo era, inoltre, scurissima, al pari dei terreni ricchi di sostanze organiche (come talora le sepolture a spazio pieno o i canali di scolo di alcuni scavi archeologici). Anche questo secondo vano è dotato di nicchie, (sei in tutto) sulla cui destinazione d’uso si possono fare ipotesi diverse: forse per contenere i cadaveri in attesa del trattamento preventivo, prima della scolatura nella camera di mummificazione, o perché ricevessero gli ultimi ritocchi, a mummificazione avvenuta, prima del definitivo trasferimento nella cripta dei Cappuccini o per entrambi i tipi di operazioni. L’osservazione diretta conferma pertanto le affermazioni della tradizione orale che il vano suddetto serviva ai frati per espletarvi le varie operazioni di trattamento dei cadaveri&lt;a style="mso-footnote-id:ftn12" href="#_ftn12" name="_ftnref12" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[12]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Quanto al metodo di mummificazione usato, il cadavere, dopo essere stato imbevuto per due giorni in una soluzione di aceto e sale, veniva posto sui sedili sopradescritti della camera di mummificazione perché, via via che procedeva la decomposizione, le viscere si colliquassero e venissero eliminate per via naturale attraverso l’orifizio anale, per poi confluire, attraverso il sistema di scolo accennato, nella fossa (o cisterna) del locale contiguo. Le correnti d’aria, il fresco dell’ambiente, l’effetto del sale e dell’aceto e l’azione di muffe presenti nell’ambiente stesso concorrevano a determinare l’essiccazione completa. A operazione ultimata, venivano recisi i tendini e i legamenti delle ginocchia e delle anche per raddrizzarlo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Si procedeva quindi alla vestizione e al successivo trasporto nella cripta dei Cappuccini.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;In qualche caso, nei tempi più antichi, era stata praticata l’eviscerazione, operazione che avveniva nel locale contiguo, dove il corpo, dopo essere stato aperto con un’ incisione dal petto al pube, veniva coricato su un tavolo con la faccia anteriore in giù, e le interiora venivano fatte cadere sulla cisterna. La notizia ha un suo fondamento dal momento che personalmente ho potuto costatare, da un esame macroscopico, che in una delle mummie custodite nella cripta, la numero 3 della parete A, sono visibili oltre a uno scalottamento cranico, anche l’apertura del torace mediante due incisioni ai lati dello sterno che si ricongiungono in un'unica incisione dalla regione epigastrica alla sinfisi pubica (a forma di Y): segno di decerebralizzazione, eviscerazione ed estrazione degli organi molli. Chiari segni di scalottamento cranico sono inoltre visibili nei teschi&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;numero 36 e 41, posti su due colombari della parete C (&lt;b&gt;Figura 2&lt;/b&gt;&lt;/span&gt;&lt;span style="mso-fareast-language:IT"&gt;).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Dai riscontri suddetti, data anche la grande esperienza acquistata dai frati Cappuccini nella mummificazione, appare probabile, quindi, che in qualche caso anche a Savoca, come in altre località della Sicilia, i cadaveri, dopo essere stati disinfettati con una soluzione di sale e aceto,&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;venissero privati degli organi interni e delle parti molli, e successivamente trattati con unguenti ed essenze perché i tessuti rimanessero elastici. In ultimo le cavità, toracica e addominale, venivano riempite con paglia e altre fibre vegetali, affinché la mummia conservasse lo « spessore naturale ».&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Le mummie di Savoca : un bene culturale da proteggere e salvare. Incuria, atti vandalici e tentativi di restauro&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Ma la storia delle mummie di Savoca non finisce qui. All’incuria, alla trascuratezza e al degrado, seguiti anche dopo la sistemazione degli anni Cinquanta, di cui abbiamo sopra detto, fa seguito un atto vandalico perpetrato da ignoti nella notte tra il 7 e l’8 febbraio del 1985, in seguito al quale 15 delle 17 mummie esposte vennero imbrattate con vernice ad olio di colore verde. Una di queste è stata restaurata nel 1993 da un’equipe di esperti incaricati dalla Sezione per i Beni Storico-Artistici dalla Sovrintendenza ai Beni Culturali di Messina. Il restauro è consistito in una preventiva disinfezione e disinfestazione della mummia, attaccata da spore microbiche di micromiceti e con infestazioni di escrementi di topi e di insetti sugli abiti. A questa hanno fatto seguito la rimozione della vernice, il consolidamento e il fissaggio della desquamazione delle parti e il trattamento conservativo della mummia stessa, con somministrazione di sostanze micotiche ed antiparassitarie&lt;a style="mso-footnote-id:ftn13" href="#_ftn13" name="_ftnref13" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[13]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. Per la rimozione della vernice si è fatto ricorso non solo al trattamento con solventi adatti, ma, per le parti più difficili, anche alla microsabbiatura, tecnica particolarmente rischiosa per la conservazione del reperto. La vernice aveva, infatti, impregnato a fondo i pori del tessuto osseo. I risultati del trattamento, compiuto a titolo sperimentale, sono risultati pressoché soddisfacenti. Di rilievo il fatto che si tratta del primo del genere eseguito su una mummia.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;A restauro ultimato il corpo non è stato più ricollocato nella nicchia che precedentemente lo ospitava (la nicchia n° 15, attualmente vuota) - ormai inidonea perché infestata da parassiti - ma in una cassa appositamente costruita e opportunamente trattata perché fosse resa antisettica, coperta da una lastra di vetro, dove è tuttora visibile ai visitatori&lt;a style="mso-footnote-id:ftn14" href="#_ftn14" name="_ftnref14" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[14]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; (Parete C).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Quest’ultima vicenda ci ricorda, ove fosse necessario, che le mummie di Savoca sono oggi a grave rischio, non tanto per eventuali ulteriori atti vandalici, quanto per la loro stessa sopravvivenza, qualora non si provveda con misure adeguate alla loro conservazione.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;b&gt;Conclusioni sullo stato di salute e di conservazione delle mummie del campione preso in esame&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Solo le 17 mummie custodite nelle nicchie, per le quali si è fornita la schedatura, sono state oggetto di un esame particolareggiato che ha consentito di evidenziarne lo stato di conservazione, il sesso, la statura, l’età, lo stato di salute al momento del decesso e alcune patologie visibili a livello macroscopico. Obiettivo di tale esame è stato poter acquisire dati desunti dall’osservazione diretta, ed eventualmente verificarne la coincidenza con quelli riportati dai documenti storici o indicati sui cartigli apposti alla singole mummie&lt;a style="mso-footnote-id:ftn15" href="#_ftn15" name="_ftnref15" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[15]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Sulla base dei dati raccolti è possibile quindi affermare che lo stato di conservazione (&lt;b&gt;Tabella 1&lt;/b&gt;&lt;/span&gt;&lt;span style="mso-fareast-language:IT"&gt;) è buono per 9 delle 17 mummie prese in esame (A1, A3, A5, A8, A9, A12, A13, A15, A16); ciò nonostante i postumi dell’atto vandalico perpetrato nel 1985, di cui si è&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;precedentemente detto (che ha risparmiato solo le mummie A1 e A5, quest’ultima grazie alla teca di vetro dietro cui è riposta), e nonostante alcune presentino l’epidermide del volto esfoliata ad effetto cipolla (A2, A4, A10, A11); discretamente conservate risultano la A6 e la A14; appare, infine, veramente precario lo stato delle mummie A7 e A17, in cui è possibile osservare che i tessuti cutanei ed ossei sono totalmente assenti in alcune regioni: ciò è da attribuire all’azione di roditori di cui, in qualche caso, sono stati notati segni di morsi perfino sulle ossa. Quanto agli effetti dell’atto vandalico, in alcune mummie la vernice è riuscita a penetrare in profondità nell’epidermide e nei vestiti, procurando danni che in alcuni casi sembrano irreversibili (A2, A4, A11).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;div align="center"&gt;  &lt;table border="1" cellspacing="0" cellpadding="0" width="454" style="width:454.2pt; margin-left:38.5pt;border-collapse:collapse;border:none;mso-border-alt:solid black .5pt; mso-padding-alt:0cm 5.4pt 0cm 5.4pt"&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;N°&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Identificazione&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Anno   †&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Status   sociale&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Tecnica   di Mummificazione&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Stato   di conservazione&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A1&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Pietro   del Salvatore&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   1776&lt;a style="mso-footnote-id:ftn16" href="#_ftn16" name="_ftnref16" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character:footnote"&gt;[16]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;   ? &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A2&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Ecclesiastico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A3&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nicolò   Toscano della Zecca&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Mummificazione   Artificiale&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A4&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A5&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nicotina   Giuseppe (senior?)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†1795&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Ecclesiastico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A6&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Antonio   Garufi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Ecclesiastico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Discreto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A7*&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Frate   Bernardo della Limina&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†1777&lt;a style="mso-footnote-id:ftn17" href="#_ftn17" name="_ftnref17" title=""&gt;&lt;sup&gt;&lt;span style="mso-special-character:footnote"&gt;[17]&lt;/span&gt;&lt;/sup&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Ecclesiastico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Precario&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A8&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A9&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Barone   Altadonna (?)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A10&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A11&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A12&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Garufi   Vincenzo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A13&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A14&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Cacopardo   (?)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Discreto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A15&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Marcello   Procopio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   1844&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Ecclesiastico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A16&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Giuseppe   Mirone (?)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Notabile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A17&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scolatura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Precario&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;B18&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Marco   Fleres Trischitta&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   1852&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Buono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;C19&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Precario&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;C20&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Michele   Trimarchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;C21&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Ecclesiastico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;C22&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A.S.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   1871&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Tracce   (solo femori)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;D23&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Giovanni   Coglituri&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;D24&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Vincenzo   Trischitta&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   1862&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Nobile,   laico&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;D25&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;D26&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Giovannino   Patti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;†   1853&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Scheletrizzato&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;C36&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Cranio   Scalottato&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;C40&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="32" style="width:31.75pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;C41&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="95" style="width:94.5pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="61" style="width:61.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="87" style="width:86.95pt;border-top:none;border-left:none;  border-bottom:solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:  solid black .5pt;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="99" style="width:98.6pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Cranio   Scalottato&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.1pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;/div&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;Tabella 1&lt;/b&gt;&lt;span style="font-weight:normal"&gt; : reperti custoditi nella cripta del Convento dei Cappuccini di Savoca.&lt;/span&gt;&lt;span style="mso-fareast-language:IT"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="mso-fareast-language:IT"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify;text-indent:35.4pt"&gt;&lt;span style="mso-fareast-language:IT"&gt;Gli individui del nostro campione sono tutti di sesso maschile. I dati antropometrici&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;evidenziano una statura non molto elevata, compresa tra i 145 e i 158 cm, ad eccezione degli individui A9 e A12 che&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;misurano rispettivamente 164 e 172 cm. Tale statura corrisponde ai parametri brevilinei della popolazione siciliana agiata nei secoli XVIII e XIX. L’età al momento del decesso, calcolata col metodo delle usure dentarie e/o con quello delle unioni delle suture craniche, oscilla tra i 35 e i 65 anni circa, ad eccezione che per l’ individuo A1, il quale, evidenzia un’età di 22±26 anni circa, (&lt;b&gt;Figura 3&lt;/b&gt;&lt;/span&gt;&lt;span style="mso-fareast-language:IT"&gt;) in cui sono piuttosto evidenti i segni della saldatura delle epifisi distali del radio e dell'ulna in contrasto con l’età di 68 anni indicata sul cartiglio apposto. Dato il metodo di calcolo adottato, non per tutti gli individui è stato possibile, tuttavia, stabilire tale età con assoluta certezza: più in particolare per gli individui A2, A4, A5, A6, A7 si è ipotizzata un’età compresa tra i 45-55 anni circa in quanto sono quasi completamente edentuli; per gli individui A10, A12, A14, A16 un’età superiore a 60 anni, in quanto completamente edentuli; mentre per l’individuo A9, non è stato possibile calcolare alcuna età, secondo il metodo delle usure dentarie, a causa dell’obliterazione completa delle labbra. Una situazione singolare si è evidenziata infine nella mummia A17, per la quale i due metodi&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;sopra indicati fornivano dati contrastanti tra di loro: i denti infatti, tutti collocati negli alveoli e poco usurati, indicano un individuo giovane; mentre la completa fusione delle suture craniche è tipica di un individuo di età molto avanzata (&lt;b&gt;Tabella 2&lt;/b&gt;&lt;/span&gt;&lt;span style="mso-fareast-language:IT"&gt;).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;div align="center"&gt;  &lt;table border="1" cellspacing="0" cellpadding="0" style="margin-left:3.3pt; border-collapse:collapse;mso-table-layout-alt:fixed;border:none;mso-border-alt: solid black .5pt;mso-padding-alt:0cm 5.4pt 0cm 5.4pt"&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width="29" style="width:28.65pt;border:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;*&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="54" style="width:54.0pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Sesso&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="45" style="width:44.7pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Statura&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.3pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Età&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="12" rowspan="10" valign="top" style="width:11.8pt;border:solid black .5pt;  border-left:none;mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="33" style="width:33.2pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt; &lt;span style="font-size:10.0pt"&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="54" style="width:54.0pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Sesso&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="45" style="width:45.0pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Statura&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.0pt;border:solid black .5pt;border-left:none;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;&lt;b&gt;Età&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="29" style="width:28.65pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A   1&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="54" style="width:54.0pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Maschio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="45" style="width:44.7pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;145   cm.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;22-26   anni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="33" style="width:33.2pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A10&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="54" style="width:54.0pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Maschio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="45" style="width:45.0pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;158   cm.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.0pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;~   50 anni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width="29" style="width:28.65pt;border:solid black .5pt;border-top:none;  mso-border-top-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A   2&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="54" style="width:54.0pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;Maschio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="45" style="width:44.7pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;153   cm.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="81" style="width:81.3pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;45-55   anni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="33" style="width:33.2pt;border-top:none;border-left:none;border-bottom:  solid black .5pt;border-right:solid black .5pt;mso-border-top-alt:solid black .5pt;  mso-border-left-alt:solid black .5pt;padding:0cm 5.4pt 0cm 5.4pt"&gt;   &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt"&gt;A11&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td width="54" style="width:54.0pt;border-top:none;border-left:none;b
